Perkins, the Fakeer. Edward Sims van Zile
I love my husband dearly, do I not?"
"Devotedly, madame."
"Then, surely, Suzanne, I should not receive this epistle. What did I do with his–ah–former notes?"
I had made a most egregious blunder. An expression of amazement came into the French maid's mobile face.
"But, madame, this is the first one, is it not? I know of no others, madame."
There was a gleam of suspicion in the girl's eyes. It was evident that, for a moment, she suspected my dear Caroline of a lack of straight-forwardness. Impulsively I tore Romeo's note into a dozen fragments.
"There, Suzanne." I cried, in a triumphant treble, "my alibi is perfect. Who wrote this note I do not know. What he had to say I do not care. If you can get word to him, girl, tell him that if he comes prowling around my balcony again I'll have–ah–Reginald pull his nose for him. A bas Romeo!"
"But, madame," murmured Suzanne, evidently pained by my flippant fickleness and fickle flippancy, "monsieur, the writer of the note, dines here to-night, you know."
"The deuce he does, girl!" I cried, impulsively, making as if to pull my beard, and bruising my spirit against new conditions. "Who are our guests? Edgerton and his wife. It can't be Edgerton. He's not a blooming idjit. Van Tromp? Dear little Van Tromp! It must be Van Tromp. Oh, Van Tromp, Van Tromp, wherefore art thou, Romeo? Van Tromp's the man, eh, Suzanne?"
Caroline's maid was red and tearful.
"Madame is so strange this morning," she complained. "It was Mr. Van Tromp's man who brought the note, madame."
My soul waxed gay in Caroline's bosom. I warbled a snatch of song from Gounod's "Faust."
"Suzanne," I cried, "gather up the fragments of Romeo's billet-doux. Possibly his note is not what I supposed it was. I'll read what the dear little boy has to say. Thank you, Suzanne. I think I can put these pieces together in a way to extract the full flavor of Van Romeo's sweet message. What saith the youth? Ha! I have it.
"'MY DEAR MRS. STEVENS: Is it presumption upon my part to believe that you meant what you said to me at the Cromptons' dance? At all events, I have had the audacity to cherish your words in my heart of hearts. I am sending you a few violets to-day. If you do me the honor of wearing them at dinner to-night, I shall know that there was a basis of earnestness underneath the words that were as honey to my soul.'
"Listen to that, Suzanne," I cried, hysterically. "Is it not worthy of a young poet? I wonder what the dev–what Caro–ah–I said to this–ah–Romeo? Here's richness, Suzanne! I'll wear his flowers–with a string to 'em, eh? We'll have a merry dinner, Suzanne! I told Jones to throw everything wide open. I'll include young Van Tromp in the order. He shall be my special care, Suzanne. Van Tromp's mine oyster! What think you, Suzanne? Should I not quaff a toast to the success of my little game?"
"Madame, I do not understand," murmured the girl, in French. "Madame is feverish. Let me bathe madame's head, and she may get a quieting nap. If you could lose yourself only for an instant, madame!"
"Great Jupiter, Suzanne, will you get that idea out of your head? I don't want to lose myself. On the contrary–but–n'importe, as we say when we're feverish. You'll find some cigarettes in the bedroom, girl. Bring 'em to me at once. Don't stare at me that way! If I don't smoke I'll drink another cocktail, and then what'll happen?"
Suzanne shuddered and hurried away. Presently I was blowing smoke into the air, much to my own satisfaction and to Suzanne's ill-disguised amazement.
"Tobacco is quieting, Suzanne; soothing, cheerful. It stimulates hope and calms the perturbed soul. Damn it! what's that? Somebody's knocking, Suzanne. See who it is. If it's anyone for me, tell them that I won't draw cards this morning, but may take a hand later on. Don't stand staring at me, girl! Put a stop to that rapping at once."
"Mon Dieu!" groaned Suzanne, as she crossed the room. How much longer she could stand the strain of my eccentricities was becoming problematical. Presently she returned to me, carrying a box of flowers.
"Romeo's violets," I murmured, rapturously. "Tell me, nurse, did Juliet mean what she said to Romeo? Well, rather! I'll wear thy flowers, little boy! What's this? Another note, smothered in violets. Listen, Suzanne! Romeo has dropped into poetry. Listen:
"'Go, purple blossoms, the glory of Spring,
Gladden her eyes with thy velvety hue;
What are the words of the song that I sing?
They came to my heart as the dew came to you.
"'My love is a flower, my song is its scent;
Let it speak to her soul in the violet's breath!
And my spirit with thee, by a miracle blent,
Shall drink deep of life, of love unto death.'
"Take these away, Suzanne! Take them away!" I cried, in a panic. "Haven't I had enough of this theosophical, transmigration idiocy for one day? Take them away! 'By a miracle blent!' Confound the boy! if I got into that little Van Tromp's body through these infernal flowers I could never hold up my head again. What's that, Suzanne? Yes, keep them fresh. Give them water. But don't let me get near them again until I've got my courage back. Perhaps I'll dare to wear them to-night. I can't say yet."
I needed rest. Reclining in my chair, I idly watched Suzanne as she moved restlessly about the room trying to quiet her excitement by action.
"Suzanne," I cried, softening toward the maid, "don't look so sad. All will come right in the end. Brace up, girl. 'While there's life there's hope.'"
"Do I look sad, madame? I am very sorry. I will try to be more cheerful, for madame's sake. But if madame could put herself into my place for a moment–"
"There you go again, Suzanne," I exclaimed, testily. "We'll change the subject, girl. What next?"
"I think it might be well for madame to dress for luncheon," suggested Suzanne, nervously. It was evident that she had begun to lose confidence in my intervals of calm.
"Let me think, Suzanne. Somebody lunches with me. Who is it? Oh, yes, Mrs. Taunton. And now I think of it, Suzanne, Mrs. Taunton is little Van Tromp's sister. That's the reason I never liked her, I suppose."
"But madame and Mrs. Taunton seem to be such good friends," remarked Suzanne, in French, moving about in a way that filled me with foreboding. It was evident that she contemplated changing my costume at once.
"Appearances are often deceptive, Suzanne," I remarked, feelingly, lighting a fresh cigarette, somewhat clumsily. "What are you up to now, girl?"
"Madame must look her best at luncheon," remarked Suzanne, professionally. "Mrs. Taunton has such exquisite taste."
I was not pleased at Suzanne's remark. Mrs. Taunton, an avowed admirer of Caroline, had never disguised the fact that she considered me a nonentity. But fate had vouchsafed to me a great opportunity for proving to Mrs. Taunton that I was not altogether insignificant. Disguised in Caroline's outward seeming I might readily avenge myself for Mrs. Taunton's persistent indifference to my good points. Little Van Tromp had placed a double-edged weapon in my hand.
"Suzanne," I said, gazing grimly at the dress that she had laid out for me, "before you go further with my toilet, I wish you would make a copy of these verses for me. You write English, do you not?"
Suzanne glanced at me, inquisitively.
"Madame knows well that I do," she remarked, mournfully. But the trembling of her slender hand as she grasped Van Tromp's screed to do my bidding augured ill for the copy that she would make of his verses.
CHAPTER VII.
IRRITATION AND CONSOLATION
Waste not your hour, nor in the vain pursuit Of this and that endeavor and dispute; Better be merry with the fruitful grape Than sadden after none, or bitter fruit.
I