Proserpina, Volume 1. Ruskin John
accepted, and with ultimate advantage.
The learning of the one Latin name—as, for instance, Gramen striatum—I hope will be accurately enforced always;—but not less carefully the learning of the pretty English one—"Ladielace Grass"—with due observance that "Ladies' laces hath leaves like unto Millet in fashion, with many white vaines or ribs, and silver strakes running along through the middest of the leaves, fashioning the same like to laces of white and green silk, very beautiful and faire to behold."
I have said elsewhere, and can scarcely repeat too often, that a day will come when men of science will think their names disgraced, instead of honoured, by being used to barbarise nomenclature; I hope therefore that my own name may be kept well out of the way; but, having been privileged to found the School of Art in the University of Oxford, I think that I am justified in requesting any scientific writers who may look kindly upon this book, to add such of the names suggested in it as they think deserving of acceptance, to their own lists of synonyms, under the head of "Schol. Art. Oxon."
The difficulties thrown in the way of any quiet private student by existing nomenclature may be best illustrated by my simply stating what happens to myself in endeavouring to use the page above facsimile'd. Not knowing how far St. Bruno's Lily might be connected with my own pet one, and not having any sufficient book on Swiss botany, I take down Loudon's Encyclopædia of Plants, (a most useful book, as far as any book in the present state of the science can be useful,) and find, under the head of Anthericum, the Savoy Lily indeed, but only the following general information:—"809. Anthericum. A name applied by the Greeks to the stem of the asphodel, and not misapplied to this set of plants, which in some sort resemble the asphodel. Plants with fleshy leaves, and spikes of bright yellow flowers, easily cultivated if kept dry."
Hunting further, I find again my Savoy lily called a spider-plant, under the article Hemerocallis, and the only information which the book gives me under Hemerocallis, is that it means 'beautiful day' lily; and then, "This is an ornamental genus of the easiest culture. The species are remarkable among border flowers for their fine orange, yellow, or blue flowers. The Hemerocallis cœrulea has been considered a distinct genus by Mr. Salisbury, and called Saussurea." As I correct this sheet for press, however, I find that the Hemerocallis is now to be called 'Funkia,' "in honour of Mr. Funk, a Prussian apothecary."
All this while, meantime, I have a suspicion that my pet Savoy Lily is not, in existing classification, an Anthericum, nor a Hemerocallis, but a Lilium. It is, in fact, simply a Turk's cap which doesn't curl up. But on trying 'Lilium' in Loudon, I find no mention whatever of any wild branched white lily.
I then try the next word in my specimen page of Curtis; but there is no 'Phalangium' at all in Loudon's index. And now I have neither time nor mind for more search, but will give, in due place, such account as I can of my own dwarf branched lily, which I shall call St. Bruno's, as well as this Liliastrum—no offence to the saint, I hope. For it grows very gloriously on the limestones of Savoy, presumably, therefore, at the Grande Chartreuse; though I did not notice it there, and made a very unmonkish use of it when I gathered it last:—There was a pretty young English lady at the table-d'hôte, in the Hotel du Mont Blanc at St. Martin's,3 and I wanted to get speech of her, and didn't know how. So all I could think of was to go half-way up the Aiguille de Varens, to gather St. Bruno's lilies; and I made a great cluster of them, and put wild roses all around them as I came down. I never saw anything so lovely; and I thought to present this to her before dinner,—but when I got down, she had gone away to Chamouni. My Fors always treated me like that, in affairs of the heart.
I had begun my studies of Alpine botany just eighteen years before, in 1842, by making a careful drawing of wood-sorrel at Chamouni; and bitterly sorry I am, now, that the work was interrupted. For I drew, then, very delicately; and should have made a pretty book if I could have got peace. Even yet, I can manage my point a little, and would far rather be making outlines of flowers, than writing; and I meant to have drawn every English and Scottish wild flower, like this cluster of bog heather opposite,4—back, and profile, and front. But 'Blackwood's Magazine,' with its insults to Turner, dragged me into controversy; and I have not had, properly speaking, a day's peace since; so that in 1868 my botanical studies were advanced only as far as the reader will see in next chapter; and now, in 1874, must end altogether, I suppose, heavier thoughts and work coming fast on me. So that, finding among my notebooks, two or three, full of broken materials for the proposed work on flowers; and, thinking they may be useful even as fragments, I am going to publish them in their present state,—only let the reader note that while my other books endeavour, and claim, so far as they reach, to give trustworthy knowledge of their subjects, this one only shows how such knowledge may be obtained; and it is little more than a history of efforts and plans,—but of both, I believe, made in right methods.
One part of the book, however, will, I think, be found of permanent value. Mr. Burgess has engraved on wood, in reduced size, with consummate skill, some of the excellent old drawings in the Flora Danica, and has interpreted, and facsimile'd, some of his own and my drawings from nature, with a vigour and precision unsurpassed in woodcut illustration, which render these outlines the best exercises in black and white I have yet been able to prepare for my drawing pupils. The larger engravings by Mr. Allen may also be used with advantage as copies for drawings with pen or sepia.
I found the loveliest blue asphodel I ever saw in my life, yesterday, in the fields beyond Monte Mario,—a spire two feet high, of more than two hundred stars, the stalks of them all deep blue, as well as the flowers. Heaven send all honest people the gathering of the like, in Elysian fields, some day!
CHAPTER I.
MOSS
1. It is mortifying enough to write,—but I think thus much ought to be written,—concerning myself, as 'the author of Modern Painters.' In three months I shall be fifty years old: and I don't at this hour—ten o'clock in the morning of the two hundred and sixty-eighth day of my forty-ninth year—know what 'moss' is.
There is nothing I have more intended to know—some day or other. But the moss 'would always be there'; and then it was so beautiful, and so difficult to examine, that one could only do it in some quite separated time of happy leisure—which came not. I never was like to have less leisure than now, but I will know what moss is, if possible, forthwith.
2. To that end I read preparatorily, yesterday, what account I could find of it in all the botanical books in the house. Out of them all, I get this general notion of a moss,—that it has a fine fibrous root,—a stem surrounded with spirally set leaves,—and produces its fruit in a small case, under a cap. I fasten especially, however, on a sentence of Louis Figuier's, about the particular species, Hypnum:—
"These mosses, which often form little islets of verdure at the feet of poplars and willows, are robust vegetable organisms, which do not decay."5
3. "Qui ne pourrissent point." What do they do with themselves, then?—it immediately occurs to me to ask. And, secondly,—If this immortality belongs to the Hypnum only?
It certainly does not, by any means: but, however modified or limited, this immortality is the first thing we ought to take note of in the mosses. They are, in some degree, what the "everlasting" is in flowers. Those minute green leaves of theirs do not decay, nor fall.
But how do they die, or how stop growing, then?—it is the first thing I want to know about them. And from all the books in the house, I can't as yet find out this. Meanwhile I will look at the leaves themselves.
4. Going out to the garden, I bring in a bit of old brick, emerald green on its rugged surface,6 and a thick piece of mossy turf.
First, for the old brick: To think of the quantity of pleasure one has had in one's life from that emerald green velvet,—and yet that for the first time to-day I am verily going to look at it! Doing so, through a pocket lens of no great power, I find the
It was in the year 1860, in June.
Admirably engraved by Mr. Burgess, from my pen drawing, now at Oxford. By comparing it with the plate of the same flower in Sowerby's work, the student will at once see the difference between attentive drawing, which gives the cadence and relation of masses in a group, and the mere copying of each flower in an unconsidered huddle.
"Histoire des Plantes." Ed. 1865, p. 416.
The like of it I have now painted, Number 281, Case xii., in the Educational Series of Oxford.