The Tribes and Castes of the Central Provinces of India, Volume 4. Robert Vane Russell
a worker in iron. In the Central Provinces the Loharhas in the past frequently combined the occupations of carpenter and blacksmith, and in such a capacity he is known as Khāti. The honorific designations applied to the caste are Karīgar, which means skilful, and Mistri, a corruption of the English ‘Master’ or ‘Mister.’ In 1911 the Lohārs numbered about 180,000 persons in the Central Provinces and Berār. The Lohār is indispensable to the village economy, and the caste is found over the whole rural area of the Province.
“Practically all the Lohārs,” Mr. Crooke writes100, “trace their origin to Visvakarma, who is the later representative of the Vedic Twashtri, the architect and handicraftsman of the gods, ‘The fashioner of all ornaments, the most eminent of artisans, who formed the celestial chariots of the deities, on whose craft men subsist, and whom, a great and immortal god, they continually worship,’ One101 tradition tells that Visvakarma was a Brāhman and married the daughter of an Ahīr, who in her previous birth had been a dancing-girl of the gods. By her he had nine sons, who became the ancestors of various artisan castes, such as the Lohār, Barhai, Sunār, and Kasera.”
The Lohārs of the Uriya country in the Central Provinces tell a similar story, according to which Kamar, the celestial architect, had twelve sons. The eldest son was accustomed to propitiate the family god with wine, and one day he drank some of the wine, thinking that it could not be sinful to do so as it was offered to the deity. But for this act his other brothers refused to live with him and left their home, adopting various professions; but the eldest brother became a worker in iron and laid a curse upon the others that they should not be able to practise their calling except with the implements which he had made. The second brother thus became a woodcutter (Barhai), the third a painter (Mahārana), the fourth learnt the science of vaccination and medicine and became a vaccinator (Suthiār), the fifth a goldsmith, the sixth a brass-smith, the seventh a coppersmith, and the eighth a carpenter, while the ninth brother was weak in the head and married his eldest sister, on account of which fact his descendants are known as Ghantra.102 The Ghantras are an inferior class of blacksmiths, probably an offshoot from some of the forest tribes, who are looked down on by the others. It is said that even to the present day the Ghantra Lohārs have no objection to eating the leavings of food of their wives, whom they regard as their eldest sisters.
2. Social position of the Lohar
The above story is noticeable as indicating that the social position of the Lohār is somewhat below that of the other artisan castes, or at least of those who work in metals. This fact has been recorded in other localities, and has been explained by some stigma arising from his occupation, as in the following passage: “His social position is low even for a menial, and he is classed as an impure caste, in so far that Jāts and others of similar standing will have no social communion with him, though not as an outcast like the scavenger. His impurity, like that of the barber, washerman and dyer, springs solely from the nature of his employment; perhaps because it is a dirty one, but more probably because black is a colour of evil omen. It is not improbable that the necessity under which he labours of using bellows made of cowhide may have something to do with his impurity,”103
Mr. Nesfield also says: “It is owing to the ubiquitous industry of the Lohār that the stone knives, arrow-heads and hatchets of the indigenous tribes of Upper India have been so entirely superseded by iron-ores. The memory of the stone age has not survived even in tradition. In consequence of the evil associations which Hinduism has attached to the colour of black, the caste of Lohār has not been able to raise itself to the same social level as the three metallurgic castes which follow.” The following saying also indicates that the Lohār is of evil omen:
Ar, Dhār, Chuchkār
In tinon se bachāwe Kartār.
Here Ar means an iron goad and signifies the Lohār; Dhār represents the sound of the oil falling from the press and means a Teli or oilman; Chuchkār is an imitation of the sound of clothes being beaten against a stone and denotes the Dhobi or washerman; and the phrase thus runs, ‘My Friend, beware of the Lohār, Teli, and Dhobi, for they are of evil omen.’ It is not quite clear why this disrepute should attach to the Lohār, because iron itself is lucky, though its colour, black, may be of bad omen. But the low status of the Lohār may partly arise from the fact of his being a village menial and a servant of the cultivators; whereas the trades of the goldsmith, brass-smith and carpenter are of later origin than the blacksmith’s, and are urban rather than rural industries; and thus these artisans do not commonly occupy the position of village menials. Another important consideration is that the iron industry is associated with the primitive tribes, who furnished the whole supply of the metal prior to its importation from Europe: and it is hence probable that the Lohār caste was originally constituted from these and would thus naturally be looked down upon by the Hindus. In Bengal, where few or no traces of the village community remain, the Lohār ranks as the equal of Koiris and Kurmis, and Brāhmans will take water from his hands;104 and this somewhat favours the argument that his lower status elsewhere is not due to incidents of his occupation.
3. Caste subdivisions
The constitution of the Lohār caste is of a heterogeneous nature. In some localities Gonds who work as blacksmiths are considered to belong to the caste and are known as Gondi Lohārs. But Hindus who work in Gond villages also sometimes bear this designation. Another subdivision returned consists of the Agarias, also an offshoot of the Gonds, who collect and smelt iron-ore in the Vindhyan and Satpūra hills. The Panchāls are a class of itinerant smiths in Berār. The Ghantras or inferior blacksmiths of the Uriya country have already been noticed. The Ghisāris are a similar low class of smiths in the southern Districts who do rough work only, but sometimes claim Rājpūt origin. Other subcastes are of the usual local or territorial type, as Mahūlia, from Māhul in Berār; Jhāde or Jhādia, those living in the jungles; Ojha, or those professing a Brāhmanical origin; Marātha, Kanaujia, Mathuria, and so on.
4. Marriage and other customs
Infant-marriage is the custom of the caste, and the ceremony is that prevalent among the agricultural castes of the locality. The remarriage of widows is permitted, and they have the privilege of selecting their own husbands, or at least of refusing to accept any proposed suitor. A widow is always married from her father’s house, and never from that of her deceased husband. The first husband’s property is taken by his relatives, if there be any, and they also assume the custody of his children as soon as they are old enough to dispense with a mother’s care. The dead are both buried and burnt, and in the eastern Districts some water and a tooth-stick are daily placed at a cross-road for the use of the departed spirit during the customary period of mourning, which extends to ten days. On the eleventh day the relatives go and bathe, and the chief mourner puts on a new loin-cloth. Some rice is taken and seven persons pass it from hand to hand. They then pound the rice, and making from it a figure to represent a human being, they place some grain in its mouth and say to it, ‘Go and become incarnate in some human being,’ and throw the image into the water. After this the impurity caused by the death is removed, and they go home and feast with their friends. In the evening they make cakes of rice, and place them seven times on the shoulder of each person who has carried the corpse to the cemetery or pyre, to remove the impurity contracted from touching it. It is also said that if this be not done the shoulder will feel the weight of the coffin for a period of six months. The caste endeavour to ascertain whether the spirit of the dead person returns to join in the funeral feast, and in what shape it will be born again. For this purpose rice-flour is spread on the floor of the cooking-room and covered with a brass plate. The women retire and sit in an adjoining room while the chief mourner with a few companions goes outside the village, and sprinkles some more rice-flour on the ground. They call to the deceased person by name, saying, ‘Come, come,’ and then wait patiently till some worm or insect crawls on to the floor. Some dough is then applied to this and it is carried home and let loose in the house. The flour under the brass plate is examined, and it is said that they usually see the footprints
Dowson,
In Uriya the term,