The Vicar's Daughter. George MacDonald

The Vicar's Daughter - George MacDonald


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and I heard the birds singing as if they knew far more than mere human beings, and believed a great deal more than they knew. Nobody will persuade me that the birds don't mean it; that they sing from any thing else than gladness of heart. And if they don't think about cats and guns, why should they? Even when they fall on the ground, it is not without our Father. How horridly dull and stupid it seems to say that "without your Father" means without his knowing it. The Father's mere knowledge of a thing—if that could be, which my father says can't—is not the Father. The Father's tenderness and care and love of it all the time, that is the not falling without him. When the cat kills the bird, as I have seen happen so often in our poor little London garden, God yet saves his bird from his cat. There is nothing so bad as it looks to our half-sight, our blinding perceptions. My father used to say we are all walking in a spiritual twilight, and are all more or less affected with twilight blindness, as some people are physically. Percivale, for one, who is as brave as any wife could wish, is far more timid than I am in crossing a London street in the twilight; he can't see what is coming, and fancies he sees what is not coming. But then he has faith in me, and never starts when I am leading him.

      Well, the birds were singing, and Dora and the boys were making a great chatter, like a whole colony of sparrows, under my window. Still I felt as if I had twenty questions to settle before I could get up comfortably, and so lay on and on till the breakfast-bell rang: and I was not more than half dressed when my mother came to see why I was late; for I had not been late forever so long before.

      She comforted me as nobody but a mother can comfort. Oh, I do hope I shall be to my children what my mother has been to me! It would be such a blessed thing to be a well of water whence they may be sure of drawing comfort. And all she said to me has come true.

      Of course, my father gave me away, and Mr. Weir married us.

      It had been before agreed that we should have no wedding journey. We all liked the old-fashioned plan of the bride going straight from her father's house to her husband's. The other way seemed a poor invention, just for the sake of something different. So after the wedding, we spent the time as we should have done any other day, wandering about in groups, or sitting and reading, only that we were all more smartly dressed; until it was time for an early dinner, after which we drove to the station, accompanied only by my father and mother. After they left us, or rather we left them, my husband did not speak to me for nearly an hour: I knew why, and was very grateful. He would not show his new face in the midst of my old loves and their sorrows, but would give me time to re-arrange the grouping so as myself to bring him in when all was ready for him. I know that was what he was thinking, or feeling rather; and I understood him perfectly. At last, when I had got things a little tidier inside me, and had got my eyes to stop, I held out my hand to him, and then—knew that I was his wife.

      This is all I have got to tell, though I have plenty more to keep, till we get to London. There, instead of my father's nice carriage, we got into a jolting, lumbering, horrid cab, with my five boxes and Percivale's little portmanteau on the top of it, and drove away to Camden Town. It was to a part of it near the Regent's Park; and so our letters were always, according to the divisions of the post-office, addressed to Regent's Park, but for all practical intents we were in Camden Town. It was indeed a change from a fine old house in the country; but the street wasn't much uglier than Belgrave Square, or any other of those heaps of uglinesses, called squares, in the West End; and, after what I had been told to expect, I was surprised at the prettiness of the little house, when I stepped out of the cab and looked about me. It was stuck on like a swallow's nest to the end of a great row of commonplace houses, nearly a quarter of a mile in length, but itself was not the work of one of those wretched builders who care no more for beauty in what they build than a scavenger in the heap of mud he scrapes from the street. It had been built by a painter for himself, in the Tudor style; and though Percivale says the idea is not very well carried out, I like it much.

      I found it a little dreary when I entered though,—from its emptiness. The only sitting-room at all prepared had just a table and two or three old-fashioned chairs in it; not even a carpet on the floor. The bedroom and dressing-room were also as scantily furnished as they well could be.

      "Don't be dismayed, my darling," said my husband.

      "Look here,"—showing me a bunch of notes,—"we shall go out to-morrow and buy all we want,—as far as this will go,—and then wait for the rest. It will be such a pleasure to buy the things with you, and see them come home, and have you appoint their places. You and Sarah will make the carpets; won't you? And I will put them down, and we shall be like birds building their nest."

      "We have only to line it; the nest is built already."

      "Well, neither do the birds build the tree. I wonder if they ever sit in their old summer nests in the winter nights."

      "I am afraid not," I answered; "but I'm ashamed to say I can't tell."

      "It is the only pretty house I know in all London," he went on, "with a studio at the back of it. I have had my eye on it for a long time, but there seemed no sign of a migratory disposition in the bird who had occupied it for three years past. All at once he spread his wings and flew. I count myself very fortunate."

      "So do I. But now you must let me see your study," I said. "I hope I may sit in it when you've got nobody there."

      "As much as ever you like, my love," he answered. "Only I don't want to make all my women like you, as I've been doing for the last two years. You must get me out of that somehow."

      "Easily. I shall be so cross and disagreeable that you will get tired of me, and find no more difficulty in keeping me out of your pictures."

      But he got me out of his pictures without that; for when he had me always before him he didn't want to be always producing me.

      He led me into the little hall,—made lovely by a cast of an unfinished Madonna of Michael Angelo's let into the wall,—and then to the back of it, where he opened a small cloth-covered door, when there yawned before me, below me, and above me, a great wide lofty room. Down into it led an almost perpendicular stair.

      "So you keep a little private precipice here," I said.

      "No, my dear," he returned; "you mistake. It is a Jacob's ladder,—or will be in one moment more."

      He gave me his hand, and led me down.

      "This is quite a banqueting-hall, Percivale!" I cried, looking round me.

      "It shall be, the first time I get a thousand pounds for a picture," he returned.

      "How grand you talk!" I said, looking up at him with some wonder; for big words rarely came out of his mouth.

      "Well," he answered merrily, "I had two hundred and seventy-five for the last."

      "That's a long way off a thousand," I returned, with a silly sigh.

      "Quite right; and, therefore, this study is a long way off a banqueting-hall."

      There was literally nothing inside the seventeen feet cube except one chair, one easel, a horrible thing like a huge doll, with no end of joints, called a lay figure, but Percivale called it his bishop; a number of pictures leaning their faces against the walls in attitudes of grief that their beauty was despised and no man would buy them; a few casts of legs and arms and faces, half a dozen murderous-looking weapons, and a couple of yards square of the most exquisite tapestry I ever saw.

      "Do you like being read to when you are at work?" I asked him.

      "Sometimes,—at certain kinds of work, but not by any means always," he answered. "Will you shut your eyes for one minute," he went on, "and, whatever I do, not open them till I tell you?"

      "You mustn't hurt me, then, or I may open them without being able to help it, you know," I said, closing my eyes tight.

      "Hurt you!" he repeated, with a tone I would not put on paper if I could, and the same moment I found myself in his arms, carried like a baby, for Percivale is one of the strongest of men.

      It was only for a few yards, however. He laid me down somewhere, and told me to open my eyes.

      I could scarcely believe them when I did. I was lying on a couch in a room,—small, indeed, but beyond exception


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