Narrative and Miscellaneous Papers — Volume 2. Томас Де Квинси
so that our friend of the last century, who complained of the solar system, would not need to do so any longer. There are anomalies enough to keep him cheerful. There are now even things to alarm us; for anything in the starry worlds that look suspicious, anything that ought not to be there, is, for all purposes of frightening us, as good as a ghost.
But of all the novelties that excite my own interest in the expanding astronomy of recent times, the most delightful and promising are those charming little pyrotechnic planetoids,[Footnote: 'Pyrotechnic Planetoids:'—The reader will understand me as alluding to the periodic shooting stars. It is now well known, that as, upon our own poor little earthly ocean, we fall in with certain phenomena as we approach certain latitudes; so also upon the great ocean navigated by our Earth, we fall in with prodigious showers of these meteors at periods no longer uncertain, but fixed as jail-deliveries. 'These remarkable showers of meteors,' says Dr. Nichol, 'observed at different periods in August and November, seem to demonstrate the fact, that, at these periods, we have come in contact with two streams of such planetoids then intersecting the earth's orbit.' If they intermit, it is only because they are shifting their nodes, or points of intersection.] that variegate our annual course. It always struck me as most disgusting, that, in going round the sun, we must be passing continually over old roads, and yet we had no means of establishing an acquaintance with them: they might as well be new for every trip. Those chambers of ether, through which we are tearing along night and day, (for our train stops at no stations,) doubtless, if we could put some mark upon them, must be old fellows perfectly liable to recognition. I suppose, they never have notice to quit. And yet, for want of such a mark, though all our lives flying past them and through them, we can never challenge them as known. The same thing happens in the desert: one monotonous iteration of sand, sand, sand, unless where some miserable fountain stagnates, forbids all approach to familiarity: nothing is circumstantiated or differenced: travel it for three generations, and you are no nearer to identification of its parts: so that it amounts to travelling through an abstract idea. For the desert, really I suspect the thing is hopeless: but, as regards our planetary orbit, matters are mending: for the last six or seven years I have heard of these fiery showers, but indeed I cannot say how much earlier they were first noticed,[Footnote: Somewhere I have seen it remarked, that if, on a public road, you meet a party of four women, it is at least fifty to one that they are all laughing; whereas, if you meet an equal party of my own unhappy sex, you may wager safely that they are talking gravely, and that one of them is uttering the word money. Hence it must be, viz, because our sisters are too much occupied with the playful things of this earth, and our brothers with its gravities, that neither party sufficiently watches the skies. And that accounts for a fact which often has struck myself, viz., that, in cities, on bright moonless nights, when some brilliant skirmishings of the Aurora are exhibiting, or even a luminous arch, which is a broad ribbon of snowy light that spans the skies, positively unless I myself say to people—'Eyes upwards!' not one in a hundred, male or female, but fails to see the show, though it may be seen gratis, simply because their eyes are too uniformly reading the earth. This downward direction of the eyes, however, must have been worse in former ages: because else it never could have happened that, until Queen Anne's days, nobody ever hinted in a book that there was such a thing, or could be such a thing, as the Aurora Borealis; and in fact Halley had the credit of discovering it.] as celebrating two annual festivals—one in August, one in November. You are a little too late, reader, for seeing this year's summer festival; but that's no reason why you should not engage a good seat for the November meeting; which, if I recollect, is about the 9th, or the Lord Mayor's day, and on the whole better worth seeing. For anything we know, this may be a great day in the earth's earlier history; she may have put forth her original rose on this day, or tried her hand at a primitive specimen of wheat; or she may, in fact, have survived some gunpowder plot about this time; so that the meteoric appearance may be a kind congratulating feu-de-joye, on the anniversary of the happy event. What it is that the 'cosmogony man' in the 'Vicar of Wakefield' would have thought of such novelties, whether he would have favored us with his usual opinion upon such topics, viz., that anarchon ara kai ateleutaion to pan, or have sported a new one exclusively for this occasion, may be doubtful. What it is that astronomers think, who are a kind of 'cosmogony men,' the reader may learn from Dr. Nichol, Note B, (p. 139, 140.)
In taking leave of a book and a subject so well fitted to draw out the highest mode of that grandeur, which can connect itself with the external, (a grandeur capable of drawing down a spiritual being to earth, but not of raising an earthly being to heaven,) I would wish to contribute my own brief word of homage to this grandeur by recalling from a fading remembrance of twenty-five years back a short bravura of John Paul Richter. I call it a bravura, as being intentionally a passage of display and elaborate execution; and in this sense I may call it partly 'my own,' that at twenty-five years' distance, (after one single reading,) it would not have been possible for any man to report a passage of this length without greatly disturbing [Footnote: 'Disturbing;'—neither perhaps should I much have sought to avoid alterations if the original had been lying before me: for it takes the shape of a dream; and this most brilliant of all German writers wanted in that field the severe simplicity, that horror of the too much, belonging to Grecian architecture, which is essential to the perfection of a dream considered as a work of art. He was too elaborate, to realize the grandeur of the shadowy.] the texture of the composition: by altering, one makes it partly one's own; but it is right to mention, that the sublime turn at the end belongs entirely to John Paul.
'God called up from dreams a man into the vestibule of heaven, saying, —"Come thou hither, and see the glory of my house." And to the servants that stood around his throne he said,—"Take him, and undress him from his robes of flesh: cleanse his vision, and put a new breath into his nostrils: only touch not with any change his human heart—the heart that weeps and trembles." It was done; and, with a mighty angel for his guide, the man stood ready for his infinite voyage; and from the terraces of heaven, without sound or farewell, at once they wheeled away into endless space. Sometimes with the solemn flight of angel wing they fled through Zaarrahs of darkness, through wildernesses of death, that divided the worlds of life: sometimes they swept over frontiers, that were quickening under prophetic motions from God. Then, from a distance that is counted only in heaven, light dawned for a time through a sleepy film: by unutterable pace the light swept to them, they by unutterable pace to the light: in a moment the rushing of planets was upon them: in a moment the blazing of suns was around them. Then came eternities of twilight, that revealed, but were not revealed. To the right hand and to the left towered mighty constellations, that by self-repetitions and answers from afar, that by counter-positions, built up triumphal gates, whose architraves, whose archways—horizontal, upright—rested, rose—at altitudes, by spans— that seemed ghostly from infinitude. Without measure were the architraves, past number were the archways, beyond memory the gates. Within were stairs that scaled the eternities above, that descended to the eternities below: above was below, below was above, to the man stripped of gravitating body: depth was swallowed up in height insurmountable, height was swallowed up in depth unfathomable. Suddenly as thus they rode from infinite to infinite, suddenly as thus they tilted over abysmal worlds, a mighty cry arose—that systems more mysterious, that worlds more billowy,—other heights, and other depths,—were coming, were nearing, were at hand. Then the man sighed, and stopped, shuddered and wept. His over-laden heart uttered itself in tears; and he said,—"Angel, I will go no farther. For the spirit of man aches with this infinity. Insufferable is the glory of God. Let me lie down in the grave from the persecutions of the infinite; for end, I see, there is none." And from all the listening stars that shone around issued a choral voice, "The man speaks truly: end there is none, that ever yet we heard of." "End is there none?" the angel solemnly demanded: "Is there indeed no end? And is this the sorrow that kills you?" But no voice answered, that he might answer himself. Then the angel threw up his glorious hands to the heaven of heavens; saying, "End is there none to the universe of God? Lo! also there is no Beginning."'
NOTE.—On throwing his eyes hastily over the preceding paper, the writer becomes afraid that some readers may give such an interpretation to a few playful expressions upon the age of our earth, &c., as to class him with those who use geology, cosmology, &c., for purposes of attack, or insinuation against the Scriptures. Upon this point, therefore, he