The Incomplete Amorist. Эдит Несбит

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heart. What was it? Had anything happened? Was anyone ill? Then she recognized that she was not unhappy. And she felt more than ever as though it were days since she had had anything to eat.

      "Oh, dear," said Betty, jumping out of bed. "I'm going out, to meet Him, and have a drawing-lesson!"

      She dressed quickly. It was too soon to start. Not for anything must she be first at the rendezvous, even though it were only for a drawing-lesson. That "only" pulled her up sharply.

      When she was dressed she dug out the diary and wrote:

      "This is terrible. Is it possible that I have fallen in love with him? I don't know. 'Who ever loved that loved not at first sight?' It is a most frightful tragedy to happen to one, and at my age too. What a long life of loneliness stretches in front of me! For of course he could never care for me. And if this is love—well, it will be once and forever with me, I know.

      "That's my nature, I'm afraid. But I'm not,—I can't be. But I never felt so unlike myself. I feel a sort of calm exultation, as if something very wonderful was very near me. Dear Diary, what a comfort it is to have you to tell everything to!"

      It seemed to her that she must certainly be late. She had to creep down the front stairs so very slowly and softly in order that she might not awaken her step-father. She had so carefully and silently to unfasten a window and creep out, to close the window again, without noise, lest the maids should hear and come running to see why their young mistress was out of her bed at that hour. She had to go on tiptoe through the shrubbery and out through the church yard. One could climb its wall, and get into the Park that way, so as not to meet labourers on the road who would stare to see her alone so early and perhaps follow her.

      Once in the park she was safe. Her shoes and her skirts were wet with dew. She made haste. She did not want to keep him waiting.

      But she was first at the rendezvous, after all.

      She sat down on the carpet of pine needles. How pretty the early morning was. The sunlight was quite different from the evening sunlight, so much lighter and brighter. And the shadows were different. She tried to settle on a point of view for her sketch, the sketch he was to help her with.

      Her thoughts went back to what she had written in her diary. If that should be true she must be very, very careful. He must never guess it, never. She would be very cold and distant and polite. Not hail-fellow well-met with a "brother artist," like she had been yesterday. It was all very difficult indeed. Even if it really did turn out to be true, if the wonderful thing had happened to her, if she really was in love she would not try a bit to make him like her. That would be forward and "horrid." She would never try to attract any man. Those things must come of themselves or not at all.

      She arranged her skirt in more effective folds, and wondered how it would look as one came up the woodland path. She thought it would look rather picturesque. It was a nice heliotrope colour. It would look like a giant Parma violet against the dark green background. She hoped her hair was tidy. And that her hat was not very crooked. However little one desires to attract, one may at least wish one's hat to be straight.

      She looked for the twentieth time at her watch, the serviceable silver watch that had been her mother's. Half-past six, and he had not come.

      Well, when he did come she would pretend she had only just got there. Or how would it be if she gave up being a Parma violet and went a little way down the path and then turned back when she heard him coming? She walked away a dozen yards and stood waiting. But he did not come. Was it possible that he was not coming? Was he ill—lying uncared for at the Peal of Bells in the village, with no one to smooth his pillow or put eau-de-cologne on his head?

      She walked a hundred yards or so towards the village on the spur of this thought.

      Or perhaps he had come by another way to the trysting place? That thought drove her back. He was not there.

      Well, she would not stay any longer. She would just go away, and come back ever so much later, and let him have a taste of waiting. She had had her share, she told herself, as she almost ran from the spot. She stopped suddenly. But suppose he did not wait? She went slowly back.

      She sat down again, schooled herself to patience.

      What an idiot she had been! Like any school-girl. Of course he had never meant to come. Why should he? That page in her diary called out to her to come home and burn it. Care for him indeed! Not she! Why she hadn't exchanged ten words with the man!

      "But I knew it was all nonsense when I wrote it," she said. "I only just put it down to see what it would look like."

      Mr. Eustace Vernon roused himself, and yawned.

      "It's got to be done, I suppose. Buck up,—you'll feel better after your bath! Jove! Seven o'clock. Will she have waited? She's a keen player if she has. It's just worth trying, I suppose."

      The church clock struck the half-hour as he turned into the wood. Something palely violet came towards him.

      "So you are here," he said. "Where's the pink frock?"

      "It's—it's going to the wash," said a stiff and stifled voice. "I'm sorry I couldn't get here at six. I hope you didn't wait long?"

      "Not very long," he said, smiling; "but—Great Heavens, what on earth is the matter?"

      "Nothing," she said.

      "But you've been—you are—"

      "I'm not," she said defiantly,—"besides, I've got neuralgia. It always makes me look like that."

      "My Aunt!" he thought. "Then she was here at six and—she's been crying because I wasn't and—oh, where are we?" "I'm so sorry you've got neuralgia," he said gently, "but I'm awfully glad you didn't get here at six. Because my watch was wrong and I've only just got here, and I should never have forgiven myself if you'd waited for me a single minute. Is the neuralgia better now?"

      "Yes," she said, smiling faintly, "much better. It was rather sharp while it lasted, though."

      "Yes," he said, "I see it was. I am so glad you did come. But I was so certain you wouldn't that I didn't bring any of my traps. So we can't begin the picture to-day. Will you start a sketch, or is your neuralgia too bad?"

      He knew it would be: and it was.

      So they merely sat on the pine carpet and talked till it was time for her to go back to the late Rectory breakfast. They told each other their names that day. Betty talked very carefully. It was most important that he should think well of her. Her manner had changed, as she had promised herself it should do if she found she cared for him. Now she was with him she knew, of course, that she did not care at all. What had made her so wretched—no, so angry that she had actually cried, was simply the idea that she had been made a fool of. That she had kept the tryst and he hadn't. Now he had come she was quite calm. She did not care in the least.

      He was saying to himself: "I'm not often wrong, but I was off the line yesterday. All that doesn't count. We take a fresh deal and start fair. She doesn't know the game, mais elle a des moyens. She's never played the game before. And she cried because I didn't turn up. And so I'm the first—think of it, if you please—absolutely the first one! Well: it doesn't detract from the interest of the game. It's quite a different game and requires more skill. But not more than I have, perhaps."

      They parted with another tryst set for the next morning. The brother artist note had been skilfully kept vibrating.

      Betty was sure that she should never have any feeling for him but mere friendliness. She was glad of that. It must be dreadful to be really in love. So unsettling.

      CHAPTER III.

      VOLUNTARY

      Mr. Eustace Vernon is not by any error to be imagined as a villain of the deepest dye, coldly planning to bring misery to a simple village maiden for his own selfish pleasure. Not at all. As he himself would have put it, he meant no harm to the girl. He was a master of two arts, and to these he had devoted himself wholly. One was the art of painting. But one cannot paint for all the hours there are. In the intervals of painting Vernon always sought to exercise his other art. One is limited, of course, by the possibilities,


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