What's Mine's Mine — Complete. George MacDonald
after.
The room, then, was about fifteen feet by twelve, and the ceiling was low. On the white walls hung a few frames, of which two or three contained water-colours—not very good, but not displeasing; several held miniature portraits—mostly in red coats, and one or two a silhouette. Opposite the door hung a target of hide, round, and bossed with brass. Alister had come upon it in the house, covering a meal-barrel, to which service it had probably been put in aid of its eluding a search for arms after the battle of Culloden. Never more to cover man's food from mice, or his person from an enemy, it was raised to the WALHALLA of the parlour. Under it rested, horizontally upon two nails, the sword of the chief—a long and broad ANDREW FERRARA, with a plated basket-hilt; beside it hung a dirk—longer than usual, and fine in form, with a carved hilt in the shape of an eagle's head and neck, and its sheath, whose leather was dry and flaky with age, heavily mounted in silver. Below these was a card-table of marquetry with spindle-legs, and on it a work-box of ivory, inlaid with silver and ebony. In the corner stood a harp, an Erard, golden and gracious, not a string of it broken. In the middle of the room was a small square table, covered with a green cloth. An old-fashioned easy chair stood by the chimney; and one sat in it whom to see was to forget her surroundings.
In middle age she is still beautiful, with the rare beauty that shines from the root of the being. Her hair is of the darkest brown, almost black; her eyes are very dark, and her skin is very fair, though the soft bloom, as of reflected sunset, is gone from her cheek, and her hair shows lines of keen silver. Her features are fine, clear, and regular—the chin a little strong perhaps, not for the size, but the fineness of the rest; her form is that of a younger woman; her hand and foot are long and delicate. A more refined and courteous presence could not have been found in the island. The dignity of her carriage nowise marred its grace, or betrayed the least consciousness; she looked dignified because she was dignified. That form of falsehood which consists in assuming the look of what one fain would be, was, as much as any other, impossible to Isobel Macruadh. She wore no cap; her hair was gathered in a large knot near the top of her head. Her gown was of a dark print; she had no ornament except a ring with a single ruby. She was working a bit of net into lace.
She could speak Gaelic as well as any in the glen—perhaps better; but to her sons she always spoke English. To them indeed English was their mother-tongue, in the sense that English only came addressed to themselves from her lips. There were, she said, plenty to teach them Gaelic; she must see to their English.
The one window of the parlour, though not large, was of tolerable size; but little light entered, so shaded was it with a rose-tree in a pot on the sill. By the wall opposite was a couch, and on the couch lay Ian with a book in his hand—a book in a strange language. His mother and he would sometimes be a whole morning together and exchange no more than a word or two, though many a look and smile. It seemed enough for each to be in the other's company. There was a quite peculiar hond between the two. Like so many of the young men of that country, Ian had been intended for the army; but there was in him this much of the spirit of the eagle he resembled, that he passionately loved freedom, and had almost a gypsy's delight in wandering. When he left college, he became tutor in a Russian family of distinction, and after that accepted a commission in the household troops of the Czar. But wherever he went, he seemed, as he said once to his mother, almost physically aware of a line stretching between him and her, which seemed to vibrate when he grew anxious about her. The bond between him and his brother was equally strong, but in feeling different. Between him and Alister it was a cable; between him and his mother a harpstring; in the one case it was a muscle, in the other a nerve. The one retained, the other drew him. Given to roaming as he was, again and again he returned, from pure love-longing, to what he always felt as the PROTECTION of his mother. It was protection indeed he often had sought—protection from his own glooms, which nothing but her love seemed able to tenuate.
He was tall—if an inch above six feet be tall, but not of his brother's fine proportion. He was thin, with long slender fingers and feet like his mother's. His small, strong bones were covered with little more than hard muscle, but every motion of limb or body was grace. At times, when lost in thought and unconscious of movement, an observer might have imagined him in conversation with some one unseen, towards whom he was carrying himself with courtesy: plain it was that courtesy with him was not a graft upon the finest stock, but an essential element. His forehead was rather low, freckled, and crowned with hair of a foxy red; his eyes were of the glass-gray or green loved of our elder poets; his nose was a very eagle in itself—large and fine. He more resembled the mask of the dead Shakspere than any other I have met, only in him the proportions were a little exaggerated; his nose was a little too large, and his mouth a little too small for the mask; but the mingled sweetness and strength in the curves of the latter prevented the impression of weakness generally given by the association of such a nose and such a mouth. On his short upper lip was a small light moustache, and on his face not a hair more. In rest his countenance wore a great calmness, but a calmness that might seem rooted in sadness.
While the mother might, more than once in a day, differ to fault-finding from her elder-born—whom she admired, notwithstanding, as well as loved, from the bottom of her heart—she was never KNOWN to say a word in opposition to the younger. It was even whispered that she was afraid of him. It was not so; but her reverence for Ian was such that, even when she felt bound not to agree with him, she seldom had the confidence that, differing from HIM, she was in the right. Sometimes in the middle of the night she would slip like a ghost into the room where he lay, and sit by his bed till the black cock, the gray cock, the red cock crew. The son might be awake all the time, and the mother suspect him awake, yet no word pass between them. She would rise and go as she came. Her feeling for her younger son was like that of Hannah for her eldest—intensest love mixed with strangest reverence. But there were vast alternations and inexplicable minglings in her thoughts of him. At one moment she would regard him as gifted beyond his fellows for some great work, at another be filled with a horrible fear that he was in rebellion against the God of his life. Doubtless mothers are far too ready to think THEIR sons above the ordinary breed of sons: self, unpossessed of God, will worship itself in its offspring; yet the sons whom HOLY mothers have regarded as born to great things and who have passed away without sign, may have gone on toward their great things. Whether this mother thought too much of her son or not, there were questions moving in his mind which she could not have understood—even then when he would creep to her bed in the morning to forget in her arms the terrible dreams of the night, or when at evening he would draw his little stool to her knee, unable or unwilling to enjoy his book anywhere but by her side.
What gave him his unconscious power over his mother, was, first, the things he said, and next, the things he did not say; for he seemed to her to dwell always in a rich silence. Yet throughout was she aware of a something between them, across which they could not meet; and it was in part her distress at the seeming impossibility of effecting a spiritual union with her son, that made her so desirous of personal proximity to him. Such union is by most thinking people presumed impossible without consent of opinion, and this mistake rendered her unable to FEEL near him, to be at home with him. If she had believed that they understood each other, that they were of like OPINION, she would not have been half so unhappy when he went away, would not have longed half so grievously for his return. Ian on his part understood his mother, but knew she did not understand him, and was therefore troubled. Hence it resulted that always after a time came the hour—which never came to her—when he could endure proximity without oneness no longer, and would suddenly announce his departure. And after a day or two of his absence, the mother would be doubly wretched to find a sort of relief in it, and would spend wakeful nights trying to oust it as the merest fancy, persuading herself that she was miserable, and nothing but miserable, in the loss of her darling.
Naturally then she would turn more to Alister, and his love was a strengthening tonic to her sick motherhood. He was never jealous of either. Their love for each other was to him a love. He too would mourn deeply over his brother's departure, but it became at once his business to comfort his mother. And while she had no suspicion of the degree to which he suffered, it drew her with fresh love to her elder born, and gave her renewal of the quiet satisfaction in him that was never absent, when she saw how he too missed Ian. Their mutual affection was indeed as true and strong as a mother could desire it. "If such love," she said to herself,