Beacon Lights of History, Volume 06: Renaissance and Reformation. John Lord
enter into the disquisitions of schoolmen, or the mazes of the scholastic philosophy, or the meditations of almost inspired sages. It is not the joys of heaven or the terrors of hell on which he discourses, but of men and women as they lived around him, in their daily habits and occupations. We must go to Wyclif if we would know the theological or philosophical doctrines which interested the learned. Chaucer only tells how monks and friars lived, not how they speculated or preached. We see enough, however, to feel that he was emancipated from the ideas of the Middle Ages, and had cast off their gloom, their superstition, and their despair. The only things he liked of those dreary times were their courts of love and their chivalric glories.
I do not propose to analyze the poetry of Chaucer, or enter upon a critical inquiry as to his relative merits in comparison with the other great poets. It is sufficient for me to know that critics place him very high as an original poet, although it is admitted that he drew much of his material from French and Italian authors. He was, for his day, a great linguist. He had travelled extensively, and could speak Latin, French, and Italian with fluency. He knew Petrarch and other eminent Italians. One is amazed that in such an age he could have written so well, for he had no great models to help him in his own language. If occasionally indecent, he is not corrupting. He never deliberately disseminates moral poison; and when he speaks of love, he treats almost solely of the simple and genuine emotions of the heart.
The best criticism that I have read of Chaucer's poetry is that of Adolphus William Ward; although as a biography it is not so full or so interesting as that of Godwin or even Morley. In no life that I have read are the mental characteristics of our poet so ably drawn,–"his practical good sense," his love of books, his still deeper love of nature, his naïveté, the readiness of his description, the brightness of his imagery, the easy flow of his diction, the vividness with which he describes character; his inventiveness, his readiness of illustration, his musical rhythm, his gaiety and cheerfulness, his vivacity and joyousness, his pathos and tenderness, his keen sense of the ridiculous and power of satire, without being bitter, so that his wit and fun are harmless, and perpetually pleasing.
He doubtless had great dramatic talent, but he did not live in a dramatic age. His especial excellence, never surpassed, was his power of observing and drawing character, united with boundless humor and cheerful fun. And his descriptions of nature are as true and unstinted as his descriptions of men and women, so that he is as fresh as the month of May. In his poetry is life; and hence his immortal fame. He is not so great as Spenser or Shakspeare or Milton; but he has the same vitality as they, and is as wonderful as they considering his age and opportunities,–a poet who constantly improved as he advanced in life, and whose greatest work was written in his old age.
Unfortunately, we know but little of Chaucer's habits and experiences, his trials and disappointments, his friendships or his hatreds. What we do know of him raises our esteem. Though convivial, he was temperate; though genial, he was a silent observer, quiet in his manners, modest in his intercourse with the world, walking with downcast eye, but letting nothing escape his notice. He believed in friendship, and kept his friends to the end, and was stained neither by envy nor by pride,–as frank as he was affectionate, as gentle as he was witty. Living with princes and nobles, he never descended to gross adulation, and never wrote a line of approval of the usurpation of Henry IV., although his bread depended on Henry's favor, and he was also the son of the king's earliest and best friend. He was not a religious man, nor was he an immoral man, judged by the standard of his age. He probably was worldly, as he lived in courts. We do not see in him the stern virtues of Dante or Milton; nothing of that moral earnestness which marked the only other great man with whom he was contemporary,–he who is called the "morning star" of the Reformation. But then we know nothing about him which calls out severe reprobation. He was patriotic, and had the confidence of his sovereign, else he would not have been employed on important missions. And the sweetness of his character may be inferred from his long and tender friendship with Gower, whom some in that age considered the greater poet. He was probably luxurious in his habits, but intemperate use of wine he detested and avoided. He was portly in his person, but refinement marked his features. He was a gentleman, according to the severest code of chivalric excellence; always a favorite with ladies, and equally admired by the knights and barons of a brilliant court. No poet was ever more honored in his life or lamented in his death, as his beautiful monument in Westminster Abbey would seem to attest. That monument is the earliest that was erected to the memory of a poet in that Pantheon of English men of rank and genius; and it will probably be as long preserved as any of those sculptured urns and animated busts which seek to keep alive the memory of the illustrious dead,–of those who, though dead, yet speak to all future generations.
AUTHORITIES
Chaucer's own works, especially the Canterbury Tales; publications of the Chaucer Society; Pauli's History of England; ordinary Histories of England which relate to the reigns of Edward III. and Richard II., especially Green's History of the English People; Life of Chaucer, by William Godwin (4 volumes, London, 1804); Tyrwhitt's edition of Canterbury Tales; Speglet's edition of Chaucer; Warton's History of English Poetry; St. Palaye's History of Chivalry; Chaucer's England, by Matthew Browne (London, 1869); Sir Harris Nicholas's Life of Chaucer; The Riches of Chaucer, by Charles Cowden Clarke; Morley's Life of Chaucer. The latest work is a Life and Criticism of Chaucer, by Adolphus William Ward. There is also a Guide to Chaucer, by H.G. Fleary. See also Skeat's collected edition of Chaucer's Works, brought out under the auspices of the Early English Text Society.
CHRISTOPHER COLUMBUS
About thirteen hundred years ago, when Attila the Hun, called "the scourge of God," was overrunning the falling empire of the Romans, some of the noblest citizens of the small cities of the Adriatic fled, with their families and effects, to the inaccessible marshes and islands at the extremity of that sea, and formed a permanent settlement. They became fishermen and small traders. In process of time they united their islands together by bridges, and laid the foundation of a mercantile state. Thither resorted the merchants of Mediaeval Europe to make exchanges. Thus Venice became rich and powerful, and in the twelfth century it was one of the prosperous states of Europe, ruled by an oligarchy of the leading merchants.
Contemporaneous with Dante, one of the most distinguished citizens of this mercantile mart, Marco Polo, impelled by the curiosity which reviving commerce excited and the restless adventure of a crusading age, visited the court of the Great Khan of Tartary, whose empire was the largest in the world. After a residence of seventeen years, during which he was loaded with honors, he returned to his native country, not by the ordinary route, but by coasting the eastern shores of Asia, through the Indian Ocean, up the Persian Gulf, and thence through Bagdad and Constantinople, bringing with him immense wealth in precious stones and other Eastern commodities. The report of his wonderful adventures interested all Europe, for he was supposed to have found the Tarshish of the Scriptures, that land of gold and spices which had enriched the Tyrian merchants in the time of Solomon,–men supposed by some to have sailed around the Cape of Good Hope in their three years' voyages. Among the wonderful things which Polo had seen was a city on an island off the coast of China, which was represented to contain six hundred thousand families, so rich that the palaces of its nobles were covered with plates of gold, so inviting that odoriferous plants and flowers diffused the most grateful perfumes, so strong that even the Tartar conquerors of China could not subdue it. This island, known now as Japan, was called Cipango, and was supposed to be inexhaustible in riches, especially when the reports of Polo were confirmed by Sir John Mandeville, an English traveller in the time of Edward III.,–and with even greater exaggerations, since he represented the royal palace to be more than six miles in circumference, occupied by three hundred thousand men.
In an awakening age of enterprise, when chivalry had not passed away, nor the credulity of the Middle Ages, the reports of this Cipango inflamed the imagination of Europe, and to reach it became at once the desire and the problem of adventurers and merchants. But how could this El Dorado be reached? Not by sailing round Africa; for to sail South, in popular estimation, was to encounter torrid suns with ever increasing heat, and suffocating vapors, and unknown dangers. The scientific world had lost the knowledge of what even the ancients knew. Nobody surmised that there was a Cape of Good Hope which could be doubled, and would open the way to the Indian