The Atlantic Monthly, Volume 06, No. 36, October, 1860. Various
arguments for design in Nature. This misconception is shared both by the reviewers and the reviewed. At least, Mr. Darwin uses expressions which seem to imply that the natural forms which surround us, because they have a history or natural sequence, could have been only generally, but not particularly designed,—a view at once superficial and contradictory; whereas his true line should be, that his hypothesis concerns the order and not the cause, the how and not the why of the phenomena, and so leaves the question of design just where it was before.
To illustrate this first from the theist's point of view. Transfer the question for a moment from the origination of species to the origination of individuals, which occurs, as we say, naturally. Because natural, that is, "stated, fixed, or settled," is it any the less designed on that account? We acknowledge that God is our maker,—not merely the originator of the race, but our maker as individuals,—and none the less so because it pleased Him to make us in the way of ordinary generation. If any of us were born unlike our parents and grandparents, in a slight degree, or in whatever degree, would the case be altered in this regard? The whole argument in natural theology proceeds upon the ground that the inference for a final cause of the structure of the hand and of the valves in the veins is just as valid now, in individuals produced through natural generation, as it would have been in the case of the first man, supernaturally created. Why not, then, just as good even on the supposition of the descent of men from Chimpanzees and Gorillas, since those animals possess these same contrivances? Or, to take a more supposable case: If the argument from structure to design is convincing when drawn from a particular animal, say a Newfoundland dog, and is not weakened by the knowledge that this dog came from similar parents, would it be at all weakened, if, in tracing his genealogy, it were ascertained that he was a remote descendant of the mastiff or some other breed, or that both these and other breeds came (as is suspected) from some wolf? If not, how is the argument for design in the structure of our particular dog affected by the supposition that his wolfish progenitor came from a post-tertiary wolf, perhaps less unlike an existing one than the dog in question is from some other of the numerous existing races of dogs, and that this post-tertiary came from an equally or more different tertiary wolf? And if the argument from structure to design is not invalidated by our present knowledge that our individual dog was developed from a single organic cell, how is it invalidated by the supposition of an analogous natural descent, through a long line of connected forms, from such a cell, or from some simple animal, existing ages before there were any dogs? Again, suppose we have two well-known and very decidedly different animals or plants, A and D, both presenting, in their structure and in their adaptations to the conditions of existence, as valid and clear evidence of design as any animal or plant ever presented: suppose we have now discovered two intermediate species, B and C, which make up a series with equable differences from A to D. Is the proof of design or final cause in A and D, whatever it amounted to, at all weakened by the discovered intermediate forms? Rather does not the proof extend to the intermediate species, and go to show that all four were equally designed? Suppose, now, the number of intermediate forms to be much increased, and therefore the gradations to be closer yet, as close as those between the various sorts of dogs, or races of men, or of horned cattle: would the evidence of design, as shown in the structure of any of the members of the series, be any weaker than it was in the case of A and D? Whoever contends that it would be should likewise maintain that the origination of individuals by generation is incompatible with design, and so take a consistent atheistical view of Nature. Perhaps we might all have confidently thought so, antecedently to experience of the fact of reproduction. Let our experience teach us wisdom.
These illustrations make it clear that the evidence of design from structure and adaptation is furnished complete by the individual animal or plant itself, and that our knowledge or our ignorance of the history of its formation or mode of production adds nothing to it and takes nothing away. We infer design from certain arrangements and results; and we have no other way of ascertaining it. Testimony, unless infallible, cannot prove it, and is out of the question here. Testimony is not the appropriate proof of design: adaptation to purpose is. Some arrangements in Nature appear to be contrivances, but may leave us in doubt. Many others, of which the eye and the hand are notable examples, compel belief with a force not appreciably short of demonstration. Clearly to settle that these must have been designed goes far towards proving that other organs and other seemingly less explicit adaptations in Nature must also have been designed, and clinches our belief, from manifold considerations, that all Nature is a preconcerted arrangement, a manifested design. A strange contradiction would it be to insist that the shape and markings of certain rude pieces of flint, lately found in drift deposits, prove design, but that nicer and thousand-fold more complex adaptations to use in animals and vegetables do not a fortiori argue design.
We could not affirm that the arguments for design in Nature are conclusive to all minds. But we may insist, upon grounds already intimated, that whatever they were good for before Darwin's book appeared, they are good for now. To our minds the argument from design always appeared conclusive of the being and continued operation of an intelligent First Cause, the Ordainer of Nature; and we do not see that the grounds of such belief would be disturbed or shifted by the adoption of Darwin's hypothesis. We are not blind to the philosophical difficulties which the thorough-going implication of design in Nature has to encounter, nor is it our vocation to obviate them. It suffices us to know that they are not new nor peculiar difficulties,—that, as Darwin's theory and our reasonings upon it did not raise these perturbing spirits, they are not bound to lay them. Meanwhile, that the doctrine of design encounters the very same difficulties in the material that it does in the moral world is just what ought to be expected.
So the issue between the skeptic and the theist is only the old one, long ago argued out,—namely, whether organic Nature is a result of design or of chance. Variation and natural selection open no third alternative; they concern only the question, How the results, whether fortuitous or designed, may have been brought about. Organic Nature abounds with unmistakable and irresistible indications of design, and, being a connected and consistent system, this evidence carried the implication of design throughout the whole. On the other hand, chance carries no probabilities with it, can never be developed into a consistent system; but, when applied to the explanation of orderly or beneficial results, heaps up improbabilities at every step beyond all computation. To us, a fortuitous Cosmos is simply inconceivable. The alternative is a designed Cosmos.
It is very easy to assume, that, because events in Nature are in one sense accidental, and the operative forces which bring them to pass are themselves blind and unintelligent, (all forces are,) therefore they are undirected, or that he who describes these events as the results of such forces thereby assumes that they are undirected. This is the assumption of the Boston reviewers, and of Mr. Agassiz, who insists that the only alternative to the doctrine, that all organized beings were supernaturally created as they are, is, that they have arisen spontaneously through the omnipotence of matter.18
As to all this, nothing is easier than to bring out in the conclusion what you introduce in the premises. If you import atheism into your conception of variation and natural selection, you can readily exhibit it in the result. If you do not put it in, perhaps there need be none to come out. While the mechanician is considering a steamboat or locomotive engine as a material organism, and contemplating the fuel, water, and steam, the source of the mechanical forces and how they operate, he may not have occasion to mention the engineer. But, the orderly and special results accomplished, the why the movement is in this or that particular direction, etc., are inexplicable without him. If Mr. Darwin believes that the events which he supposes to have occurred and the results we behold were undirected and undesigned, or if the physicist believes that the natural forces to which he refers phenomena are uncaused and undirected, no argument is needed to show that such belief is atheism. But the admission of the phenomena and of these natural processes and forces does not necessitate any such belief, nor even render it one whit less improbable than before.
Surely, too, the accidental element may play its part in Nature without negativing design in the theist's view. He believes that the earth's surface has been very gradually prepared for man and the existing animal races, that vegetable matter has through a long series of generations imparted fertility to the soil in order that it may support its present occupants, that even beds of coal have been stored up for man's
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