The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 341, November 15, 1828. Various

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regarded with horror in France, and would gladly have visited England, but she received no encouragement for that purpose from Cromwell. She returned to Rome, and resumed her amusements in the arts and sciences. In 1660, on the death of Charles Gustavus, she took a journey to Sweden to recover her crown; but her ancient subjects rejected her claims, and submitted to a second renunciation of the throne; after which she returned to Rome. Some differences with the pope made her resolve, in 1662, once more to return to Sweden; but the conditions annexed by the senate to her residence there were now so mortifying, that she proceeded no farther than Hamburgh. She went back to Rome, and cultivated a correspondence with the learned men there, and in other parts of Europe, and died in 1689, leaving behind her many letters, a "Collection of Miscellaneous Thoughts or Maxims," and "Reflections on the Life and Actions of Alexander the Great."

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      Dr. Stukely, who says, that acan in the Chaldee signifies a serpent, and hac is no other than a snake. In Yorkshire they still call snakes hags; and in the British language pen denotes a head.

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Dr. Stukely, who says, that acan in the Chaldee signifies a serpent, and hac is no other than a snake. In Yorkshire they still call snakes hags; and in the British language pen denotes a head.

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The only place in which they do not progress mutually is the theatre. Look at the scenery of our patent theatres, and compare it with the vulgar daubs even of John Kemble's time. Some of the scenes by Stanfield, Roberts, Grieve, and Pugh, are "perfect pictures." Yet the language of the stage is at a stand, and insipid comedy, dull tragedy, and stupid farce are more abundant than before the "march of mind".

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While on the subject of wood-engraving, perhaps we may he allowed to mention our own humble plan of illustrating a sheet of letter-press for twopence. Of course, perfection in the engraving department would have ruined all parties concerned; for each of our subjects (as the miniature painters tell you of their works) might be worked up to "any price". It is now six years since the MIRROR was commenced, and as we are not speaking of ourselves, individually, we hope we may refer to the progressive improvement of the graphic department without any charge of vanity.

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The engraving is from Prout's exquisite picture of the magnificent city of Vicenza—for which we recollect our obligation to the "Forget Me Not."