Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.
1
The same kind of limitations would have to be postulated in estimating the brothers De Goncourt, who, falling short of the first magnitude, have yet a fully recognised position upon the stellar atlas.
2
Three vols. 8vo, 1880 (Remington). It was noticed at some length in the Athenoeum of June 12th, in which the author's philosophic outlook is condemned as a dangerous compound of Schopenhauer, Comte, and Shelley. It is somewhat doubtful if he ever made more for a book than the £250 he got for New Grub Street. £2
1
The same kind of limitations would have to be postulated in estimating the brothers De Goncourt, who, falling short of the first magnitude, have yet a fully recognised position upon the stellar atlas.
2
Three vols. 8vo, 1880 (Remington). It was noticed at some length in the Athenoeum of June 12th, in which the author's philosophic outlook is condemned as a dangerous compound of Schopenhauer, Comte, and Shelley. It is somewhat doubtful if he ever made more for a book than the £250 he got for New Grub Street. £200, we believe, was advanced on The Nether World, but this proved anything but a prosperous speculation from the publisher's point of view, and £150 was refused for Born in Exile.
3
Three vols., 1884, dedicated to M.C.R. In one volume 'revised,' 1895 (preface dated October 1895).
4
Who but Gissing could describe a heroine as exhibiting in her countenance 'habitual nourishment on good and plenteous food'?
5
Isabel Clarendon. By George Gissing. In two volumes, 1886 (Chapman and Hall). In reviewing this work the Academy expressed astonishment at the mature style of the writer—of whom it admitted it had not yet come across the name.
6
Of Gissing's early impressions, the best connected account, I think, is to be gleaned from the concluding chapters of The Whirlpool; but this may be reinforced (and to some extent corrected, or, here and there cancelled) by passages in Burn in Exile (vol. i.) and in Ryecroft. The material there supplied is confirmatory in the best sense of the detail contributed by Mr. Wells to the cancelled preface of Veranilda, touching the 'schoolboy, obsessed by a consuming passion for learning, at the Quaker's boarding-school at Alderley. He had come thither from Wakefield at the age of thirteen—after the death of his father, who was, in a double sense, the cardinal formative influence in his life. The tones of his father's voice, his father's gestures, never departed from him; when he read aloud, particularly if it was poetry he read, his father returned in him. He could draw in those days with great skill and vigour—it will seem significant to many that he was particularly fascinated by Hogarth's work, and that he copied and imitated it; and his father's well-stocked library, and his father's encouragement, had quickened his imagination and given it its enduring bias for literary activity.' Like Defoe, Smollett, Sterne, Borrow, Dickens, Eliot, 'G.C.' is, half involuntarily, almost unconsciously autobiographic.
7
See a deeply interesting paper on Dickens by 'G.G.' in the New York Critic, Jan. 1902. Much of this is avowed autobiography.
8
Thyrza: A Novel (3 vols., 1887). In later life we are told that Gissing affected to despise this book as 'a piece of boyish idealism.' But he was always greatly pleased by any praise of this 'study of two sisters, where poverty for once is rainbow-tinted by love.' My impression is that it was written before Demos, but was longer in finding a publisher; it had to wait until the way was prepared by its coarser and more vigorous workfellow. A friend writes: 'I well remember the appearance of the MS. Gissing wrote then on thin foreign paper in a small, thin handwriting, without correction. It was before the days of typewriting, and the MS. of a three-volume novel was so compressed that one could literally put it in one's pocket without the slightest inconvenience.' The name is from Byron's Elegy on Thyrza.
9
I am thinking, in particular, of the old vielle-player's conversation in chap. xxiii. of John Inglesant; of the exquisite passage on old dance music—its inexpressible pathos—in chap. xxv.
10
See Emancipated, chaps. iv.-xii.; New Grub Street, chap, xxvii.; Ryecroft, Autumn xix.; the short, not superior, novel called Sleeping Fires, 1895, chap. i. 'An encounter on the Kerameikos'; The Albany, Christmas 1904, p. 27; and Monthly Review, vol. xvi. 'He went straight by sea to the land of his dreams—Italy. It was still happily before the enterprise of touring agencies had fobbed the idea of Italian travel of its last vestiges of magic. He spent as much time as he could afford about the Bay of Naples, and then came on with a rejoicing heart to Rome—Rome, whose topography had been with him since boyhood, beside whose stately history the confused tumult of the contemporary newspapers seemed to him no more than a noisy, unmeaning persecution of the mind. Afterwards he went to Athens.'
11
An impressive specimen of his eloquence was cited by me in an article in the Daily Mail Year Book (1906, p. 2). A riper study of a somewhat similar character is given in old Mr. Lashmar in Our Friend the Charlatan. (See his sermon on the blasphemy which would have us pretend that our civilisation obeys the spirit of Christianity, in chap, xviii.). For a criticism of Demos and Thyrza in juxtaposition with Besant's Children of Gibeon, see Miss Sichel on 'Philanthropic Novelists' (Murray's Magazine, iii. 506-518). Gissing saw deeper than to 'cease his music on a merry chord.'
12
Sometimes, however, as in The Whirlpool (1897) with a very significant change of intonation:—'And that History which he loved to read—what was it but the lurid record of woes unutterable! How could he find pleasure in keeping his eyes fixed on century after century of ever-repeated torment—war, pestilence, tyranny; the stake, the dungeon; tortures of infinite device, cruelties inconceivable?'—(p. 326.)
13
Dolman in National Review, vol. xxx.; cf. ibid., vol. xliv.
14
Here is a more fully prepared expression of the very essence of Biffen's artistic ideal.—By the Ionian Sea, chap. x.
15
See page 260.
16
With an exhibition gained when he was not yet fifteen.
17
Followed in 1897 by The Whirlpool (see p. xvi), and in 1899 and 1903 by two books containing a like infusion of autobiographical experience, The Crown of Life, technically admirable in chosen passages, but sadly lacking in the freshness
