The Whirlpool. George Gissing
lost courage to believe. They expected great things of her; her personal popularity and her talents had prevailed against the most prejudicial circumstance; people did not think of her as the daughter of Bennet Frothingham,—unless to contrast the hopefulness of her future with the black calamity that lay behind.
She waxed philosophical. How everything in this world tends to good! At her father's death she had mourned bitterly; it had struck her to the heart; his imprudence (she could never use, even in thought, a harsher word) pained more than it shamed her, and not a day passed but she sorrowed over the dishonour that darkened his memory. Yet were not these woes and disasters the beginning of a new life for her! In prosperity, what would she ever have become? Nothing less than being thrown out into the world could have given her the impulse needed to realise a high ambition. 'Tant mieux, another great violinist!' How sincerely, how inspiringly, it was said!
And Alma's feet had brought her home again before she paused to reflect that, for all purposes of ambition, the past half-year had been utterly wasted. Never mind; after her return from Bregenz!
On her table lay Redgrave's note; a very civil line or two, requesting permission to call. There was another letter, black-bordered, which came from her step-mother. Mrs. Frothingham said that she had been about to write for several days, but all sorts of disagreeable business had hindered her; even now, she could only write hurriedly. In the last fortnight she had had to go twice to London. 'And really I think I shall be obliged to go and live there again, for a time; so many things have to be seen to. It might be best, perhaps, if I took a small flat. I was going to say, however, that the last time I went up, I met Mr. Redgrave, and we had quite a long talk—about you. He was most sincerely interested in your future; indeed it quite surprised me, for I will confess that I had never had a very high opinion of him. I fancy he suffered no loss. His behaviour to me was that of a gentleman, very different from that of some people I could name. But it was you he spoke of most. He said he was shortly going to Germany, and begged me to let him have your address, and really I saw no harm in it. He may call upon you. If so, let me hear all about it, for it will interest me very much.'
Alma had half a mind to reply at once, but on reflection decided to wait. After all, Mr. Redgrave might not keep his promise of coming to see her at Bregenz, and in that event a very brief report of what had happened would suffice. But she felt sure that he meant to come.
And decidedly she hoped it; why, she was content to leave a rosy vagueness.
CHAPTER 8
Alma and her German friend silently agreed in foreseeing that they would not live together much longer. Miss Steinfeld, eager at first to talk English, was relapsing into her native tongue, and as Alma lazily avoided German, they conversed in different languages, each with a sprinkling of foreign phrase. The English girl might have allied herself with a far worse companion; for, in spite of defects which resembled Alma's own, vagueness of purpose, infirmity of will, Miss Steinfeld had a fund of moral principle which made her talk wholesome and her aspirations an influence for good. She imagined herself in love with an artist whom she had seen only two or three times, and no strain could have been more exalted than that in which she confided her romance to the sympathetic Alma. Sympathetic, that is, within her limits; for Miss Frothingham had never been in love, and rarely indulged a mood of sentiment. Her characteristic emotions she of course did not reveal, save unconsciously, and Miss Steinfeld knew nothing of the tragic circumstances which explained her friend's solitude.
In the first days at Bregenz they felt a renewal of pleasure in each other's society; Alma's spirits were much improved; she enjoyed the scenery, and lived in the open air. There was climbing of mountains, the Pfander with its reward of noble outlook, and the easier Gebhardsberg, with its hanging woods; there was boating on the lake, and rambling along its shores, with rest and refreshment at some Gartenwithschaft. Miss Steinfeld, whose reading and intelligence were superior to Alma's, liked to explore the Roman ruins and linger in the museum. Alma could not long keep up a pretence of interest in the relics of Brigantium; but she said one day, with a smile–
'I know someone who would enjoy this kind of thing—an Englishman—very learned–'
'Old?' inquired her friend significantly.
'Yes—no. Neither old nor young. A strange man; rather interesting. I've a good mind,' she added mischievously, 'to send him a photograph.'
'Of yourself?'
'Oh dear, no! He wouldn't care for that. A view of the Alt-Stadt.'
And in her mood of frolic she acted upon the thought. She purchased two or three views, had them done up for post, and addressed them to Harvey Rolfe, Esq, at the Metropolitan Club; for his private address she could not remember, but the club remained in her mind from Sibyl's talk of it. When the packet was gone, of course she regretted having sent it. More likely than not, Mr. Rolfe considered himself to have ended all acquaintance with the disgraced family, and, if he recognised her handwriting, would just throw the photographs aside. Let him; it mattered nothing, one way or the other.
When a week had passed, the novelty of things wore off; the friends began to wander apart; Miss Steinfeld made acquaintances in the pension, and Alma drifted into solitude. At the end of a fortnight she was tired of everything, wished to go away, thought longingly of England. It was plain that Mr. Redgrave would not come; he had never seriously meant it; his Auf Wiedersehen was a mere civility to get rid of her in the street. Why had he troubled to inquire about her at all? Of course it didn't matter—nothing mattered—but if ever she met him again! Alma tried her features in expression of cold scornfulness.
On the next day, as she was returning from an idle walk with her friend along the Lindau road, Mr. Redgrave met them. He was dressed as she had never seen him, in flannels, with a white necktie loosely knotted and a straw hat. Not till he had come near enough to salute did she recognise him; he looked ten years younger.
They talked as if the meeting were of daily occurrence. Redgrave addressed himself to Miss Steinfeld as often as to Alma, and showed a graceful command of decorous commonplace. He had arrived early this morning, had put up at the Oesterreichischer Hof, was already delighted with Brogenz. Did Miss Steinfeld devote herself to landscape? Had she done anything here? Had Miss Frothingham brought her violin? They strolled pleasantly to the Hafen promenade, and parted at length with assurances of meeting again, as if definite appointment were needless.
'That is my idea of the English gentleman,' said Miss Steinfeld afterwards. 'I think I should have taken him for a lord. No doubt he is very rich?'
'Oh, pretty well off,' Alma replied, with assumed indifference. 'Ten thousand pounds a year, I dare say.'
'Ten thousand! Lieber Himmel! And married?'
'No.'
'In Parliament, I suppose?'
'No.'
'Then, what does he do?'
'Oh, amuses himself.'
Each became occupied with her thoughts. Alma's were so agreeable, that Miss Steinfeld, observing her, naturally fell into romantic speculation.
Redgrave easily contrived that his next walk should be with Miss Frothingham alone. He overtook her next morning, soon after she had left the house, and they rambled in the Gebhardsberg direction.
'Now let us have the promised talk,' he began at a favourable moment. 'I've been thinking about you all the time.'
'Did you go to your place on Lake Garda?'
'Yes; just to look at it, and get it put in order. I hope to be there again before long. You didn't doubt I should come?'
'You left it uncertain.'
'To be sure. Life is uncertain. But I should have been desperately disappointed if I hadn't found you here. There are so many things to be said about going in for music as a profession. You have the talent, you have the physical strength, I think.' His eye flattered her from head to foot. 'But, to be a great artist, one must have more than technical qualifications. It's the soul that must be developed.'
Alma laughed.
'I know it. And what is your receipt for developing the soul?'
Redgrave