Blackwood's Edinburgh Magazine — Volume 53, No. 328, February, 1843. Various
luminous and coherent evidence, by which the condition of man, in the different stages of his social progress, is exemplified and ascertained. The loss of the History of Louis XI.—a work which he had projected, and of which he had traced the outline—is a disappointment which the reader of modern history can never enough deplore.
The province of science lies in truths that are universal and immutable; that of prudence in second causes that are transient and subordinate. What is universally true is alone necessarily true—the knowledge that rests in particulars must be accidental. The theorist disdains experience—the empiric rejects principle. The one is the pedant who read Hannibal a lecture on the art of war; the other is the carrier who knows the road between London and York better than Humboldt, but a new road is prescribed to him and his knowledge becomes useless. This is the state of mind La Fontaine has described so perfectly in his story of the "Cierge."
"Un d'eux, voyant la brique au feu endurcie
Vaincre l'effort des ans, il eut la même envie;
Et nouvel Empédocle, aux flammes condamné
Par sa pure et propre folie,
Il se lança dédans—ce fût mal raisonné,
Le Cierge ne savait grain de philosophie."
The mere chemist or mathematician will apply his truths improperly; the man of detail, the mere empiric, will deal skilfully with particulars, while to all general truths he is insensible. The wise man, the philosopher in action, will use the one as a stepping-stone to the other, and acquire a vantage-ground from whence he will command the realms of practice and experience.
History teems with instances that—although the general course of the human mind is marked out, and each succeeding phasis in which it exhibits itself appears inevitable—the human race cannot be considered, as Vico and Herder were, perhaps, inclined to look upon it, as a mass without intelligence, traversing its orbit according to laws which it has no power to modify or control. On such an hypothesis, Wisdom and Folly, Justice and Injustice, would be the same, followed by the same consequences and subject to the same destiny—no certain laws establishing invariable grounds of hope and fear, would keep the actions of men in a certain course, or direct them to a certain end; the feelings, faculties, and instincts of man would be useless in a world where the wise was always as the foolish, the just as the unjust, where calculation was impossible, and experience of no avail.
Man is no doubt the instrument, but the unconscious instrument, of Providence; and for the end they propose to themselves, though not for the result which they attain, nations as well as individuals are responsible. Otherwise, why should we read or speak of history? it would be the feverish dream of a distempered imagination, full of incoherent ravings, a disordered chaos of antagonist illusions—
——"A tale
Told by an idiot, full of sound and fury,
Signifying nothing."
But on the contrary, it is in history that the lessons of morality are delivered with most effect. The priest may provoke our suspicion—the moralist may fail to work in us any practical conviction; but the lessons of history are not such as vanish in the fumes of unprofitable speculation, or which it is possible for us to mistrust, or to deride. Obscure as the dispensations of Providence often are, it sometimes, to use Lord Bacon's language—"pleases God, for the confutation of such as are without God in the world, to write them in such text and capital letters that he who runneth by may read it—that is, mere sensual persons which hasten by God's judgments, and never tend or fix their cogitations upon them, are nevertheless in their passage and race urged to discern it." In all historical writers, philosophical or trivial, sacred or profane, from the meagre accounts of the monkish chronicler, no less than from the pages stamped with all the indignant energy of Tacitus, gleams forth the light which, amid surrounding gloom and injustice, amid the apparent triumph of evil, discovers the influence of that power which the heathens personified as Nemesis. Her tread, indeed, is often noiseless—her form may be long invisible—but the moment at length arrives when the measure of forbearance is complete; the echoes of her step vibrate upon the ear, her form bursts upon the eye, and her victim—be it a savage tyrant, or a selfish oligarchy, or a hypocritical church, or a corrupt nation—perishes.
"Come quei che va di notte,
Che porta il lume dietro, e a se non giova,
Ma dopo se fa le persone dotte."
And as in daily life we rejoice to trace means directed to an end, and proofs of sagacity and instinct even among the lower tribes of animated nature, with how much greater delight do we seize the proofs vouchsafed to us in history of that eternal law, by which the affairs of the universe are governed? How much more do we rejoice to find that the order to which physical nature owes its existence and perpetuity, does not stop at the threshold of national life—that the moral world is not fatherless, and that man, formed to look before and after, is not abandoned to confusion and insecurity?
Fertile and comprehensive indeed is the domain of history, comprising the whole region of probabilities within its jurisdiction—all the various shapes into which man has been cast—all the different scenes in which he has been called upon to act or suffer; his power and his weakness, his folly and his wisdom, his virtues in their meridian height, his vices in the lowest abyss of their degradation, are displayed before us, in their struggles, vicissitudes, and infinitely diversified combinations: an inheritance beyond all price—a vast repository of fruitful and immortal truths. There is nothing so mean or so dignified; nothing so obscure or so glorious; no question so abstruse, no problem so subtile, no difficulty so arduous, no situation so critical, of which we may not demand from history an account and elucidation. Here we find all that the toil, and virtues, and sufferings, and genius, and experience, of our species have laboured for successive generations to accumulate and preserve. The fruit of their blood, of their labour, of their doubts, and their struggles, is before us—a treasure that no malignity can corrupt, or violence take away. And above all, it is here that, when tormented by doubt, or startled by anomalies, stung by disappointment, or exasperated by injustice, we may look for consolation and encouragement. As we see the same events, that to those who witnessed them must have appeared isolated and capricious, tending to one great end, and accomplishing one specific purpose, we may learn to infer that those which appear to us most extraordinary, are alike subservient to a wise and benevolent dispensation. Poetry, the greatest of all critics has told us, has this advantage over history, that the lessons which it furnishes are not mixed and confined to particular cases, but pure and universal. Studied, however, in this spirit, history, while it improves the reason, may satisfy the heart, enabling us to await with patience the lesson of the great instructor, Time, and to employ the mighty elements it places within our reach, to the only legitimate purpose of all knowledge—"The advancement of God's glory, and the relief of man's estate."
POEMS AND BALLADS OF SCHILLER
No. V.
THE VICTORY FEAST
[This noble lyric is perhaps the happiest of all those poems in which Schiller has blended the classical spirit with the more deep and tender philosophy which belongs to modern romance. The individuality of the heroes introduced is carefully preserved. The reader is every where reminded of Homer; and yet, as a German critic has observed, there is an under current of sentiment which betrays the thoughtful Northern minstrel. This detracts from the art of the Poem viewed as an imitation, but constitutes its very charm as an original composition. Its inspiration rises from a source purely Hellenic, but the streamlets it receives at once adulterate and enrich, or (to change the metaphor) it has the costume and the gusto of the Greek, but the toning down of the colours betrays the German.]
The stately walls of Troy had sunken,
Her