Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 33, December, 1873. Various
be the performers in this ingenious theatre, it is the unaccustomed stranger who is forced into the position of actor. As he toils up the steep and slovenly streets, faced with shabby buildings that crack and blacken behind their ill-adjusted fronts of stucco and distemper, he cheapens rapidly in his own view: he feels painfully like the hapless supernumerary whom he has seen mounting an obvious step-ladder behind a screen of rock-work on his way to a wedding in the chapel or a coronation in the Capitol. The difference is, that here the permission to play his rôle is paid for by the performer.
But I, as I sat hugging my knee in the hotel bed-room, was possessed by loftier feelings. If there is one faculty which I can fairly extol in myself, it is that of displaying true sentiment in false situations. My thoughts, with incredible agility, went back to Francine. A knock came at the door, and my emotions received a chill: my visitor could be none but Berkley, in whose face I should see a reminder that I owed him for my car-fare.
In place of frigid politeness, however, the diplomatist wore all that he knew of good-fellowship and Bohemianism. He was now clad in tourists' plaid, and stood upon soles half an inch thick—a true Englishman on his travels.
"Come, old boy!"—old boy, indeed!—"you must taste the pleasures of Baden-Baden: it is but four o'clock, and we can see the Trinkhalle, the Conversations-Haus, and plenty besides before dinner. Is there any place in particular where you would like to go?"
I looked solemnly at him. "I would fain visit the Alt-Schloss," I said.
"With all my heart!" replied Sylvester, tapping his legs and admiring his boots. This unpromising comrade was wearing better than I expected.
"Shall we have a carriage?" he pursued. At this question my face contracted as by the effect of a nervous attack. I thought of the few pence I possessed. I assumed the determined pedestrian.
"For shame!" I cried: "it is but three miles. Where are your tourist muscles? I should like to walk."
"Nothing simpler," said the man of facile views: "we shall do it within the hour."
I breathed again. We set off. We had before us cliffs and hills, with small Gothic towers printed on the blue of the sky; but the mountain-path beneath our steps was sanded, graveled, packed, rolled, weeded, and provided with coquettish sofas at every hundred steps. I, who happened that afternoon to feel the emotions of Manfred, would gladly have exchanged these detestable conveniences for precipices, storms and eagles.
"How ridiculous," I said with a little temper, "to go to a ruin by way of the boulevards!"
"Ah," said my companion of complaisant manners, "you like Nature? It is but the choosing."
And Berkley, perfectly acquainted with the locality, directed our steps into a narrow path hardly traced through the woods. Here at least were flowers and grass and sylvan shadows. No sooner did I smell the balm of the pine trees than my heart resigned itself, with exquisite indecision, to the thoughts of Francine Joliet and the memories of Mary Ashburton. I glanced at Berkley: he seemed, in Scotch clothes, a little less impenetrable than he had appeared in white cravat and dress-gloves. I cannot restrain my confidences when a man is near me: I buttonholed Sylvester, and I made the plunge. "I used to talk of the Alt-Schloss," I murmured, "with one whom I have lost."
"Ah, I comprehend: with my late uncle, perhaps."
"No, sir, not with any cynic in a tub, but with a maiden in her flower. It was one of the best points I made with Miss Ashburton."
"The Alt-Schloss is indeed a picturesque construction," said the diplomate, by way of generally inviting my confidence.
"We were conversing about the poems of Salis and Matthisson," I pursued. "I had in my pocket a little translation of Salis's song entitled 'The Silent Land,' and endeavored to bend the dialogue in a suitable direction, but these allusions are incredibly hard to introduce in conversation, and we happened to stray upon Baden-Baden. I asked Miss Ashburton if she had been here, and she answered, 'Yes, the last summer.' 'And you have not forgotten?' I suggested—'The old castle,' she rejoined. 'Of course not. What a magnificent ruin it is!'"
"What tact your friend displayed," said Berkley, "to feign utter unconsciousness of the green tables, and see nothing but ruins in Baden-Baden!"
"Permit me to say," I replied quickly, "that it is not agreeable to me to have that lady alluded to, however distantly, in connection with gambling-tables. The Ashburtons had been probably drinking the waters, for her mother was noticeably stout and florid. But to continue with the poets. I explained to her that the ruins of the Alt-Schloss had suggested to Matthisson a poem in imitation of an English masterpiece. Matthisson made a study of Gray's 'Elegy,' and from it produced his 'Elegy on the Ruins of an Ancient Castle.' Miss Ashburton became nationally enthusiastic, and said she should like very much to see the poem. Her wish was usually my law, but the translation of the other song being in my pocket, I was obliged to palm it off upon her; and after conceding that Matthisson had written his 'Elegy' with unwonted inspiration, I sailed in upon that tide of feeling—with a slight inconsequence, to be sure—and declaimed my version from Salis. Miss Ashburton, sir, was obliged to turn away to hide her tears."
"I used to hear from my uncle of your attachment," said Sylvester, with his politest air of condolence, "and I assure you my opinion ever has been that your feelings did you honor. Nothing, in my view, is so becoming to gray hairs and the evening of life as fidelity to a first passion."
"Lord forgive you, Berkley!" I exclaimed, startled out of all self-possession by his impertinence. "What on earth do you mean? You are completely ignorant of what you are talking about. I have hardly any gray hairs, and some excellent constitutions are gray at thirty. You are partly bald yourself: I know it from the way you turn up your love-locks. And it was not Miss Ashburton I was talking about. That is, if I did derive my reminiscences from her, it was with an object of a very different character at the end of the perspective. I have adopted other views; that is, I have lately had presented to my mind—"
With these rhetorical somersaults, like the flappings of a carp upon the straw, did I express the mental distractions I was suffering from, and the tugs at my heart respectively administered by Francine's cap-strings and Mary Ashburton's shadowy tresses. Berkley, diplomatically approving the landscape before us, would not get angry, would not be insulted, and offered no prise to my difficult temper.
"Tell me now, Sylvester," said I after a few minutes' silence. "You are young, yet you have seen the world. What is the best refuge, in your view, for a man of delicate sentiments and of ripe age? Would you recommend such a person to shut himself up for ever in a hermitage of musty books, and to flirt there eternally with the memories of his young loves, who are become corpulent matrons or angular maids? Or, don't you think, now, that an autumnal attachment—provided some sweet and healthy intelligence comes in contact with his own—is a capital thing in its way? The crackling fireside instead of the lovers' walk? The perfection of rational comfort subservient to, rather than dominating, his early dreams? Respectful affection, fidelity and fondest care as the conditions surrounding one's character, and upholding it in its best symmetry? Cannot the poet think better if his body is kept snug? Cannot the man of feeling remember better if his slippers are toasted and his buttons sewed? In fact, is not one's faith to a beloved ideal best shown by acquiring a fresh standing-point to see it from?"
"No doubt Hamlet's mother thought so," said Sylvester rather brutally, "and married King Claudius solely to brighten her ideal of her first husband." A more appropriate remark, it seemed to me, might have been found to chime in with my speculations. "But here," pursued the statesman, compromisingly, "are old memories protected by modern conveniences. Here is the 'Repose of Sophie.'"
We had mounted a terrace from whose eminence the whole spread of the valley was visible. Profanation! No sooner had we attained the plateau than a covered gallery appeared, and a Teutonic voice was heard with the familiar inquiry, "Will the gentlemen take wine or beer?"
Was ever a man of delicacy and feeling so ruthlessly treated as I? To be tempted by circumstances into pouring out one's most intimate confessions to an icy person to whom one owes money, and then to have even this imperfect confidence interrupted by a tavern-waiter in an apron! Miserable hireling! give us solitude and meditation, not beer!
Flying the "Repose of Sophie"