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must recollect that the â is as broad as you can afford to make it, and the final n is nasal. Children never forgot, whenever they caught this beetle, to place it in the palm of their left hand, when it was invoked as follows:—

      "PÂN, PÂN, mourtre mé ten sang,

      Et j'te doûrai de bouan vin blianc!"

      which means, being interpreted,

      "PÂN, PÂN, show me thy blood,

      And I will give thee good white wine!"

      As he uttered the charm, the juvenile pontiff spat on poor Thammuz, till a torrent of blood, or what seemed such, "ran purple" over the urchin's fingers.

      Paul-Ernest Jablonski's numerous readers need not be told that the said beetle is an Egyptian emblem of the everlasting and universal soul, and that its temple is the equinoctial circle, the upper hemisphere.1

      As a solar emblem, it offers an instructive object of inquiry to the judicious gleaners of the old world's fascinating nursery traditions. Sicilian Diodorus tells us that the earth's lover, Attis (or Adonis), after his resuscitation, acquired the divine title of PAPAN.2 To hazard the inoffensive query, why one of our commonest great beetles is still allowed to figure under so distinguished a name, will therefore reflect no discredit upon a cautious student of nearly threescore years. The very Welsh talked, in William Baxter's time, of "Heaven, as bugarth PAPAN," the sun's ox-stall or resting-place; and here you likewise find his beetle-majesty, in a Low-Norman collection of insular rhymes:—

      "Sus l'bord piâsottaient, côte-à-côte,

      Les équerbots et leas PAPANS,

      Et ratte et rat laissaient leux crotte

      Sus les vieilles casses et même dedans."3

      By the help of Horapollo, Chiflet's gnostic gems, and other repertories of the same class, one might, peradventure, make a tolerable case in favour of the mythological identity of the legend of Ladybird—that is, the sun-chafer, or barn-bie, the fire-fly, "whose house is burnt, and whose bairns are ten," of course the first ten days of the Egyptian year4—with the mystical stories of the said black or dark blue lords of radiance, Pân and Papân.

      The Egyptians revere the beetle as a living and breathing image of the sun, quoth Porphyry.5 That will account for this restless delver's extraordinary talismanic renown. I think the lady-bird is "the speckled beetle" which was flung in hot water to avert storms.6 Pignorius gives us the figure of the beetle, crowned with the sun, and encircled with the serpent of eternity; while another, an onyx in the collection of Abraham Gorlæus, threatens to gnaw at a thunderbolt.7

      Reuven's book on the Egyptian Museum, which I have not seen, notices an invocation to "the winged beetle, the monarch ([Greek: tyrannos]) of mid-heaven," concluding with a devout wish that some poor creature "may be dashed to pieces."

      Can any of your readers inform me what is meant by "the blood of the Phuôn?"

      Yours truly,

?

      St. Martin's, Guernsey, Jan. 9. 1850.

      EXTRACTS FROM CHURCHWARDENS' ACCOUNTS OF ST. MARGARET'S, WESTMINSTER—WEIGHT OF BELLS IN ANCIENT TIMES—HISTORY OF A ROOD-LOFT

      I send you a few Notes, collected out of the Churchwardens' Accounts of St. Margaret's, Westminster.

      1stly. Some regarding the weight of bells in ancient days:—

      "1526. The first bell weith                    ccccc lb.

      The second bell weith               ccccccxxj lb.

      The third bell weith                    ixCvj lb.

      The fourthe bell weith                    M.x lb.

      The fyfthe belonging to our grete Lady

      Bretherhed                        MvjCxiiij lb.

      The sume of all the weight          MMMMVIIC Li lb.

      "1592. The broken Tennor waied               xvjCxxj lb.

      The new tennor ys.                      xiijC di

      The greatest bell ys     xxjC and di at lvjs. the C.

      The iiij bell ys       xvijC and di and xiiij lb.

      The xiiij bell taken awaie was         xiijC di.

      The ij bell carried awaie was    viijCiij qters.

      The new bell                           viijC di.

      Som totall of the bells, yron, tymber, and

      workmanshipp                     lxxvl. vs. vd."

      This appears to have been a sorry bargain, for soon after occur sad complaints of these bells, "very falsly and deceytfully made by Valentyne Trever." Perhaps your correspondent "CEPHAS" may explain the following entry:—

      "1846. Item, paid for makying of a newe clapper to

      Judas bell                                xd."

      2ndly. Some entries, which make up a little history of a rood-loft:—

      "1460. Item, sol' pro le skoryng de la belles sup' le

      Rode lofte                             iiijd.

      "1480. Item, paide for a doore in the rode lofte to

      save and kepe the people from the Orgayns

      xijd.

      Item, paide to a carpynter for makyng of the

      Crucyfix and the beme He standeth upon   xls.

      Item, paide for kervying of Mary and John

      and the makyng newe         xxxiijs. iiijd.

      Item, for gilding of the same Mary and John

      and the Crosse and iiij'or Evangelysts

      vjl. vjs. viijd.

      "1530. Item, payd to a labourer for helpying up the

      Roode Loft into the stepull          viijd.

      "1534. Payd for a present for Mr. Alford and Mr.

      Herytage for ther good wyll for tymber for

      the newe Rode lofte              ijs. ijd."

      The fickle tyrant Henry VIII. dies; a more consistent reign happily ensues.

      "1548. Item, for the takying downe of the Roode, the

      Tabernacle, and the Images    iijs. vjd.

      Also payd to Thomas Stokedale for xxxv ells

      of clothe for the frunte of the Rode Lofte

      whereas the x Commandements be wrytten,

      price of the ell vjd.        xxiijs. iiijd.

      Also payd to hym that dyd wryght the said

      x Commaundements and for ther drynking

      lxvjs. ixd."

      Queen

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