The Atlantic Monthly, Volume 09, No. 52, February, 1862. Various
have stationed guards everywhere to cut off our friends who might come to help us."
"I saw them seize a young man who was quietly walking, singing psalms, and slay him on the steps of the Church of the Innocents," said another; "they cried and hooted, 'No more psalm-singing!'"
"And there's Arnolfo Battista," said a third;—"he went out to try to speak to them, and they have killed him,—cut him down with their sabres."
"Hurry! hurry! barricade the door! arm yourselves!" was the cry from other voices.
"Shall we fight, father? shall we defend ourselves?" cried others, as the monks pressed around their Superior.
When the crowd first burst into the room, the face of the Superior flushed, and there was a slight movement of surprise; then he seemed to recollect himself, and murmuring, "I expected this, but not so soon," appeared lost in mental prayer. To the agitated inquiries of his flock, he answered,—"No, brothers; the weapons of monks must be spiritual, not carnal." Then lifting on high a crucifix, he said,—"Come with me, and let us walk in solemn procession to the altar, singing the praises of our God."
The monks, with the instinctive habit of obedience, fell into procession behind their leader, whose voice, clear and strong, was heard raising the Psalm, "Quare fremunt gentes":—
"Why do the heathen rage, and the people imagine a vain thing?
"The kings of the earth set themselves, and the rulers take counsel together, against the Lord, and against his Anointed, saying,
"'Let us break their bands asunder, and cast away their cords from us.'
"He that sitteth in the heavens shall laugh.: the Lord shall have them in derision."
As one voice after another took up the chant, the solemn enthusiasm rose and deepened, and all present, whether ecclesiastics or laymen, fell into the procession and joined in the anthem. Amid the wild uproar, the din and clatter of axes, the thunders of heavy battering-implements on the stone walls and portals, came this long-drawn solemn wave of sound, rising and falling,—now drowned in the savage clamors of the mob, and now bursting out clear and full like the voices of God's chosen amid the confusion and struggles of all the generations of this mortal life.
White-robed and grand the procession moved on, while the pictured saints and angels on the walls seemed to smile calmly down upon them from a golden twilight. They passed thus into the sacristy, where with all solemnity and composure they arrayed their Father and Superior for the last time in his sacramental robes, and then, still chanting, followed him to the high altar,—where all bowed in prayer. And still, whenever there was a pause in the stormy uproar and fiendish clamor, might be heard the clear, plaintive uprising of that strange singing,—"O Lord, save thy people, and bless thine heritage!"
It needs not to tell in detail what history has told of that tragic night: how the doors at last were forced, and the mob rushed in; how citizens and friends, and many of the monks themselves, their instinct of combativeness overcoming their spiritual beliefs, fought valiantly, and used torches and crucifixes for purposes little contemplated when they were made.
Fiercest among the combatants was Agostino, who three times drove back the crowd as they were approaching the choir, where Savonarola and his immediate friends were still praying. Father Antonio, too, seized a sword from the hand of a fallen man and laid about him with an impetuosity which would be inexplicable to any who do not know what force there is in gentle natures when the objects of their affections are assailed. The artist monk fought for his master with the blind desperation with which a woman fights over the cradle of her child.
All in vain! Past midnight, and the news comes that artillery is planted to blow down the walls of the convent, and the magistracy, who up to this time have lifted not a finger to repress the tumult, send word to Savonarola to surrender himself to them, together with the two most active of his companions, Frà Domenico da Pescia and Frà Silvestro Maruffi, as the only means of averting the destruction of the whole order. They offer him assurances of protection and safe return, which he does not in the least believe: nevertheless, he feels that his hour is come, and gives himself up.
His preparations were all made with a solemn method which showed that he felt he was approaching the last act in the drama of life. He called together his flock, scattered and forlorn, and gave them his last words of fatherly advice, encouragement, and comfort,—ending with the remarkable declaration, "A Christian's life consists in doing good and suffering evil." "I go with joy to this marriage-supper," he said, as he left the church for the last sad preparations. He and his doomed friends then confessed and received the sacrament, and after that he surrendered himself into the hands of the men who he felt in his prophetic soul had come to take him to torture and to death.
As he gave himself into their hands, he said, "I commend to your care this flock of mine, and these good citizens of Florence who have been with us"; and then once more turning to his brethren, said,—"Doubt not, my brethren. God will not fail to perfect His work. Whether I live or die, He will aid and console you."
At this moment there was a struggle with the attendants in the outer circle of the crowd, and the voice of Father Antonio was heard crying out earnestly,—"Do not hold me! I will go with him! I must go with him!"—"Son," said Savonarola, "I charge you on your obedience not to come. It is I and Frà Domenico who are to die for the love of Christ." And thus, at the ninth hour of the night, he passed the threshold of San Marco.
As he was leaving, a plaintive voice of distress was heard from a young novice who had been peculiarly dear to him, who stretched his hands after him, crying,—"Father! father! why do you leave us desolate?" Whereupon he turned back a moment, and said,—"God will be your help. If we do not see each other again in this world, we surely shall in heaven."
When the party had gone forth, the monks and citizens stood looking into each other's faces, listening with dismay to the howl of wild ferocity that was rising around the departing prisoner.
"What shall we do?" was the outcry from many voices.
"I know what I shall do," said Agostino. "If any man here will find me a fleet horse, I will start for Milan this very hour; for my uncle is now there on a visit, and he is a counsellor of weight with the King of France: we must get the King to interfere."
"Good! good! good!" rose from a hundred voices.
"I will go with you," said Father Antonio. "I shall have no rest till I do something."
"And I," quoth Jacopo Niccolini, "will saddle for you, without delay, two horses of part Arabian blood, swift of foot, and easy, and which will travel day and night without sinking."
CHAPTER XXII
The rays of the setting sun were imparting even more than their wonted cheerfulness to the airy and bustling streets of Milan. There was the usual rush and roar of busy life which mark the great city, and the display of gay costumes and brilliant trappings proper to a ducal capital which at that time gave the law to Europe in all matters of taste and elegance, even as Paris does now. It was, in fact, from the reputation of this city in matters of external show that our English term Milliner was probably derived; and one might well have believed this, who saw the sweep of the ducal cortege at this moment returning in pomp from the afternoon airing. Such glittering of gold-embroidered mantles, such bewildering confusion of colors, such flashing of jewelry from cap and dagger-hilt and finger-ring, and even from bridle and stirrup, testified that the male sex at this period in Italy were no whit behind the daughters of Eve in that passion for personal adornment which our age is wont to consider exclusively feminine. Indeed, all that was visible to the vulgar eye of this pageant was wholly masculine; though no one doubted that behind the gold-embroidered curtains of the litters which contained the female notabilities of the court still more dazzling wonders might be concealed. Occasionally a white jewelled hand would draw aside one of these screens, and a pair of eyes brighter than any gems would peer forth; and then there would be tokens of a visible commotion among the plumed and gemmed cavaliers around, and one young head would nod to another with jests and quips, and there would be bowing and curveting and all the antics and caracolings supposable among gay young people on whom the sun shone brightly, and who felt the world going well around them, and