The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 554, June 30, 1832. Various

      We select this Engraving as an illustration of the elaborate sculptural decoration employed in domestic architecture about three centuries since; but more particularly as a specimen of the embellishment of the ecclesiastical residences of that period. It represents a chimney-piece erected in the Bishop's palace at Exeter, by Peter Courtenay, who was consecrated Bishop of Exeter, A.D. 1477, and translated to Winchester, A.D. 1486. He had formerly been master of St. Antony's Hospital, in London.

      The bishop was third son of Sir Philip Courtenay of Powderham, knight, (fifth son of Hugh Courtenay, second Earl of Devonshire), who died 1463.

      He was educated at Exeter College, Oxford; made archdeacon of Exeter 1453; dean of the same church, 1477.

      He died 1491, and was probably buried in the chancel at Powderham, where is an effigy of a bishop inlaid in brass. He built the north tower of Exeter cathedral, and placed in it a great bell, called after him Peter's bell, with a clock and dial: he built also the tower and good part of the church at Honiton (which before was only a chapel, now the chancel). In the windows of the tower are the arms of his parents, now lost; but his paternal arms are on the pillars of the chancel. 1

      The heraldic embellishments of the chimney-piece are as follow:—

      "The arms of Courtenay impaled by those of the see of Exeter are in the centre compartment. In that on the left hand is the former coat single, supported by two swans collared and chained. Motto Arma Petri Exon epi. And on the right hand it impales Hungerford, supported by two boars with the Courtenay label round their necks. Motto Arma Patris et Matris.

      "Above the centre compartment is the mitre, with the arms of the see, and a label inscribed Colompne ecclesie veritatis p'conie; 2 and here the T is thrice repeated.

      "The moulding of the arch is charged with the portcullis and foliage alternately; and on the point are the royal arms in a garter, and supported by two greyhounds.

      "The T with the bell appendant occurs on the sides of the centre coat; also the T single and labels, and over the top of the chimney the T and P C for Peter Courtenay.

      "The three Sickles and the Sheaf in the angles of the three compartments are the badges of the barons of Hungerford."

      Further explanation is necessary, as well as interesting for its connexion with two popular origins—St. Antony's fire, and St. Antony, or "Tantony's Pig."

      "The monks of the order of St. Antony wore a black habit with the letter T of a blue colour on the breast. This may sufficiently account for the appearance of that figure among the ornaments of Bishop Courtenay's arms. The following extract from Stow's Survey of London may serve to explain the appendant Bell.

      "The Proctors of this hospital were to collect the benevolence of charitable persons towards the building and supporting thereof. And among other things observed in my youth I remember that the officers charged with the oversight of the markets in this city did divers times take from the market people pigs starved, or otherwise unwholesome for men's sustenance: these they did slit in the ear. One of the Proctors of St. Antony tied a bell about the neck, and let it feed among the dunghills, and no man would hurt it, or take it up; but if any gave them bread, or other feeding, such they would know, watch for, and daily follow, whining till they had something given them; whereupon was raised a proverb, 'such a one will follow such a one and whine as it were an Antony pig;' but if such a pig grew to be fat, and came to good liking, as oft times they did, then the Proctor would take him up to the use of the hospital."

      "These monks, with their importunate begging were so troublesome, that if men gave them nothing, they would presently threaten them with St. Antony's fire, so that many simple people, out of fear or blind zeal, every year used to bestow on them a fat pig or porker (which they ordinarily painted on their pictures of the saint), whereby they might procure their good will, prayers, and be secure from their menaces.

      "The knights of this order (of St. Antony) wore a collar of gold, with an hermit's girdle, to which hung a crutch and a little bell. 3 See in the Gentleman's Magazine for the year 1750, the plate of the orders of knighthood, where T, whether a letter or crutch, is given to the order of St. Antony of Ethiopia.

      "The saint is always represented with this appendage in Missals, and on monuments, the T hanging from his girdle, and the bell from the neck of the pig at his feet."

      We are indebted for this subject to the Vetusta Monumenta of the Antiquarian Society.

      The form of the arch will be recognised as strictly of the ecclesiastical architectural character; and, with reference to this style, we may observe that "the ecclesiastical residence, the dwelling of the mitred abbot with his train of shaven devotees, or of the princely bishop and humbler priest, naturally was designed to correspond with the consecrated edifice round which these buildings were usually grouped; and hence the architecture of the abbey or priory is essentially of a piece with that of the cathedral." Reverting to the chimney-piece, it should be added that formerly both on the continent, as well as in England, fire-places and chimneys were decorated with architectural ornaments, as columns, entablatures, statues, &c., like the entrance to a small temple; now they are mostly made of marble, and more for the office of sculptural decoration than for the orders of architecture.

      SONG WRITTEN IN IMITATION OF COWLEY'S MISTRESS

      J.H.L.H. 4

      RETROSPECTIVE GLEANINGS

      THE GROANING TREE OF BADDESLEY, HAMPSHIRE

      Gilpin, in his "Remarks on Forest Scenery," says, A cottager, who lived near the centre of the village, heard frequently a strange noise behind his house, like that of a person in extreme agony. Soon after, it caught the attention of his wife who was then confined to her bed. She was a timorous woman, and being greatly alarmed, her husband endeavoured to persuade her that the noise she heard was only the bellowing of the stags in the forest. By degrees, however, the neighbours on all sides heard it, and the circumstance began to be much talked of. It was by this time plainly discovered that the groaning noise proceeded from an Elm, which grew at the bottom of the garden. It was a young, vigorous tree, and, to all appearance, perfectly sound. In a few weeks the fame of the groaning tree was spread far and wide; and people from all parts flocked to hear it. Among others it attracted the curiosity of the late Prince and Princess of Wales, who resided at that time, for the advantage of a sea-bath, at Pilewell, within a quarter of a mile of the groaning tree.

      Though the country people assigned many superstitious causes for this strange phenomenon, the naturalist could assign no physical one, that was in any degree satisfactory. Some thought it was owing to the twisting and friction of the roots: others thought that it proceeded from water, which had collected in the body of the tree; or, perhaps, from pent air: but the cause that was alleged appeared unequal to the effect. In the mean time, the tree did not always groan; sometimes disappointing its visitants; yet no cause could be assigned for its temporary cessations, either from seasons, or weather. If any difference was observed, it was thought to groan least when the weather was wet, and most when it was clear and frosty; but the sound at all times seemed to come from the roots.

      Thus the groaning tree continued an object of astonishment, during the space of eighteen or twenty months,