New Chronicles of Rebecca. Wiggin Kate Douglas Smith
but she was covered with evergreen and white pinks, and there was singing.”
“There won’t be any funeral or ministers or singing here, will there? Isn’t that awful?”
“I s’pose not; and oh, Emma Jane, no flowers either. We might get those for her if there’s nobody else to do it.”
“Would you dare put them on to her?” asked Emma Jane, in a hushed voice.
“I don’t know; I can’t tell; it makes me shiver, but, of course, we COULD do it if we were the only friends she had. Let’s look into the cabin first and be perfectly sure that there aren’t any. Are you afraid?”
“N-no; I guess not. I looked at Gran’pa Perkins, and he was just the same as ever.”
At the door of the hut Emma Jane’s courage suddenly departed. She held back shuddering and refused either to enter or look in. Rebecca shuddered too, but kept on, drawn by an insatiable curiosity about life and death, an overmastering desire to know and feel and understand the mysteries of existence, a hunger for knowledge and experience at all hazards and at any cost.
Emma Jane hurried softly away from the felt terrors of the cabin, and after two or three minutes of utter silence Rebecca issued from the open door, her sensitive face pale and woe-begone, the ever-ready tears raining down her cheeks. She ran toward the edge of the wood, sinking down by Emma Jane’s side, and covering her eyes, sobbed with excitement:
“Oh, Emma Jane, she hasn’t got a flower, and she’s so tired and sad-looking, as if she’d been hurt and hurt and never had any good times, and there’s a weeny, weeny baby side of her. Oh, I wish I hadn’t gone in!”
Emma Jane blenched for an instant. “Mrs. Dennett never said THERE WAS TWO DEAD ONES! ISN’T THAT DREADFUL? But,” she continued, her practical common sense coming to the rescue, “you’ve been in once and it’s all over; it won’t be so bad when you take in the flowers because you’ll be used to it. The goldenrod hasn’t begun to bud, so there’s nothing to pick but daisies. Shall I make a long rope of them, as I did for the schoolroom?”
“Yes,” said Rebecca, wiping her eyes and still sobbing. “Yes, that’s the prettiest, and if we put it all round her like a frame, the undertaker couldn’t be so cruel as to throw it away, even if she is a pauper, because it will look so beautiful. From what the Sunday school lessons say, she’s only asleep now, and when she wakes up she’ll be in heaven.”
“THERE’S ANOTHER PLACE,” said Emma Jane, in an orthodox and sepulchral whisper, as she took her ever-present ball of crochet cotton from her pocket and began to twine the whiteweed blossoms into a rope.
“Oh, well!” Rebecca replied with the easy theology that belonged to her temperament. “They simply couldn’t send her DOWN THERE with that little weeny baby. Who’d take care of it? You know page six of the catechism says the only companions of the wicked after death are their father the devil and all the other evil angels; it wouldn’t be any place to bring up a baby.”
“Whenever and wherever she wakes up, I hope she won’t know that the big baby is going to the poor farm. I wonder where he is?”
“Perhaps over to Mrs. Dennett’s house. She didn’t seem sorry a bit, did she?”
“No, but I suppose she’s tired sitting up and nursing a stranger. Mother wasn’t sorry when Gran’pa Perkins died; she couldn’t be, for he was cross all the time and had to be fed like a child. Why ARE you crying again, Rebecca?”
“Oh, I don’t know, I can’t tell, Emma Jane! Only I don’t want to die and have no funeral or singing and nobody sorry for me! I just couldn’t bear it!”
“Neither could I,” Emma Jane responded sympathetically; “but p’r’aps if we’re real good and die young before we have to be fed, they will be sorry. I do wish you could write some poetry for her as you did for Alice Robinson’s canary bird, only still better, of course, like that you read me out of your thought book.”
“I could, easy enough,” exclaimed Rebecca, somewhat consoled by the idea that her rhyming faculty could be of any use in such an emergency. “Though I don’t know but it would be kind of bold to do it. I’m all puzzled about how people get to heaven after they’re buried. I can’t understand it a bit; but if the poetry is on her, what if that should go, too? And how could I write anything good enough to be read out loud in heaven?”
“A little piece of paper couldn’t get to heaven; it just couldn’t,” asserted Emma Jane decisively. “It would be all blown to pieces and dried up. And nobody knows that the angels can read writing, anyway.”
“They must be as educated as we are, and more so, too,” agreed Rebecca. “They must be more than just dead people, or else why should they have wings? But I’ll go off and write something while you finish the rope; it’s lucky you brought your crochet cotton and I my lead pencil.”
In fifteen or twenty minutes she returned with some lines written on a scrap of brown wrapping paper. Standing soberly by Emma Jane, she said, preparing to read them aloud: “They’re not good; I was afraid your father’d come back before I finished, and the first verse sounds exactly like the funeral hymns in the church book. I couldn’t call her Sally Winslow; it didn’t seem nice when I didn’t know her and she is dead, so I thought if I said friend’ it would show she had somebody to be sorry.
“This friend of ours has died and gone
From us to heaven to live.
If she has sinned against Thee, Lord,
We pray Thee, Lord, forgive.
“Her husband runneth far away
And knoweth not she’s dead.
Oh, bring him back—ere tis too late—
To mourn beside her bed.
“And if perchance it can’t be so,
Be to the children kind;
The weeny one that goes with her,
The other left behind.”
“I think that’s perfectly elegant!” exclaimed Emma Jane, kissing Rebecca fervently. “You are the smartest girl in the whole State of Maine, and it sounds like a minister’s prayer. I wish we could save up and buy a printing machine. Then I could learn to print what you write and we’d be partners like father and Bill Moses. Shall you sign it with your name like we do our school compositions?”
“No,” said Rebecca soberly. “I certainly shan’t sign it, not knowing where it’s going or who’ll read it. I shall just hide it in the flowers, and whoever finds it will guess that there wasn’t any minister or singing, or gravestone, or anything, so somebody just did the best they could.”
III
The tired mother with the “weeny baby” on her arm lay on a long carpenter’s bench, her earthly journey over, and when Rebecca stole in and placed the flowery garland all along the edge of the rude bier, death suddenly took on a more gracious and benign aspect. It was only a child’s sympathy and intuition that softened the rigors of the sad moment, but poor, wild Sal Winslow, in her frame of daisies, looked as if she were missed a little by an unfriendly world; while the weeny baby, whose heart had fallen asleep almost as soon as it had learned to beat, the weeny baby, with Emma Jane’s nosegay of buttercups in its tiny wrinkled hand, smiled as if it might have been loved and longed for and mourned.
“We’ve done all we can now without a minister,” whispered Rebecca. “We could sing, God is ever good’ out of the Sunday school song book, but I’m afraid somebody would hear us and think we were gay and happy. What’s that?”
A strange sound broke the stillness; a gurgle, a yawn, a merry little call. The two girls ran in the direction from which it came, and there, on an old coat, in a clump of goldenrod bushes, lay a child just waking from a refreshing nap.
“It’s the other baby that Lizy Ann Dennett told about!” cried Emma Jane.
“Isn’t