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he came to the theatre. Presently he found himself in a lower tier box, talking to a Mrs. Paige who, curiously, miraculously, resembled the girlish portraits of his mother—or he imagined so—until he noticed that her hair was yellow and her eyes blue. And he laughed crazily to himself, inwardly convulsed; and then his own voice sounded again, low, humorous, caressingly modulated; and he listened to it, amused that he was able to speak at all.

      "And so you are the wonderful Ailsa Paige," he heard himself repeating. "Camilla wrote me that I must beware of my peace of mind the moment I first set eyes on you–"

      "Camilla Lent is supremely silly, Mr. Berkley–"

      "Camilla is a sibyl. This night my peace of mind departed for ever."

      "May I offer you a little of mine?"

      "I may ask more than that of you?"

      "You mean a dance?"

      "More than one."

      "How many?"

      "All of them. How many will you give me?"

      "One. Please look at the stage. Isn't Laura Keene bewitching?"

      "Your voice is."

      "Such nonsense. Besides, I'd rather hear what Laura Keene is saying than listen to you."

      "Do you mean it?"

      "Incredible as it may sound, Mr. Berkley, I really do."

      He dropped back in the box. Camilla laid her painted fan across his arm.

      "Isn't Ailsa Paige the most enchanting creature you ever saw? I told you so! Isn't she?"

      "Except one. I was looking at some pictures of her a half an hour ago."

      "She must be very beautiful," sighed Camilla.

      "She was."

      "Oh. . . . Is she dead?"

      "Murdered."

      Camilla looked at the stage in horrified silence. Later she touched him again on the arm, timidly.

      "Are you not well, Mr. Berkley?"

      "Perfectly. Why?"

      "You are so pale. Do look at Ailsa Paige. I am completely enamoured of her. Did you ever see such a lovely creature in all your life? And she is very young but very wise. She knows useful and charitable things—like nursing the sick, and dressing injuries, and her own hats. And she actually served a whole year in the horrible city hospital! Wasn't it brave of her!"

      Berkley swayed forward to look at Ailsa Paige. He began to be tormented again by the feverish idea that she resembled the girl pictures of his mother. Nor could he rid himself of the fantastic impression. In the growing unreality of it all, in the distorted outlines of a world gone topsy-turvy, amid the deadly blurr of things material and mental, Ailsa Paige's face alone remained strangely clear. And, scarcely knowing what he was saying, he leaned forward to her shoulder again.

      "There was only one other like you," he said. Mrs. Paige turned slowly and looked at him, but the quiet rebuke in her eyes remained unuttered.

      "Be more genuine with me," she said gently. "I am worth it, Mr. Berkley."

      Then, suddenly there seemed to run a pale flash through his brain,

      "Yes," he said in an altered voice, "you are worth it. . . . Don't drive me away from you just yet."

      "Drive you away?" in soft concern. "I did not mean–"

      "You will, some day. But don't do it to-night." Then the quick, feverish smile broke out.

      "Do you need a servant? I'm out of a place. I can either cook, clean silver, open the door, wash sidewalks, or wait on the table; so you see I have every qualification."

      Smilingly perplexed, she let her eyes rest on his pallid face for a moment, then turned toward the stage again.

      The "Seven Sisters" pursued its spectacular course; Ione Burke, Polly Marshall, and Mrs. Vining were in the cast; tableau succeeded tableau; "I wish I were in Dixie," was sung, and the popular burlesque ended in the celebrated scene, "The Birth of the Butterfly in the Bower of Ferns," with the entire company kissing their finger-tips to a vociferous and satiated audience.

      Then it was supper at Delmonico's, and a dance—and at last the waltz promised him by Ailsa Paige.

      Through the fixed unreality of things he saw her clearly, standing, awaiting him, saw her sensitive face as she quietly laid her hand on his—saw it suddenly alter as the light contact startled both.

      Flushed, she looked up at him like a hurt child, conscious yet only of the surprise.

      Dazed, he stared back. Neither spoke; his arm encircled her; both seemed aware of that; then only of the swaying rhythm of the dance, and of joined hands, and her waist imprisoned. Only the fragrance of her hair seemed real to him; and the long lashes resting on curved cheeks, and the youth of her yielding to his embrace.

      Neither spoke when it had ended. She turned aside and stood motionless a moment, resting against the stair rail as though to steady herself. Her small head was lowered.

      He managed to say: "You will give me the next?"

      "No."

      "Then the next–"

      "No," she said, not moving.

      A young fellow came up eagerly, cocksure of her, but she shook her head—and shook her head to all—and Berkley remained standing beside her. And at last her reluctant head turned slowly, and, slowly, her gaze searched his.

      "Shall we rest?" he said.

      "Yes. I am—tired."

      Her dainty avalanche of skirts filled the stairs as she settled there in silence; he at her feet, turned sideways so that he could look up into the brooding, absent eyes.

      And over them again—over the small space just then allotted them in the world—was settling once more the intangible, indefinable spell awakened by their first light contact. Through its silence hurried their pulses; through its significance her dazed young eyes looked out into a haze where nothing stirred except a phantom heart, beating, beating the reveille. And the spell lay heavy on them both.

      "I shall bear your image always. You know it."

      She seemed scarcely to have heard him.

      "There is no reason in what I say. I know it. Yet—I am destined never to forget you."

      She made no sign.

      "Ailsa Paige," he said mechanically.

      And after a long while, slowly, she looked down at him where he sat at her feet, his dark eyes fixed on space.

      CHAPTER II

      All the morning she had been busy in the Craig's backyard garden, clipping, training, loosening the earth around lilac, honeysuckle, and Rose of Sharon. The little German florist on the corner had sent in two loads of richly fertilised soil and a barrel of forest mould. These she sweetened with lime, mixed in her small pan, and applied judiciously to the peach-tree by the grape-arbour, to the thickets of pearl-gray iris, to the beloved roses, prairie climber, Baltimore bell, and General Jacqueminot. A neighbour's cat, war-scarred and bold, traversing the fences in search of single combat, halted to watch her; an early bee, with no blossoms yet to rummage, passed and repassed, buzzing distractedly.

      The Craig's next-door neighbour, Camilla Lent, came out on her back veranda and looked down with a sleepy nod of recognition and good-morning, stretching her pretty arms luxuriously in the sunshine.

      "You look very sweet down there, Ailsa, in your pink gingham apron and garden gloves."

      "And you look very sweet up there, Camilla, in your muslin frock and satin skin! And every time you yawn you resemble a plump, white magnolia bud opening just enough to show the pink inside!"

      "It's mean to call me plump!" returned Camilla reproachfully. "Anyway, anybody would yawn with the Captain keeping the entire household awake all night. I vow, I haven't slept one wink since that wretched news from Charleston. He thinks he's a battery of horse artillery now; that's the very


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