The German Classics of the Nineteenth and Twentieth Centuries, Volume 08. Коллектив авторов

The German Classics of the Nineteenth and Twentieth Centuries, Volume 08 - Коллектив авторов


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up at him and licking his hands.

      "Yes, yes, I'll take you with me," said the lad to the dog; and for the first time his face looked cheerful, as he called out to his father:

      "Father, can I take Lux with me?"

      "Yes, if you like," sounded the answer from within, amid the jingling of coins. The dog seemed to understand the question and the answer, for he ran around the yard in circles, barking joyously. The young man went into the house, and, as he was buckling on the money-belt, he said "You are right, father; I feel better already, now that I am getting myself out of this aimless way of living. And I don't know—people ought not to be superstitious—but somehow I was glad when the horse turned around and neighed to me when I went out into the stable just now—and that the dog wants to go too. After all, they're good signs, and if we could ask animals, who knows if they could not give us good advice?"

      The mother smiled, but the father said:

      "Don't forget to look up Crappy Zachy, and don't go ahead and bind yourself until you have consulted him. He knows the affairs of all the people for ten miles around, and is a living information bureau. And now, God be with you! Take your time—you may stay away as long as ten days."

      Father and son shook hands, and the mother said:

      "I'll escort you part of the way."

      The young man, leading his horse by the bridle, then walked quietly beside his mother until they were out in front of the yard, and it was not until they reached the turn in the road that the mother said, hesitatingly:

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      1

      This peculiarity distinguishes Gotthelf's Bauernspiegel from the nearly contemporary Oberhof, the episode of Immermann's Münchhausen which is intended as a popular contrast to the aristocratic society represented in the larger part of that novel. Cf. Vol. vii, p. 169.

      2

      Editor's note.—Numerous omissions have been made in the course of the narrative, reducing the length of the original text by about one fifth. Wherever necessary for the continuity of the story, the essence of the excluded portions has been supplied by synopses. These synopses are printed enclosed in brackets. Permission Kegan Paul, Trench, Trübner & Co., Ltd., London.

      3

1

This peculiarity distinguishes Gotthelf's Bauernspiegel from the nearly contemporary Oberhof, the episode of Immermann's Münchhausen which is intended as a popular contrast to the aristocratic society represented in the larger part of that novel. Cf. Vol. vii, p. 169.

2

Editor's note.—Numerous omissions have been made in the course of the narrative, reducing the length of the original text by about one fifth. Wherever necessary for the continuity of the story, the essence of the excluded portions has been supplied by synopses. These synopses are printed enclosed in brackets. Permission Kegan Paul, Trench, Trübner & Co., Ltd., London.

3

This old country saying is founded on the similarity in sound between sechse (sixes) and hexe (witch).


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