Under the Trees and Elsewhere. Hamilton Wright Mabie
me, and the scattered household fires declare to me that fellowship of light in which Nature holds out her hand to man and leads him, step by step, to the unspeakable splendours of her central sun.
Chapter V
The Open Fields
One of the sights upon which my eyes rest oftenest and with deepest content is a broad sweep of meadow slowly climbing the western sky until it pauses at the edge of a noble piece of woodland. It is a playground of wind and flowers and waving grasses. There are, indeed, days when it lies cold and sad under inhospitable skies, but for the most part the heavens are in league with cloud and sun to protect its charm against all comers. When the turf is fresh, all the promise of summer is in its tender green; a little later, and it is sown thick with daisies and buttercups; and as the breeze plays upon it these frolicsome flowers, which have known no human tending, seem to chase each other in endless races over the whole expanse. I have seen them run breathlessly up the long slope, and then suddenly turn and rush pell-mell down again. If the wind had only stopped for a moment its endless gossip with the leaves, I am sure I should have heard the gleeful shouts, the sportive cries, of these vagrant flowers whose spell is rewoven over every generation of children, and whose unstudied beauty and joy recall, with every summer, some of the clews which most of us have lost in our journey through life. Even as I write, I see the white and yellow heads tossing to and fro in a mood of free and buoyant being, which has for me, face to face with the problems of living, an unspeakable pathos.
What a depth of tender colour fills the arch of heaven as it bends over this playground of the blooming and beauty-laden forces of nature! The great summer clouds, shaping their courses to invisible harbours across the trackless aerial sea, love to drop anchor here and slowly trail their mighty shadows, vainly groping for something that shall make them fast. The winds, that have come roaring through the woodlands, subdue their harsh voices and linger long in their journey across this sunny expanse. It is true, they sing no lullabies as in the hollow under the hill where they themselves often fall asleep, but the music to which they move has a magical cadence of joy in it, and sets our thought to the dancing mood of the flowers.
Sometimes, on quiet afternoons, when the great world of work has somehow seemed to drop its burdens into space, and carries nothing but rest and quietude along its journey under the summer sky, I have seen a pageant in the open fields that has made me doubt whether a dream had not taken me unawares. I have seen the first sweet flowers of spring rise softly out of the grass where they had been hiding and call gently to each other, as if afraid that a single loud word would dissolve the charm of sun and warm breeze for which they had waited so long. After their dreamless sleep of months, these beautiful children of Mother Earth seemed almost afraid to break the stillness from which they had come, and strayed about noiselessly, with subdued and lovely mien, exhaling a perfume as delicate as themselves. Then, with a rush and shout, the summer flowers suddenly burst upon the scene, overflowing with life and merriment; in lawless troops they ran hither and thither, flinging echoes of their laughter over the whole country-side, and soon overshadowing entirely their older and more sensitive fellows; these, indeed, soon vanish altogether, as if lonely and out of place under the broad glare and high colours of mid-summer. And now for weeks together the game went on without pause or break; the revelry grew fast and furious, until one suspected that some night the Bacchic throng had passed that way and left their mood of wild and lawless frolic behind.
At last a softer aspect spread itself over the glowing sky and earth. The nights grew vocal with the invisible chorus of insect life; there was a mellow splendour in the moonlight, which touched the distant hills and wide-spreading waters with a pathetic prophecy of change. And now, ripe, serene, and rich with the accumulated beauty of the summer, the autumn flowers appeared. Their movement was like the stately dances of olden times; youth and its overflow were gone forever; but in the hour of maturity there remained a noble beauty, which touched all imaginations and communicated to all visible things a splendour of which the most radiant hours of early summer had been only faintly prophetic. In the calm of these golden days the autumn flowers reigned with a more than regal state, and when the first cold breath of winter touched them, they fell from their great estate silently and royally as if their fate were matched to their rank. And now the fields were bare once more.
From such a dream as this I often awake joyfully to find the drama still in its first act, and to feel still before me the ever-deepening interest and ever-widening beauty of the miracle play to which Nature annually bids us welcome. Across this noble playground, with its sweep of landscape and its arch of sky, I often wander with no companions but the flowers, and with no desire for other fellowship. Here, as in more secluded and quiet places. Nature confides to those who love her some deep and precious truths never to be put into words, but ever after to rise at times over the horizon of thought like vagrant ships that come and go against the distant sea line, or like clouds that pass along the remotest circle of the sky as it sleeps upon the hills. The essence of play is the unconscious overflow of life that seeks escape in perfect self-forgetfulness. There is no effort in it, no whip of the will driving the unwilling energies to an activity from which they shrink; one plays as the bird sings and the brook runs and the sun shines—not with conscious purpose, but from the simple overflow. In this sense Nature never works, she is always at play. In perfect unconsciousness, without friction or effort, her mightiest movements are made and her sublimest tasks accomplished. Throughout the whole range of her activity one never comes upon any trace of effort, any sign of weariness; one is always impressed—as Ruskin said long ago of works of genius—that he is standing in the presence, not of a great effort, but of a great power; that what has been done is only a single manifestation of the play of an inexhaustible force. There is somewhere in the universe an infinite fountain of life and beauty which overflows and floods all worlds with divine energy and loveliness. When the tide recedes it pauses but a moment, and then the music of its returning waves is heard along all shores, and its shining edges move irresistibly on until they have bathed the roots of the solitary flower on the highest Alp.
It is this divine method of growth which Nature opposes to our mechanisms; it is this inexhaustible life, overflowing in unconsciousness and boundless fulness, that she forever reveals. The truth which underlies these two great facts needs no application to human life. Blessed, indeed, are they who live in it, and have caught from it something of the joy, the health, and the perennial beauty of Nature.
Chapter VI
Earth and Sky
In nature, as in art, it is the sky which makes the landscape. Given the identical fields, woods, and retreating hills, and every change of sky, every modulation of light, will produce a new landscape; in light and atmosphere are concealed those mysteries of colour, of distance, and of tone which clothe the changeless features of the visible world with infinite variety and charm. This fruitful marriage of the upper and the lower firmaments is perhaps the oldest fact known to men; it was the earliest discovery of the first observer, it still is the most illusive and beautiful mystery in nature. The most ancient mythologies began with it, the latest books of science and natural observation are still dealing with it. Myths that are older than history portray it in lofty symbolism or in splendid histories that embody the primitive ideals of divinity and humanity; the latest poets and painters would fain touch their verse or their canvas with some luminous gleam from the heart of this perpetual miracle. The unbroken procession of the seasons changes month by month the relations of earth and sky; day and night all the water-courses of the world rise in invisible moisture to a fellowship with the birds that have passed on swift wing above their currents; the great outlying seas, that sound the notes of their vast and passionate unrest upon the shores of every continent, are continually drawn upward to swell the invisible upper ocean which, out of its mighty life, feeds every green and fruitful thing upon the bosom of the earth. This movement of the oceans upon the continents through the illimitable channels of the sky is, in some ways, the most mysterious and the most sublime of those miracles which each day testify to the presence and majesty of that Spirit behind Nature of whom the greatest of modern poets thought when he wrote:
Thus at the roaring loom of time I ply
And weave for God the robe thou seest Him by.
The vast inland grain fields, that stretch in unbroken