Chambers's Edinburgh Journal, No. 427. Various
votaries; it has elevated Bowley from the class of struggling and desponding speculators, to a substantial and influential member of the Licensed Victuallers' Company: it has at once vastly improved the colour of his nose and the aspect of his bank-account; and while he complacently fingers the cash which it has caused to flow in a continual current into his pocket, he looks remarkably well in the character of chief mourner over its untimely fate.
LA ROSIÈRE
About twelve miles from Paris is situated the pretty vernal hamlet of Maisons Lafitte. It hangs around the Château Lafitte—a princely residence, formerly the property and dwelling of the well-known banker of that name, but for many years past in other hands. In front of the château, a broad avenue of greensward strikes straight away through a thick forest, extending many miles across the country; and parallel with the front of the building is an avenue still broader, but not so long—La Grande Allée—wherein the various fêtes of the hamlet are celebrated, and which, moreover, forms a principal scene in the following narrative.
Before the Revolution of 1793, the name of Gostillon was familiar as a daily proverb to the people of Maisons. There were three or four branches of the family living in the neighbourhood, and well known as industrious and respectable members of the peasant class. When the earthquake comes, however, the cottage is as much imperiled as the palace; so the events which brought Louis XVI. and Marie Antoinette to the block, and sent panic into every court in Europe, also broke up and dispersed the humble house of Gostillon. In the awful confusion of the times, some were slain upon barricades; some sent hither and thither with the army, to perish in La Vendée or elsewhere; and some fled to seek safety and peace in foreign lands. Thus it came to pass, that at length there were only three females in Maisons—a widow and her two daughters—bearing the once common name. Mme Veuve Gostillon managed to obtain a living by cultivating a small garden—the flowers and fruit from which she sold in the markets of Paris—and by plying her needle. Her daughters were named Julia and Cecilia, and there was the somewhat remarkable difference of eight years between their ages.
Just as Julia had reached her fourteenth year, and little Cecilia her sixth, a terrible misfortune happened to the industrious widow: a stroke of paralysis deprived her of the use of her limbs, and rendered her unable longer to maintain herself and little family by the labour of her hands. A time of severe distress ensued for this remnant of the once numerous and hearty family of the Gostillons; but it was only for awhile. Julia—shrewd, spirited, and industrious—worked night and day to perform the labour heretofore the portion of her parent, and to liquidate the extraordinary expenses of the poor widow's sad illness, and the derangement consequent thereupon. Steady assiduity seldom fails of success. It was not long before she had the satisfaction of finding matters proceeding in a somewhat straightforward manner—doctor's bills paid; arrears of rent, such as they were, made up; and the little business in flowers, fruit, and needle-work proceeding smoothly and satisfactorily. There is much attractiveness in the virtue and good-behaviour of youth; and Julia, handsome, intelligent, modest, and sweet-tempered, soon became the favourite of all who knew her.
The peasantry of France have, from ancient times, maintained the custom of publicly demonstrating their esteem of any young female member of a community, who, in her progress from childhood to adolescence, or rather to womanhood, may have given evidence of the possession of any unusual amount of amiability and cleverness. Young girls who are deemed worthy of public recognition as examples of virtue and industry, are waited upon by the villagers on a fête-day, led forth, seated on a throne of flowers, crowned with roses, blessed by the curé, and presented with the honourable title of La Rosière. The custom is graceful and poetical; and the world hardly presents a more charming spectacle—at once so simple and so touching—as the installation of a rosière in some sequestered village of France. The associations connected with it are pure and bright enough for a Golden Age. All who take part in the little ceremony are humble people, living by their labour; the queen of the day is queen by reason of her industry and virtue; they who do her such becoming and encouraging homage, old and young, lead lowly and toilsome lives, and yet have the innate grace thus to evince their reverence for the best qualities of human nature. The pageantry of courts, and pompous crowning of kings and queens, grand and splendid as they are, have not such spiritual fragrance as these village queen-makings; soft glimmerings and shinings-through of the light of a better world—a world with which man, let conventionality disguise him as it may, always has some sympathies.
For three years, the exemplary Julia had continued to support her helpless parent and little sister, when, in accordance with this custom, the good folks of the hamlet determined to shew their appreciation of her estimable qualities at the next fête, by crowning her with roses, and enthroning her with the usual ceremony in the Grande Allée. In the meantime, Victor Colonne, son of the steward of the château, happened to pay a visit to the poor widow's cottage; and thereafter he came again, and again, and again, courting Julia Gostillon.
But Victor and Julia were not made for each other. He was thriftless, idle, dissolute—the small roué of the neighbourhood: she was careful, industrious, virtuous. He was good-looking—of a dark, saturnine beauty, insidiously impressive, like the dangerous charms of a tempter; she was radiant and lustrous with the sweet graces of modesty, innocence, and intelligence. Julia, however, young and susceptible, was for a time pleased with his attentions. Persuasive powers of considerable potency, and personal attractions of no mean sort, were not exerted and prostrated at her feet entirely in vain. Ingenuous, trustful, and inexperienced, she listened to the charmer with a yielding and delighted ear, and was happy as long as she perceived nothing but sincerity and love. It was but for a time, however. The Widow Gostillon liked not her daughter's lover. Of more mature perception, of sharper skill in reading character than her child, she conceived a deep distrust of the airy smile and studied gallantry of Victor Colonne. She took counsel with matrons old and circumspect as herself; made herself acquainted with Victor's history; watched his looks, listened to his words narrowly and scrutinisingly; and, day by day, felt more and more strongly that she liked him not—that there was mischief in his restless eye and soft musical voice. She communicated her fears to Julia, told her the history of her suitor, and bade her be on her guard. Julia was startled and distressed. These suspicions checked the brightness and little glory of her life, and settled wanly and hazily on her soul, like damp breath on a mirror. But they served as points of departure for daily thoughts. Looks and words were watched, and weighed, and pondered over with wistful studiousness; and while Victor believed his conquest to be achieved, his increasing assurance and gradual abandonment of disguise were alienating him from the object of his pursuit. Julia had accompanied him on different occasions to the château; been presented to his father; and had been seen, admired, and kindly spoken to by the Comtesse Meurien and her daughters. Victor had lost no opportunity of strengthening his suit by stimulating her ambition and pride; but it was without avail. Though pleased for a time, she soon discovered that he was cold, heartless, and even dissolute. The intimacy betwixt them was fast relapsing into indifference, and, on her side, into dislike, when a certain dénouement of Master Victor's notorious love-makings, accompanied by disgraceful circumstances, determined her to put an end to it, once and for all.
'So you are determined?' exclaimed he with ill-restrained anger, as she repeated her resolve to him for the fourth or fifth time.
'Yes: I will have nothing more to say to you,' replied she firmly.
'Then my father and his reverence the curé may lose all hopes of me!' returned he bitterly. 'I have done much ill—I own it: I have won no one's esteem: I have been idle, irregular, profligate. But wherefore? Because I have had no one to care for me. Since my mother died, I have been left to myself, with no kind hand to guide me, no kind tongue to warn me: what wonder that youth should go astray?'
'No one to care for you!' exclaimed Julia, not without a tinge of sarcasm. 'Do not your father and monsieur the curé do their utmost for you?'
'The one reproves, and the other prays for me,' said Victor, with a derisive smile; then turning to Julia, with a face in which penitence, respect, and affection were well simulated, he exclaimed: 'but thou, dear Julia, art the sovereign of my soul! in whose hand my fate is placed. It is for you to shape my destiny: will you award me love or perdition? At your bidding, no honourable deed shall be too high to mark my