The Atlantic Monthly, Volume 11, No. 65, March, 1863. Various
the celebrated Bishop Watson, of the See of Llandaff, Charles Lloyd, and others,—then the genii loci. It may be remembered that his admiration for Wordsworth was already of long standing, his boyish enthusiasm having led him, when at Glasgow, to send his tribute of praise to the author of the "Lyrical Ballads." Some fifteen to twenty years later,—in one of the numbers of the "Noctes,"—his admiration for the poet had temporarily cooled somewhat. Then was its aphelion, and soon it began to return once more toward its central sun. It must have been transient spleen which dictated such sentences as these:—
"Tickler. Wordsworth says that a great poet must be great in all things.
"North. Wordsworth often writes like an idiot; and never more so than when he said of Milton, 'His soul was like a star, and dwelt apart!' For it dwelt in tumult, and mischief, and rebellion. Wordsworth is, in all things, the reverse of Milton,—a good man, and a bad poet.
"Tickler. What! that Wordsworth whom Maga cries up as the Prince of Poets?
"North. Be it so: I must humor the fancies of some of my friends. But had that man been a great poet, he would have produced a deep and lasting impression on the mind of England; whereas his verses are becoming less and less known every day, and he is, in good truth, already one of the illustrious obscure …
"And yet, with his creed, what might not a great poet have done? That the language of poetry is but the language of strong human passion! … And what, pray, has he made out of this true and philosophical creed? A few ballads, (pretty, at the best,) two or three moral fables, some natural description of scenery, and half a dozen narratives of common distress or happiness. Not one single character has he created, not one incident, not one tragical catastrophe. He has thrown no light on man's estate here below; and Crabbe, with all his defects, stands immeasurably above Wordsworth as the Poet of the Poor … I confess that the 'Excursion' is the worst poem, of any character, in the English language. It contains about two hundred sonorous lines, some of which appear to be fine, even in the sense, as well as the sound. The remaining seven thousand three hundred are quite ineffectual. Then what labor the builder of that lofty rhyme must have undergone! It is, in its own way, a small Tower of Babel, and all built by a single man."
Christopher was surely in the dumps, when he wrote thus: he was soured by an Edinburgh study. After a run in the crisp air of the moors, he would never have written such atrabilious criticism of a poet whom he admired highly, for it was not honestly in the natural man. Neither his postulates nor his inferences are quite correct. It is incorrect to say that the poet's creed was a true one; that, with it, he might have been a great poet; but that, from not making the most of it, he was a bad one. De Quincey's position, we think, was the only true one: that Wordsworth's poetic creed was radically false,—a creed more honored in the breach than the observance,—a creed good on paper only; that its author, though professing, did in fact never follow it; that, with it, he could never have been a great poet; and that, without it, he was really great.
Wilson at Windermere, like Wilson at Oxford, was versatile, active, Titanic, mysterious, and fascinating. An immense energy and momentum marked the man; and a strange fitfulness, a lack of concentration, made the sum total of results far too small. There was power; but much of it was power wasted. He overflowed everywhere; his magnificent physique often got the better of him; his boundless animal spirits fairly ran riot with him; his poetic soul made him the fondest and closest of Nature's wooers; his buoyant health lent an untold luxury to the mere fact of existence; his huge muscles and tuneful nerves always hungered for action, and bulged and thrilled joyously when face to face with danger. He was exuberant, extravagant, enthusiastic, reckless, stupendous, fantastic. It is only by the cumulation of epithets that one can characterize a being so colossal in proportion, so many-sided in his phases, so manifold in operation. He was a brilliant of the first water, whose endless facets were forever gleaming, now here, now there, with a gorgeous, but irregular light. No man could tell where to look for the coming splendor. The glory dazzled all eyes, yet few saw their way the clearer by such fitful flashes.
Wilson, in some of his phases, reminds us often of a great glorified child, rejoicing in an eternal boyhood. He had the same impulse, restlessness, glee, zest, and abandon. All sport was serious work with him, and serious work was sport. No frolic ever came amiss, whatever its guise. He informed play with the earnestness of childhood and the spirituality of poesy. He could turn everything into a hook on which to hang a frolic. No dark care bestrode the horse behind this perennial youth. No haggard spectre, reflected from a turbid soul, sat moping in the prow of his boat, or kept step with him in the race. Like the Sun-god, he was buoyant and beautiful, careless, free, elastic, unfading. Years never cramped his bounding spirits, or dimmed the lustre of his soul. He was ever ready for prank and pastime, for freak and fun. Of all his loves at Elleray, boating was the chief. He was the Lord-High-Admiral of all the neighboring waters, and had a navy at his beck. He never wearied of the lake: whether she smiled or frowned on her devotee, he worshipped all the same. Time and season and weather were all alike to the sturdy skipper. One howling winter's night he was still at his post, when Billy Balmer brought tidings that "his master was wellnigh frozen to death, and had icicles a finger-length hanging from his hair and beard." Though there was storm without, the great child had his undying sunshine within.
In 1811, he married Miss Jane Penny, of Ambleside, described as the belle of that region,—a woman of rare beauty of mind and person, gentle, true, and loving. She was either a pedestrian by nature, or converted by the arguments of her husband; for, a few years after marriage, they took a long, leisurely stroll on foot among the Highlands, making some three hundred and fifty miles in seven weeks. The union of these two bright spirits was singularly happy and congenial,—a pleasing exception to the long list of mismated authors. Nought was known between them but the tenderest attachment and unwearied devotion to each other. For nearly forty years they were true lovers; and when death took her, a void was left which nothing could fill. The bereaved survivor mourned her sincerely for more than seventeen years,—never, for an instant, forgetting her, until his own summons came. Some one has related the following touching incident. "When Wilson first met his class, in the University, after his wife's death, he had to adjudicate on the comparative merits of various essays which had been sent in on competition for a prize. He bowed to his class, and, in as firm voice as he could command, apologized for not having examined the essays,—'for,' said he, 'I could not see to read them in the darkness of the shadow of the Valley of Death.' As he spoke, the tears rolled down his cheeks; he said no more, but waved his hand to his class, who stood up as he concluded and hurried out of the lecture-room."
The joys of Elleray were destined to be fleeting. The fortune of its master was melted away by the mismanagement of others, leaving him but a slender pittance. He bore his loss like a man, sorrowing, but not repining. The estate was given up, and a new home found with his mother, in Edinburgh. This was in 1815. Four years later, fortune had smiled on his cheerful labors, and given him the wherewithal to provide a home of his own for his wife and little ones,—the well-known house in Anne Street, which was for so many years the abode of domestic joys, the shrine of literature, the centre of friendship and hospitality. On his arrival at Edinburgh, Wilson, already famous, though young, finding fame an unsubstantial portion for a man with a family, looked about him for something more tangible, and determined to get his livelihood by the law. Kit North a lawyer, eating bread earned by legal sweat! The very idea seems comical enough. Yet it cannot be doubted, that, with his intellect, energy, eloquence, and capacity for work, he would, when driven to concentration and persistence by the spurs of necessity, duty, and affection, have run his race manfully, and reached the goal with the very foremost. Happily the question is an open one, for his affairs took another turn, which may have given Scotland one legal lord the less. For some time the briefless barrister diligently frequented the Edinburgh courts, on the lookout for business. If he had few cases, he had excellent company in another "limb," of his own kidney, John Gibson Lockhart. These two roystering pundits, having little to do, filled up their moments mainly with much fun, keeping their faculties on the alert for whatever might turn up. The thing that soon turned up was "Blackwood."
The "Edinburgh Review"—the first in the field of the modern politico-literary periodicals—commenced its career in 1802, under the leadership of Brougham, Sydney Smith, Jeffrey, and Horner, all stanch Whigs. At first, literature had the second place, while