Modern India. Curtis William Eleroy
the temple. It was formerly used daily by thousands of worshipers, but in this degenerate age nobody but tourists ever climb it. Every boat load that lands is greeted by a group of bright-eyed children, who follow the sahibs (gentlemen) and mem-sahibs (ladies) up the stairs, begging for backsheesh and offering for sale curios beetles and other insects of brilliant hues that abound on the island. Coolies are waiting at the foot of the stairs with chairs fastened to poles, in which they will carry a person up the steep stairway to the temple for 10 cents. Reaching the top you find a solid fence with a gateway, which is opened by a retired army officer who has been appointed custodian of the place and collects small fees, which are devoted to keeping the temples clean and in repair.
The island is dedicated to Siva, the demon god of the Hindus, and it is therefore appropriate that its swamps and jungles should abound with poisonous reptiles and insects. The largest of the several temples is 130 feet square and from 32 to 58 feet high, an artificial cave chiseled out of the granite mountain side. The roof is sustained by sixteen pilasters and twenty-six massive fluted pillars. In a recess in the center is a gigantic figure of Siva in his character as The Destroyer. His face is turned to the east and wears a stern, commanding expression. His head-dress is elaborate and crowned by a tiara beautifully carved. In one hand he holds a citron and in the other the head of a cobra, which is twisted around his arm and is reaching towards his face. His neck is adorned with strings of pearls, from which hangs a pendant in the form of a heart. Another necklace supports a human skull, the peculiar symbol of Siva, with twisted snakes growing from the head instead of hair. This is the great image of the temple and represents the most cruel and revengeful of all the Hindu gods. Ten centuries ago he wore altogether a different character, but human sacrifices have always been made to propitiate him. Around the walls of the cave are other gods of smaller stature representing several of the most prominent and powerful of the Hindu pantheon, all of them chiseled from the solid granite. There are several chambers or chapels also for different forms of worship, and a well which receives its water from some mysterious source, and is said to be very deep.
The Portuguese did great damage here several centuries ago in a war with India, for they fired several cannon balls straight into the mouth of the cave, which carried away several of the columns and destroyed the ornamentation of others, but the Royal Asiatic Society has taken the trouble to make careful and accurate repairs.
Although the caves at Elephanta are wonderful, they are greatly inferior in size and beauty to a larger group at Ellora, a day's journey by train from Bombay, and after that a carriage or horseback ride of two hours. There are 100 cave temples, carved out of the solid rock between the second and the tenth centuries. They are scattered along the base of a range of beautifully wooded hills about 500 feet above the plain, and the amount of labor and patience expended in their construction is appalling, especially when one considers that the men who made them were without the appliances and tools of modern times, knew nothing of explosives and were dependent solely upon chisels of flint and other stones. The greatest and finest of them is as perfect in its details and as elaborate in its ornamentations as the cathedrals at Milan or Toledo, except that it has been cut out of a single piece of stone instead of being built up of many small pieces.
The architect made his plans with the most prodigal detail and executed them with the greatest perfection. He took a solid rock, an absolute monolith, and chiseled out of it a cathedral 365 feet long, 192 feet wide and 96 feet high, with four rows of mighty columns sustaining a vaulted roof that is covered with pictures in relief illustrating the power and the adventures and the achievements of his gods. It would accommodate 5,000 worshippers. Around the walls he left rough projections, which were afterward carved into symbolical figures and images, eight, ten and twelve feet high, of elephants lions, tigers, oxen, rams, swans and eagles, larger than life. Corner niches and recesses have been enriched with the most intricate ornamentation, and in them, still of the same rock, without the introduction of an atom of outside material, the sculptors chiseled the figures of forty or more of the principal Hindu deities. And on each of the four sides is a massive altar carved out of the side of the cliff with the most ornate and elaborate traceries and other embellishment.
Indeed, my pen is not capable of describing these most wonderful achievements of human genius and patience. But all of them have been described in great detail and with copious illustrations in books that refer to nothing else. I can only say that they are the most wonderful of all the human monuments in India.
"From one vast mount of solid stone
A mighty temple has been cored
By nut-brown children of the sun,
When stars were newly bright, and blithe
Of song along the rim of dawn–
A mighty monolith."
The thirty principal temples are scattered along the rocky mountain side within a distance of two miles, and seventy-nine others are in the immediate neighborhood. The smallest of the principal group is 90 feet long, 40 feet wide, with a roof 40 feet high sustained by thirty-four columns. They are all alike in one particular. No mortar was used in their construction or any outside material. Every atom of the walls and ceilings, the columns, the altars and the images and ornaments stands exactly where the Creator placed it at the birth of the universe.
There are several groups of cave temples in the same neighborhood. Some of them were made by the Buddhists, for it seems to have been fashionable in those days to chisel places of worship out of the rocky hillsides instead of erecting them in the open air, according to the ordinary rules of architecture. There are not less than 300 in western India which are believed to have been made within a period of a thousand years. Archæologists dispute over their ages, just as they disagree about everything else. Some claim that the first of the cave temples antedates the Christian era; others declare that the oldest was not begun for 300 years after Christ, but to the ordinary citizen these are questions of little significance. It is not so important for us to know when this great work was done, but it would be extremely gratifying if somebody could tell us who did it–what genius first conceived the idea of carving a magnificent house of worship out of the heart of a mountain, and what means he used to accomplish the amazing results.
We would like to know for example, who made the designs of the Vishwa Karma, or carpenter's cave, one of the most exquisite in India, a single excavation 85 by 45 feet in area and 35 feet high, which has an arched roof similar to the Gothic chapels of England and a balcony or gallery over a richly sculptured gateway very similar to the organ loft of a modern church. At the upper end, sitting cross-legged in a niche, is a figure four feet high, with a serene and contemplative expression upon its face. Because it has none of the usual signs and symbols and ornaments that appertain to the different gods, archæologists have pronounced it a figure of the founder of the temple, who, according to a popular legend, carved it all with his own hands, but there is nothing to indicate for whom the statue was intended, and the various stories told of it are pure conjectures that only exasperate one who studies the details. Each stroke of the chisel upon the surface of the interior was as delicate and exact as if a jewel instead of a granite mountain was being carved.
There are temples to all of the great gods in the Hindu catalogue; there are several in honor of Buddha, and others for Jain, all more or less of the same design and the same style of execution. Those who care to know more about them can find full descriptions in Fergusson's "Indian Architecture."
South of Bombay, on the coast, is the little Portuguese colony of Goa, the oldest European settlement in India. You will be surprised to know that there are four or five of these colonies belonging to other European governments within the limits of British India, entirely independent of the viceroy and the authority of Edward VII. The French have two towns of limited area in Bengal, one of them only an hour's ride from Calcutta. They are entirely outside of the British jurisdiction and under the authority of the French Republic, which has always been respected. The Dutch have two colonies in India also, and Goa, the most important of all, is subject to Portugal. The territory is sixty-two miles long by forty miles wide, and has a population of 446,982. The inhabitants are nearly all Roman Catholics, and the archbishop of Goa is primate of the East, having jurisdiction over all Roman Catholics between Cairo and Hong-Kong.
More than half of the population are converted Hindus, descendants of the original occupants