The "Goldfish". Arthur Cheney Train
occasions I have come away without having any very clear idea as to where I have been.
"The Hobby-Smiths," my wife will whisper as we go up the steps. "Of course you've heard of her! She is a great friend of Marie Van Duser, and her husband is something in Wall Street."
That is a comparatively illuminating description. At all events it insures some remote social connection with ourselves, if only through Miss Van Duser and Wall Street. Most of our hosts are something in Wall Street. Occasionally they are something in coal, iron, oil or politics.
I find a small envelope bearing my name on a silver tray by the hatstand and open it suspiciously as my wife is divested of her wraps. Inside is a card bearing in an almost illegible scrawl the words: Mrs. Jones. I hastily refresh my recollection as to all the Joneses of my acquaintance, whether in coal, oil or otherwise; but no likely candidate for the distinction of being the husband of my future dinner companion comes to my mind. Yet there is undoubtedly a Jones. But, no! The lady may be a divorcée or a widow. I recall no Mrs. Jones, but I visualize various possible Miss Joneses—ladies very fat and bursting; ladies scrawny, lean and sardonic; facetious ladies; heavy, intelligent ladies; aggressive, militant ladies.
My spouse has turned away from the mirror and the butler has pulled back the portières leading into the drawing room. I follow my wife's composed figure as she sweeps toward our much-beplumed hostess and find myself in a roomful of heterogeneous people, most of whom I have never seen before and whose personal appearance is anything but encouraging.
"This is very nice!" says our hostess—accent on the nice.
"So nice of you to think of us!" answers my wife.
We shake hands and smile vaguely. The butler rattles the portières and two more people come in.
"This is very nice!" says the hostess again—accent on the is.
It may be here noted that at the conclusion of the evening each guest murmurs in a simpering, half-persuasive yet consciously deprecatory manner—as if apologizing for the necessity of so bald a prevarication—"Good-night! We have had such a good time! So good of you to ask us!" This epilogue never changes. Its phrase is cast and set. The words may vary slightly, but the tone, emphasis and substance are inviolable. Yet, disregarding the invocation good-night! the fact remains that neither have you had a good time nor was your host in any way good or kind in asking you.
Returning to the moment at which you have made your entrance and been received and passed along, you gaze vaguely round you at the other guests, greeting those you know with exaggerated enthusiasm and being the conscious subject of whispered criticism and inquiry on the part of the others. You make your way to the side of a lady whom you have previously encountered at a similar entertainment and assert your delight at revamping the fatuous acquaintanceship. Her facetiousness is elephantine, but the relief of conversation is such that you laugh loudly at her witticisms and simper knowingly at her platitudes—both of which have now been current for several months.
The edge of your delight is, however, somewhat dulled by the discovery that she is the lady whom fate has ordained that you shall take in to dinner—a matter of which you were sublimely unconscious owing to the fact that you had entirely forgotten her name. As the couples pair off to march to the dining room and the combinations of which you may form a possible part are reduced to a scattering two or three, you realize with a shudder that the lady beside you is none other than Mrs. Jones—and that for the last ten minutes you have been recklessly using up the evening's conversational ammunition.
With a sinking heart you proffer your arm, wondering whether it will be possible to get through the meal and preserve the fiction of interest. You wish savagely that you could turn on her and exclaim honestly:
"Look here, my good woman, you are all right enough in your own way, but we have nothing in common; and this proposed evening of enforced companionship will leave us both exhausted and ill-tempered. We shall grin and shout meaningless phrases over the fish, entrée and salad about life, death and the eternal verities; but we shall be sick to death of each other in ten minutes. Let's cut it out and go home!"
You are obliged, however, to escort your middle-aged comrade downstairs and take your seat beside her with a flourish, as if you were playing Rudolph to her Flavia. Then for two hours, with your eyes blinded by candlelight and electricity, you eat recklessly as you grimace first over your left shoulder and then over your right. It is a foregone conclusion that you will have a headache by the time you have turned, with a sensation of momentary relief, to your "fair companion" on the other side.
Have you enjoyed yourself? Have you been entertained? Have you profited? The questions are utterly absurd. You have suffered. You have strained your eyes, overloaded your stomach, and wasted three hours during which you might have been recuperating from your day's work or really amusing yourself with people you like.
This entirely conventional form of amusement is, I am told, quite unknown in Europe. There are, to be sure, occasional formal banquets, which do not pretend to be anything but formal. A formal banquet would be an intense relief, after the heat, noise, confusion and pseudo-informality of a New York dinner. The European is puzzled and baffled by one of our combined talk-and-eating bouts.
A nobleman from Florence recently said to me:
"At home, when we go to other people's houses it is for the purpose of meeting our own friends or our friend's friends. We go after our evening meal and stay as long as we choose. Some light refreshment is served, and those who wish to do so smoke or play cards. The old and the young mingle together. It is proper for each guest to make himself agreeable to all the others. We do not desire to spend money or to make a fête. At the proper times we have our balls and festas.
"But here in New York each night I have been pressed to go to a grand entertainment and eat a huge dinner cooked by a French chef and served by several men servants, where I am given one lady to talk to for several hours. I must converse with no one else, even if there is a witty, beautiful and charming woman directly opposite me; and as I talk and listen I must consume some ten or twelve courses or fail to do justice to my host's hospitality. I am given four or five costly wines, caviar, turtle soup, fish, mousse, a roast, partridge, pâté de fois gras, glacés, fruits, bonbons, and cigars costing two francs each. Not to eat and drink would be to insult the friend who is paying at least forty or fifty francs for my dinner. But I cannot enjoy a meal eaten in such haste and I cannot enjoy talking to one strange lady for so long.
"Then the men retire to a chamber from which the ladies are excluded. I must talk to some man. Perhaps I have seen an attractive woman I wish to meet. It is hopeless. I must talk to her husband! At the end of three-quarters of an hour the men march to the drawing room, and again I talk to some one lady for half an hour and then must go home! It may be only half-past ten o'clock, but I have no choice. Away I must go. I say good-night. I have eaten a huge dinner; I have talked to one man and three ladies; I have drunk a great deal of wine and my head is very tired.
"Nineteen other people have had the same experience, and it has cost my host from five hundred to a thousand francs—or, as you say here, from one hundred to two hundred dollars. And why has he spent this sum of money? Pardon me, my friend, if I say that it could be disbursed to much better advantage. Should my host come to Florence I should not dare to ask him to dinner, for we cannot afford to have these elaborate functions. If he came to my house he would have to dine en famille. Here you feast every night in the winter. Why? Every day is not a feast day!"
I devote space and time to this subject commensurate with what seems to me to be its importance. Dining out is the metropolitan form of social entertainment for the well-to-do. I go to such affairs at least one hundred nights each year. That is a large proportion of my whole life and at least one-half of all the time at my disposal for recreation. So far as I can see, it is totally useless and a severe drain on one's nervous centers. It has sapped and is sapping my vitality. During the winter I am constantly tired. My head aches a large part of the time. I can do only a half—and on some days only a third—as much work as I could at thirty-five.
I wake with a thin, fine line of pain over my right eye, and a heavy head. A strong cup of coffee sets me up and I feel better; but as the morning wears on, especially