Victorian Short Stories: Stories of Courtship. Коллектив авторов
forth some words of awkward congratulation, and he left me, singing merrily, after asking permission to bring his bride to see me on the morrow as they returned from church.
'For', said he, 'my Angela has known you very long—ever since she was a child, and she has often spoken to me of the poor Englishman who was a good Catholic, and who lay all day long for years and years on a sofa at a window, and she had said over and over again how dearly she wished she could speak to him and comfort him; and one day, when you threw a flower into the canal, she asked me whether she might throw another, and I told her yes, for he would understand that it meant sympathy for one sorely afflicted.'
And so I learned that it was pity, and not love, except indeed such love as is akin to pity, that prompted her to interest herself in my welfare, and there was an end of it all.
For the two flowers that I thought were on one stem were two flowers tied together (but I could not tell that), and they were meant to indicate that she and the gondolier were affianced lovers, and my expressed pleasure at this symbol delighted her, for she took it to mean that I rejoiced in her happiness.
And the next day the gondolier came with a train of other gondoliers, all decked in their holiday garb, and on his gondola sat Angela, happy, and blushing at her happiness. Then he and she entered the house in which I dwelt, and came into my room (and it was strange indeed, after so many years of inversion, to see her with her head above her feet!), and then she wished me happiness and a speedy restoration to good health (which could never be); and I in broken words and with tears in my eyes, gave her the little silver crucifix that had stood by my bed or my table for so many years. And Angela took it reverently, and crossed herself, and kissed it, and so departed with her delighted husband.
And as I heard the song of the gondoliers as they went their way—the song dying away in the distance as the shadows of the sundown closed around me—I felt that they were singing the requiem of the only love that had ever entered my heart.
THE PARSON'S DAUGHTER OF OXNEY COLNE
By Anthony Trollope
(London Review, 2 March 1861)
The prettiest scenery in all England—and if I am contradicted in that assertion, I will say in all Europe—is in Devonshire, on the southern and southeastern skirts of Dartmoor, where the rivers Dart and Avon and Teign form themselves, and where the broken moor is half cultivated, and the wild-looking uplands fields are half moor. In making this assertion I am often met with much doubt, but it is by persons who do not really know the locality. Men and women talk to me on the matter who have travelled down the line of railway from Exeter to Plymouth, who have spent a fortnight at Torquay, and perhaps made an excursion from Tavistock to the convict prison on Dartmoor. But who knows the glories of Chagford? Who has walked through the parish of Manaton? Who is conversant with Lustleigh Cleeves and Withycombe in the moor? Who has explored Holne Chase? Gentle reader, believe me that you will be rash in contradicting me unless you have done these things.
There or thereabouts—I will not say by the waters of which little river it is washed—is the parish of Oxney Colne. And for those who would wish to see all the beauties of this lovely country a sojourn in Oxney Colne would be most desirable, seeing that the sojourner would then be brought nearer to all that he would delight to visit, than at any other spot in the country. But there is an objection to any such arrangement. There are only two decent houses in the whole parish, and these are—or were when I knew the locality—small and fully occupied by their possessors. The larger and better is the parsonage in which lived the parson and his daughter; and the smaller is the freehold residence of a certain Miss Le Smyrger, who owned a farm of a hundred acres which was rented by one Farmer Cloysey, and who also possessed some thirty acres round her own house which she managed herself, regarding herself to be quite as great in cream as Mr. Cloysey, and altogether superior to him in the article of cider. 'But yeu has to pay no rent, Miss,' Farmer Cloysey would say, when Miss Le Smyrger expressed this opinion of her art in a manner too defiant. 'Yeu pays no rent, or yeu couldn't do it.' Miss Le Smyrger was an old maid, with a pedigree and blood of her own, a hundred and thirty acres of fee-simple land on the borders of Dartmoor, fifty years of age, a constitution of iron, and an opinion of her own on every subject under the sun.
And now for the parson and his daughter. The parson's name was Woolsworthy—or Woolathy as it was pronounced by all those who lived around him—the Rev. Saul Woolsworthy; and his daughter was Patience Woolsworthy, or Miss Patty, as she was known to the Devonshire world of those parts. That name of Patience had not been well chosen for her for she was a hot-tempered damsel, warm in her convictions, and inclined to express them freely. She had but two closely intimate friends in the world, and by both of them this freedom of expression had been fully permitted to her since she was a child. Miss Le Smyrger and her father were well accustomed to her ways, and on the whole well satisfied with them. The former was equally free and equally warm-tempered as herself, and as Mr. Woolsworthy was allowed by his daughter to be quite paramount on his own subject—for he had a subject—he did not object to his daughter being paramount on all others. A pretty girl was Patience Woolsworthy at the time of which I am writing, and one who possessed much that was worthy of remark and admiration had she lived where beauty meets with admiration, or where force of character is remarked. But at Oxney Colne, on the borders of Dartmoor, there were few to appreciate her, and it seemed as though she herself had but little idea of carrying her talent further afield, so that it might not remain for ever wrapped in a blanket.
She was a pretty girl, tall and slender, with dark eyes and black hair. Her eyes were perhaps too round for regular beauty, and her hair was perhaps too crisp; her mouth was large and expressive; her nose was finely formed, though a critic in female form might have declared it to be somewhat broad. But her countenance altogether was very attractive—if only it might be seen without that resolution for dominion which occasionally marred it, though sometimes it even added to her attractions.
It must be confessed on behalf of Patience Woolsworthy that the circumstances of her life had peremptorily called upon her to exercise dominion. She had lost her mother when she was sixteen, and had had neither brother nor sister. She had no neighbours near her fit either from education or rank to interfere in the conduct of her life, excepting always Miss Le Smyrger. Miss Le Smyrger would have done anything for her, including the whole management of her morals and of the parsonage household, had Patience been content with such an arrangement. But much as Patience had ever loved Miss Le Smyrger, she was not content with this, and therefore she had been called on to put forth a strong hand of her own. She had put forth this strong hand early, and hence had come the character which I am attempting to describe. But I must say on behalf of this girl that it was not only over others that she thus exercised dominion. In acquiring that power she had also acquired the much greater power of exercising rule over herself.
But why should her father have been ignored in these family arrangements? Perhaps it may almost suffice to say, that of all living men her father was the man best conversant with the antiquities of the county in which he lived. He was the Jonathan Oldbuck of Devonshire, and especially of Dartmoor,—but without that decision of character which enabled Oldbuck to keep his womenkind in some kind of subjection, and probably enabled him also to see that his weekly bill did not pass their proper limits. Our Mr. Oldbuck, of Oxney Colne, was sadly deficient in these respects. As a parish pastor with but a small cure he did his duty with sufficient energy to keep him, at any rate, from reproach. He was kind and charitable to the poor, punctual in his services, forbearing with the farmers around him, mild with his brother clergymen, and indifferent to aught that bishop or archdeacon might think or say of him. I do not name this latter attribute as a virtue, but as a fact. But all these points were as nothing in the known character of Mr. Woolsworthy, of Oxney Colne. He was the antiquarian of Dartmoor. That was his line of life. It was in that capacity that he was known to the Devonshire world; it was as such that he journeyed about with his humble carpetbag, staying away from his parsonage a night or two at a time; it was in that character that he received now and again stray visitors in the single spare bedroom—not friends asked to see him and his girl because of their friendship—but men who knew something as to this buried stone, or that old land-mark. In all these things his daughter let him have his own way, assisting and encouraging him. That was his line of life, and therefore she respected it. But in all other matters she chose