Dean Koontz 2-Book Thriller Collection: Innocence, The City. Dean Koontz
drawn up by a draft that I couldn’t feel.
The light fell bright enough to reveal me within my hood, and I kept my head down in case she glanced back. I wanted this unexpected adventure to last for a while, wanted to be able as long as possible to share the night with her.
The door at the head of the stairs opened into a dark building that served as storage for the riding lawn mowers and other equipment used to maintain the Commons. With flashlights, we found the exit.
I followed Gwyneth outside but paused, holding the door. As an emergency exit from Power Station 6, it was always unlocked from the inside; but it would be locked from the outside when closed. I didn’t have a key. Some homeless people lived in the park, and although most were timid and kept to their hidden nests in warrens of shrubbery, now and then one would be belligerent, stropped to sharp edges by either mental illness or drugs, or both.
This December night, no one approached us. The park lay as quiet as any place in the city could be, and we didn’t need to retreat.
We followed a footpath across lawns, past the pond where, in warmer seasons and in a full moon, half-sleeping koi sometimes rose into view. They were thick from eating bread cast to them by daytime visitors, too spoiled to take night insects off the surface.
As if she knew my mind, the girl said, “By now they will have netted the koi and moved them inside for the winter.”
At home in my hammock, when I slept, those fish sometimes swam into sight, mottled and pale, fins wimpling in the gentle currents, smoky presences. On the mirrored water of those dreams, I saw my face reflected darkly. The koi shimmering under my reflection had a place where they belonged in this world. Waking from such a dream, I was always filled with longing, yearning for a home in the light, a garden flowering and fruiting as it ought to be.
Now, at the Kellogg Parkway entrance to the Commons, as we stood under a towering pine, Gwyneth pointed to a house across the street. “That’s one of the places where I live. Come in for coffee.”
Having no friends, I had no experience of such invitations, and I stood speechless for a moment before I could say, “I better not. The night’s nearly gone.”
She said, “There’s almost another hour and a half of darkness.”
“I have to go to the food bank, get supplies before they open.”
“What food bank?”
“St. Sebastian’s.”
“Come up, have breakfast. Go to the food bank tomorrow night.”
“But I’ll be seen going in your place. Too dangerous.”
She said, “No doorman. Nobody’s coming or going at this hour. Quick up the stairs.”
I shook my head. “I shouldn’t. I can’t.”
She pointed to a narrow walkway between her house and the one next door. “Go through there to the alley. At the back, there’s a fire escape.”
“No. I really can’t.”
“You will. Come on.” She ran into the street in the wake of a passing limousine with tinted windows as black as its paint job.
Before other traffic might appear, I sprinted after her. She raced up the front stairs of the house as I followed the passageway that led to the alley.
The fire escape switchbacked up the building, looking as though it ought to ring loudly beneath my feet like the bars of a xylophone struck exuberantly, but my ascent was quieter than pianissimo. A window framed soft light at the second-floor apartment, and the draperies were only half closed. As far as I could see, the room beyond was deserted. I turned onto the next flight of iron treads.
At the fourth floor, Gwyneth had opened the window for me; but she was not waiting. At the farther end of the dark room, beyond an open door, a cut-crystal ceiling fixture brightened a hallway wall with prismatic patterns.
Switching on my flashlight, I noticed words printed in black letters on the white windowsill, but before I could consider them, Gwyneth appeared beyond the open door and said, “Addison. Come to the kitchen.”
By the time I climbed through the window and slid it shut behind me, the girl was gone. I stood in a generously proportioned room as sparsely furnished as a nun’s cell: narrow bed, single nightstand, lamp, digital clock. The place smelled fresh, and I could relate to the minimalism.
Across the hallway lay an equally large room, containing only a desk, an office chair, a computer, a scanner, and two printers.
A lamp turned low illuminated a living room that must have been twice as large as my three underground rooms combined, but the place felt like home because of the books. There was, however, only one armchair, as if her father, while alive, had never lived here.
Beyond an archway lay a dining area with a table and chairs, open to a large kitchen in which she worked by candlelight. Even those discreet flames in ruby-glass holders were bright enough to risk my revelation.
Although we seemed to have much in common, I suddenly grew wary and felt that I should leave quietly.
Although her back was to me, she said, “There you are. Scrambled eggs and toasted brioche with raisin butter will be quick. Okay?”
“I should go.”
“You won’t. You’re never rude. Pull out a chair. Sit down.”
In spite of the one narrow bed, in spite of the single armchair in the living room, I said, “You aren’t alone here, are you?”
Breaking an egg into a bowl, attended by her shadow and the shadows of candle flames that quivered on the walls, she said, “There is one who comes and goes infrequently, but I won’t speak of that. It’s nothing that will put you at risk.”
I stood beside the table, unsure what to do.
Her back remained toward me, yet she seemed to know that I had not pulled out a chair. She held another egg, hesitating to break it.
“Everything now depends on mutual trust, Addison Goodheart. Sit down or go. There can be no third choice.”
EIGHTEEN YEARS EARLIER, DURING MY SECOND week in the city, on the night I saw a Clear in hospital blues walking the high ledge …
Later, at home in our deep redoubt, after the groceries were put away, Father brewed a pot of orange-flavored herbal tea, and I sliced a pound cake with coconut icing, and we sat at our small table, It and Son of It, speaking of this and that, until he finished his cake and put down his fork, whereupon he brought up the subject that he felt was more important than our small talk: Fogs and Clears.
He never called them that. He had no names for them, and if he had a theory about what they might be, he wasn’t inclined to discuss it. But he had an opinion about what we should do when we encountered them.
His instinct, like mine, told him that the Fogs were nothing but bad news, though of exactly what kind he wasn’t prepared to say. Even the word evil, he said, was not sufficient to describe them. Best to avoid the Fogs. Certainly never approach one, but on the other hand, maybe it was also wise never to run from them, just as running from an angry dog might invite attack. Feigning indifference to the Fogs had worked for Father and for his father, and he strongly advised me to respond to them always and without fail as he did.
Leaning over the table, lowering his voice, as though even this far beneath the city, all but entombed by a mountain of concrete, he might be overheard, he said, “As to the others, the ones you call the Clears. They aren’t evil like the Fogs, but in their own way, they’re more terrible. Pretend indifference to them, as well. Try never to meet their eyes, and if you do find yourself in close quarters with one of them and eye-to-eye, turn away at once.”