The Year I Met You. Cecelia Ahern
apologised, that I raised myself. I always knew that Heather was more important, that Heather needed more attention; I never felt unloved, it was just the way it was. I loved Heather too, but I know that, when Mum left this world, the one person she did not want to leave behind was Heather. Heather needed Mum, Mum had plans for Heather, and so she left the world with a broken heart for the daughter she was leaving behind. I’m okay with that, I understand. My heart broke not just for me but for the two of them too.
Heather is not happy-go-lucky, as people with Down syndrome are stereotypically thought to be. She is an individual who has good days and bad, like us all, but her personality – which has nothing to do with Down syndrome – is upbeat. Her life is tied up in routine, she appreciates it as a way of feeling in control of her life, which is why when I show up at her home or when she’s at work, she gets confused and almost agitated. Heather needs routine, which is something that makes us even more similar and not at all different.
Zara is hopping from one cobblestone to the other and trying not to step on the cracks. She insists Dad does the same. He does. I know this about him now and yet, seeing him, his Christmas belly hanging over his trousers and bouncing up and down as he hops from stone to stone, I still can’t help but not know who this man is. He looks up as I pull in.
‘I didn’t know you’d be here,’ I say, lightly. Translation: You didn’t tell me, you must always tell me.
‘We were taking a drive along the coast, watching the waves – weren’t we, Zara?’ He scoops her up in his arms. ‘Tell Jasmine about the waves.’
He always gets Zara to say things for us; I’m sure most parents do, but it infuriates me. I would rather have a conversation with Zara that isn’t dictated by Dad. Hearing her tell me things is hearing it twice.
‘They were huge waves, weren’t they? Tell Jasmine how huge they were.’
She nods. Big eyes. Holds her arms out to show what would be a disappointingly small wave, but an enormous stretch for her.
‘And weren’t they crashing up against the rocks? Tell Jasmine.’
She nods again. ‘They were crashing against the rocks.’
‘And the waves were splashing over on to the coast road in Malahide,’ he says, again in his childish voice, and I wish he would just tell me the story directly instead of relaying it like this.
‘Wow,’ I say, smiling at Zara and reaching out to her. She immediately comes to me and wraps her skinny long legs around my body and clings to me tightly. I do not have anything against Zara. Zara is lovely. No – Zara is beautiful. She is perfect in every way and I adore her. It is not Zara’s fault. It is not anybody’s fault, because nothing has happened and it is merely the annoyance of my dad making a habit of dropping by since I’ve been at home that is beginning to create something that is not there. I know this. I tell my rational self this.
‘How’s my spaghetti legs?’ I ask her, letting us into the house. ‘I haven’t seen you for an entire year!’ While I’m talking, I glance at your house. I do that a lot lately, I can’t seem to help it. It’s become a habit now, some ridiculous OCD thing where I can’t get into my car without looking across the road, or I can’t close my front door without looking, or sometimes when I pass a front window, I stop and watch. I know I need to stop. Nothing ever happens during the day time, not with you, at least; you barely surface, it’s just your wife coming and going with the kids all day. Occasionally I might see you pull a curtain open and go out to your car, but that’s it. I don’t know what I’m expecting to see.
‘Did you tell your dad that we made cupcakes together last week?’ I ask Zara.
She nods again and I realise that I’m doing exactly what Dad does. It must be frustrating for her, but I can’t seem to stop.
Dad and I talk to each other through Zara. We say things to her that we should be saying to one another, so I tell her that my electricity went off on New Year’s Eve, that I met Billy Gallagher in the supermarket and he has retired, and various other things that she doesn’t need to know. Zara pays attention for a while, but then we confuse her, and she runs off.
‘Your friend is in trouble again,’ Dad says when we’re sitting at the table with a cup of tea and biscuits left over from my enormous drawer of Christmas goodies that I’m consistently working my way through, and we watch Zara tip over the box of toys that I keep for her. The noise of Lego hitting floorboards takes away his next sentence.
‘What friend?’ I ask, worried.
Dad nods in the direction of the front window that faces your house. ‘Your man – what’s his name?’
‘Matt Marshall? He’s not a friend of mine,’ I say, disgusted. All talk always turns to you.
‘Well, your neighbour then,’ Dad says, and we both watch Zara again.
It’s only the silence dragging on for too long that causes me to ask, because I don’t know what else to say: ‘Why, what did he do?’
‘Who?’ Dad says, snapping out of his trance.
‘Matt Marshall,’ I say through gritted teeth, hating having to ask about you once, never mind twice.
‘Oh, him.’ As if it was an hour ago that he first raised it. ‘His New Year’s Eve show got complaints.’
‘He always gets complaints.’
‘Well, more than usual, I suppose. It’s all over the papers.’
We are silent again as I think about your show. I hate your show, I never listen. Or rather, I never used to listen but lately I’ve been listening to see if what you talk about has any direct link to the state you return home in, because you’re not trashed every single night of the week. About three or four nights a week. Anyway, so far there seems to be no direct correlation.
‘Well, he tried to ring in the New Year by getting a woman to—’
‘I know, I know,’ I say, interrupting him, not wanting to hear my dad say the word orgasm.
‘Well, I thought you said you hadn’t heard it,’ he says, all defensive.
‘I heard about it,’ I mumble, and I climb down on all fours to help Zara with her Lego. I pretend our tower is a dinosaur. I use it to eat her fingers, her toes, then I crash it into the second tower with a great big roar. She’s happy with that for a moment and goes back to playing by herself.
To recap on your New Year’s Eve show, you and your team felt it would be hilarious to ring in the New Year with the sound of a woman’s orgasm. A charming treat for your listeners, a thank you in fact, for their support. Then you had a quiz to guess the sound of a fake orgasm from a real orgasm, and then a full discussion about men who fake orgasms during sex. It wasn’t offensive, not to me, not in comparison to the filth you’ve spoken about in other shows, and I hadn’t been aware of men who faked orgasms so it was slightly informative, if not disturbing, maybe even personally enlightening – with regard to the man I didn’t regret in the office, who regretted me, possibly – though the douche-bags you had on the show to tell their side of their story did little to educate. I sound as if I’m defending you. I’m not. It just wasn’t the worst show. For once the issue is not you and your lack of charm but the right to hear the sound of a woman climax without it being considered offensive.
‘How is he in trouble?’ I ask moments later.
‘Who’s that?’ Dad asks and I count to three in my head.
‘Matt Marshall.’
‘Oh. They’ve fired him. Or suspended him. I’m not sure which. I’d say he’s out of there. Been there long enough anyway. Let somebody younger have a chance.’
‘He’s only forty-two,’ I say. It sounds like a defence of you, but I don’t mean it personally. I’m thirty-three and I need to find a new job, I’m concerned about age right now, particularly the attitude towards age in the workplace,