Mr American. George Fraser MacDonald
his own reflection.
The great theatrical attraction of London in that week, or in that autumn for that matter, was undoubtedly The Whip, a drama of racing and high society which in addition to a highly sensational plot also offered the astonishing spectacles of a rail crash, a pack of hounds on stage, and a thrilling horse race. Unfortunately, as the Waldorf’s porter informed Mr Franklin, it had been booked out for weeks ahead; however, he was able to provide a synopsis from an evening paper of alternative entertainments, and Mr Franklin, having concluded that since Samson had decked him out for the theatre, he might as well go, studied it as his hansom drove west along the Strand.
To his disappointment, there was no Shakespeare available. The only performance of his father’s favourite author he had ever seen had been under canvas at the Tonopah diggings, when a travelling production of Hamlet had been broken up by a crowd of miners outraged at the prince’s cavalier treatment of Ophelia. He would have liked to see Falstaff in the flesh, for his father’s sake; the alternatives were not immediately inviting. Mrs Patrick Campbell in False Gods, and a new play badly entitled Smith, by Mr Somerset Maugham, did not sound interesting; he hesitated over an Arabian Nights comedy, The Brass Bottle, by F. Anstey, passed on to Making a Gentleman, the story of a retired pickle-maker aspiring to a place in society, decided it was a thought too close to home for comfort, and considered The Great Divide, a drama about three men in the backwoods gambling for possession of a girl. Understandably, it did not attract him, and he was left to choose between Miss Lily Elsie in The Dollar Princess, and a variety bill at the Oxford.
On the cab driver’s recommendation he settled for the latter, and sat gravely in the middle of an uproarious audience who revelled in the drolleries of a sad-looking man in a bowler hat called George Robey; Mr Franklin found the accent and topicalities equally confusing. The popularity of the other star attraction on the bill he found much easier to understand; the fish-netted thighs and voluptuous figure of Miss Marie Lloyd, swaying suggestively across the stage, brought uproar and a chorus of whistles which almost drowned out her stentorian rendering of “Yip-aye-addy-aye-ai”. She followed it with a ballad whose unabashed ribaldry was rapturously received; Mr Franklin, although not shocked, was mildly surprised that London should accept gleefully innuendoes which would have been regarded as out of place in some saloons he had known. What interested him most, however, was the tumultuous enthusiasm which greeted the rendering of a song, apparently an old favourite, anent the German Emperor and his naval ambitions:
His friends assert he wouldn’t hurt a fly.
But he’s building ships of war
What does he want ’em for?
They’ll all be ours by and by!
It was by two young writers unknown to Mr Franklin, an American named Kern and an Englishman called Wodehouse; hearing the chorus taken up by the audience with patriotic abandon, he recalled the dire prophecies of his companion of the railway train.
When the show had thundered to its brassy finale, Mr Franklin made his way to the theatre steps and paused among the dispersing, high-spirited audience, wondering, for the first time since he had come to England, what he should do next. He had spent a busy day; he had, thanks to Samson, experienced a London theatre, and been slightly surfeited by brilliant lights, heady, swinging music, and half-understood jokes and choruses; now he had time on his hands. As he hesitated on the steps, he felt perhaps just a touch of what every stranger to London, in any age, must feel: that consciousness of being alone in the multitude. It did not trouble him; he was only a little tired, but content, and presently he would feel hungry. Until then, he would walk and take in the sights, and at that he set off along the pavement, hat and cane in one hand, stepping briskly – to the chagrin of several bright-eyed and exotically-dressed ladies skirmishing in the foyer, who had simultaneously noted his diamond and silver studs, his hesitation, and his solitary condition, and had been sauntering purposefully towards him from various directions. Disappointed, they wheeled away gracefully like high-heeled, feathered galleons, while Mr Franklin, unaware of his escape, walked on where his feet led him, taking in the sights and sounds and wondering vaguely where he was, exactly.
It seemed to him, as he walked, that this section of London was one vast theatre – everywhere there were canopies with their myriad electric bulbs, names in lights, huge posters, and audiences escaping into the open air, laughing and surging out in quest of cabs and taxis. To escape the crowds, he turned into a less-congested side street, and found himself confronting a stout little old woman, surrounded by flower baskets, soliciting his custom.
“Posy fer the lady, sir. Boo-kays an’ posies. W’ite ’eather fer luck, sir. Buy a posy.”
Instinctively he reached for a coin, smiling; he did not want flowers, but he was in that relaxed, easy state which is easily imposed on. As it happened, the coin he held out was a florin, and before he knew it he was grasping a massive bunch of blooms, and the grateful vendor was calling down luck, blessings, and good health on his head. He was on the point of suggesting an exchange for something smaller, but another customer had arrived, so Mr Franklin shrugged ruefully and walked on, examining his trophy, vaguely aware that just ahead of him, in that unpromising side-street, with its dust-bins and littered gutters, some activity was taking place round a lighted doorway.
His glance took in several couples, men dressed like himself, each with a girl on his arm, laughing and chattering as they moved away towards the main street; he was abreast of the doorway when a young woman came tripping out and almost collided with him. Mr Franklin stepped back, starting to apologize; the young woman looked right and left and straight at him; her glance went to the flowers in his hand, she smiled radiantly, then looked more closely at the bouquet, and regarded him with astonishment.
“Where did you get those, then?” she demanded.
“I beg your pardon?” Mr Franklin, nonplussed, looked from her to the flowers. “Why – from the old woman – along there.”
“You never!” She found it incredible. “Well, you’re a fine one, I must say!”
For a moment Mr Franklin, recalling his encounter with the suffragette the previous night, wondered if all Englishwomen were mad, or at least eccentric. This one looked sane enough – not only sane, in fact, but beautiful. Or if not beautiful, perhaps, then quite strikingly pretty. She was small, with bright blonde hair piled on top of her neat little head to give her added height; the face beneath was a perfect oval with pert nose, dimpled chin, and vivid blue eyes – one of them unfortunately had a slight squint, and Mr Franklin instinctively dropped his glance, taking in instead the hour-glass figure in the glittering white evening dress beneath the fur cape. Altogether, she was something of a vision in that grimy back street – a slightly professional vision, though, with her carefully made-up complexion and bosom rather over-exposed even by the generous Edwardian standard.
“You buy flowers from a florist, dear,” she said, regarding him with something between laughter and indignation, “not from street-hawkers. Not for me, anyway.”
Mr Franklin stiffened. “I’m afraid you’ve made a mistake,” he said. “I didn’t buy flowers for –”
“Here!” exclaimed the young woman. “Aren’t you from Box 2A?”
“No,” said Mr Franklin firmly. “I’m not. Not lately.”
“This isn’t your card?” And she held up a rectangle of pasteboard on which some message, indecipherable in that faint light, was scrawled. He shook his head.
“Well!” she exclaimed in some vexation. “I was sure you were him. Where the hell is he, then?”
Mr Franklin automatically looked round; certain there was no one else waiting. Behind her two other girls, in the same theatrical finery, were emerging from the doorway. For the first time he realized that the light overhead shone from within an iron frame reading “Stage Door”, and understanding dawned.