The House on Cocoa Beach: A sweeping epic love story, perfect for fans of historical romance. Beatriz Williams

The House on Cocoa Beach: A sweeping epic love story, perfect for fans of historical romance - Beatriz  Williams


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arc of her right hand, taking in everything spreading out before us: the oval islands made of dredged sand, the long strip of palms and mangrove and building plots on the barrier island beyond. “Miami Beach,” Clara says dreamily, and closes her eyes.

      “I don’t see any beaches.”

      “Those are on the other side, facing the ocean. The hotel’s right over there, along the bay, so you can watch the speedboat regattas right from your window. Or moor your yacht out front!” She laughs.

      “If you’ve got a yacht, of course.”

      “Even better if it’s someone else’s yacht, though. That way you haven’t got to take care of it, or remember to pay your staff.”

      “Crew.”

      “Yes, of course. Crew!” She laughs again and sits down, pulling Evelyn onto her lap. “You’re going to love Miami Beach, darling girl. We’ll take you to the casino first thing tomorrow.”

      “The casino?”

      “Oh, it’s not that kind of casino. At least, not by daylight. It’s a bathing casino. Lovely beach right on the ocean. Swimming pools. It’s heavenly. If I were going to build a mansion, I’d build it right here in Miami Beach. On the ocean side, I think, so I can watch the waves arrive from across the world.”

      I don’t know if I agree with her. In the first place, I wouldn’t want to live in a mansion—too much grandeur, too much trouble—and in the second place, the ocean’s such an unreliable neighbor, isn’t it? Noisy, wet, tempestuous. Apt to spit up storms and unwanted visitors on your doorstep, without warning.

      But my eyes and my shoulders are drained by the long drive in the sun, and I don’t possess the strength to argue, or really to speak at all. I grip the Packard’s large steering wheel between my hands—the white cotton gloves gone gray with dust—and concentrate what force remains on the slim, straight causeway before me, until our wheels roll onto dry land once more, and Clara points me left, up a wide and unhurried avenue, toward the Flamingo Hotel.

      AN ELEPHANT BROWSES THE LAWN outside the hotel entrance.

      “Look, there’s Rosie!” Clara exclaims. She hoists Evelyn onto her lap—much hoisting has been done this day—and points one graceful finger toward the beast, while I attempt, between astonished gapes, to keep the Packard in a straight line for the hotel entrance. If I’m not mistaken, a pair of golf bags hangs on a yoke from Rosie’s shoulders. Evelyn squeals and throws herself against Clara’s restraining hands.

      “Why on earth do they keep an elephant?” I ask.

      “For fun, darling! My goodness. Haven’t you ever heard of fun? There are two of them, actually. Elephants, I mean. Carl and Rosie. They do children’s birthday parties and caddy for the golfers and that sort of thing. Better than being cooped up in a zoo or a circus, I should think.”

      Evelyn wants to stop the car and say hello to Rosie. I tell her we’ll meet the elephant later. My daughter’s face is brown from the sun, and she’s full of spirit after being cooped—in the manner of an elephant in a zoo, I suppose—inside the narrow front seat of a Packard roadster all day. Our several stops at fruit stands and service stations seem only to have fueled her excitement. She exclaims at the palms lining the drive, the red-suited bellboys scrambling to meet us, and as I steer the car to the curb at the grand portico entrance, I think, Maybe this trip has been good for her. Maybe Florida is good for her.

      Maybe little girls should have a chance to see the world a bit, while they’re still young enough to see it in wonder.

      “NOW THEN,” CLARA SAYS, when the last of the room service dinner is cleared away and Evelyn’s bathed and put to bed. “Where shall we go tonight?”

      “Go?”

      “Yes. Go. Go out, Mrs. Fitzwilliam, because you can’t tell me you’re actually in mourning for my brother, God rest his villainous soul.”

      “No, of course not. But—”

      She wags a finger. “But nothing! Of course, the winter season’s long over, so there’s not nearly so much going on. But the casino will be open, and I know a dashing little place up the coast—”

      “You must be joking. Who’s going to look after Evelyn?”

      “Evelyn?” She looks to the connecting door.

      “Yes. My daughter. We can’t just go running off like that and leave her alone.”

      “But why not? She’s sleeping, isn’t she?” Clara’s delicate face is a picture of puzzlement. Brows all bent, lips all parted.

      “She might wake up, and then what?”

      “Can’t we just—well, lock the door?”

      “If there’s a fire?”

      “Oh, for God’s sake. There won’t be a fire. Even if there is, look at all this marvelous water! They’ll have it out in a flash.”

      I laugh, a little weary, and sink onto the settee. “Clara. I don’t mean to be rude, but I can see you’re not a mother.”

      “Well, if I were, I shouldn’t be so frightfully dull about it as you are. Children need to learn a little independence, don’t they?”

      “She’s not yet three years old.”

      “Well!” Clara sits, too, in a ripple of accordion-like pleats, atop the armchair before the desk. Or rather she perches, right on the edge, like a bird about to take flight, and I think again how unexpectedly young she looks, though she must be in her late thirties. I can’t remember exactly how old. Her skin is so fresh and unlined, her hair so dark, her brows so crisp. She doesn’t wear any cosmetics, except for a bit of lipstick, now smudged, as if she doesn’t know how to blot. Maybe it’s a cream she uses, or maybe it’s a trait she’s inherited from some fortunate ancestor. Maybe it’s her good spirits. I’ve heard good spirits make all the difference.

      “Yes. Well.”

      “What a nuisance. I suppose we’ll have to stay in, then. I don’t suppose your scruples will allow us to roam so far as the hotel restaurant?”

      “No.”

      “The tea garden?”

      “Even worse. It’s outside.”

      “The lobby?”

      “Maybe for a minute or two, to collect messages or leave instructions.”

      “My goodness. How reckless. Well, then.” She springs back to her feet and dusts off her hands. Her dress floats around her narrow little figure. “You leave me no choice.”

      “You’re not going out alone, are you?”

      “I might, if I were here by myself. In fact, I rather believe I would.” She pauses. Bites her lower lip. Gazes upon me with remorseful huge eyes. “Oh, rats! Look at you. I can’t lie. Very well. To be perfectly honest, I’ve already done so, on frequent occasion.”

      “Here? In Miami Beach?” I glance out the nearby window at the yacht basin below, where perhaps a dozen golden-lit pleasure craft bob like apples in a barrel. Our suite occupies the seventh floor, at least a hundred and fifty feet from the nearest boat, and still I can hear the trails of mad, giddy laughter, the drunken song rising upward to drift through the crack in the window. “Do you think that’s wise?”

      “Of course it’s not wise. Goodness me, no. But you never have any fun if you’re wise. You never get the chance to live, and why did we go through all the trouble of surviving that awful war and everything else, if we don’t mean to live?”

      How my throat fills with bitter words. I can taste them at the back of my mouth, flavored with experience. Because the opposite of wisdom is folly. Because when you’re foolish, you get hurt. When you abandon your good


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