The Perfect Storm: A True Story of Men Against the Sea. Sebastian Junger
an exception in that he really, truly loved to fish. Charlie Reed was the same way; it was one reason the two men got along so well. “It’s wide open—I got all the solitude in the world,” says Reed. “Nobody pressurin’ me about noth-in’. And I see things other people don’t get to see—whales breaching right beside me, porpoises followin’ the boat. I’ve caught shit they don’t even have in books—really weird shit, monstrous-looking things. And when I walk down the street in town, everyone’s respectful to me: ‘Hi, Cap, how ya doin’ Cap.’ It’s nice to sit down and have a 70-year-old man say, ‘Hi, Cap.’ It’s a beautiful thing.”
Perhaps you’d have to be a skipper to really fall in love with the life. (A $20,000 paycheck must help.) Most deckhands have precious little affection for the business, though; for them, fishing is a brutal, dead-end job that they try to get clear of as fast as possible. At memorial services in Gloucester people are always saying things like, “Fishing was his life,” or “He died doing what he loved,” but by and large those sentiments are to comfort the living. By and large, young men from Gloucester find themselves at sea because they’re broke and need money fast.
The only compensation for such mind-numbing work, it would seem, is equally mind-numbing indulgence. A swordfisherman off a month at sea is a small typhoon of cash. He cannot get rid of the stuff fast enough. He buys lottery tickets fifty at a time and passes them around the bar. If anything hits he buys fifty more plus drinks for the house. Ten minutes later he’ll tip the bartender twenty dollars and set the house up again; slower drinkers may have two or three bottles lined up in front of them. When too many bottles are lined up in front of someone, plastic tokens are put down instead, so that the beer doesn’t get warm. (It’s said that when someone passes out at the Irish Mariner, arguments break out over who gets his tokens.) A fisherman off a trip gives the impression that he’d hardly bother to bend down and pick up a twenty-dollar bill that happened to flutter to the floor. The money is pushed around the bartop like dirty playing cards, and by closing time a week’s worth of pay may well have been spent. For some, acting like the money means nothing is the only compensation for what it actually must mean.
“The last night, oh my God, the drunkenness was just unreal,” says Chris. “The bar was jam-packed and Bugsy was in a real bad mood cause he hadn’t gotten laid, he was really losin’ his mind about it. That’s important when you only have six days, you know. They were drinkin’ more and more and it was time to go and they didn’t get enough time on land and didn’t get enough money. The last morning we woke up over the Nest ‘cause we were really ruined and Bobby had this big black eye, we’d gotten physically violent a little bit, which was the alcohol, believe me. Now I think about it and I can’t believe I sent him off to sea like that. I can’t believe I sent him off to sea with a black eye.”
IN the year 1850, Herman Melville wrote his masterpiece, Moby Dick, based on his own experience aboard a South Seas whaling ship. It starts with the narrator, Ishmael, stumbling through a snowstorm in New Bedford, Massachusetts, looking for a place to spend the night. He doesn’t have much money and passes up one place, called the Crossed Harpoons, because it looks “too expensive and jolly.” The next place he finds is called the Swordfish Inn, but it, too, radiates too much warmth and good cheer. Finally he comes to the Spouter Inn. “As the light looked so dim,” he writes, “and the dilapidated little wooden house itself looked as if it might have been carted here from the ruins of some burnt district, and as the swinging sign had a poverty-stricken sort of creak to it, I thought that here was the very spot for cheap lodging and the best of pea coffee.”
His instincts were sound, of course: he was given hot food and a bed to share with a South Seas cannibal called Queequeg. Queequeg became his adopted brother and eventually saved his life. Since the beginning of fishing, there have been places that have taken in the Ishmaels of the world —and the Murphs, and the Bugsys, and the Bobbys. Without them, conceivably, fishing wouldn’t even be possible. One night a swordfisherman came into the Crow’s Nest reeling drunk after a month at sea. Bills were literally falling out of his pocket. Greg, the owner of the bar, took the money—a full paycheck—and locked it up in the safe. The next morning the fisherman came down looking a little chagrined. Jesus what a night last night, he said. And I can’t believe how much money I spent…
That a fisherman is capable of believing he spent a couple thousand dollars in one night says a lot about fishermen. And that a bartender put the money away for safe-keeping says a lot about how fishermen choose their bars. They find places that are second homes because a lot of them don’t have real homes. The older guys do, of course—they have families, mortgages, the rest of it—but there aren’t many older guys on the longline boats. There are mainly guys like Murph and Bobby and Bugsy who go through their youth with a roll of tens and twenties in their pockets. “It’s a young man’s game, a single man’s game,” as Ethel Shatford says.
As a result, the Crow’s Nest has a touch of the orphanage to it. It takes people in, gives them a place, loans them a family. Some may have just come off a trip to the Grand Banks, others may be weathering a private North Atlantic of their own: divorce, drug addiction, or just a tough couple of years. One night at the bar a thin old man who had lost his niece to AIDS wrapped his arms around Ethel and just held onto her for five or ten minutes. At the other end of the spectrum is a violent little alcoholic named Wally who’s a walking testimony to the effects of child abuse. He has multiple restraining orders against him and occasionally slides into realms of such transcendent obscenity that Ethel has to yell out to him to shut the hell up. She has a soft spot for him, though, because she knows what he went through as a child, and one year she wrapped up a present and gave it to him Christmas morning. (She’s in the habit of doing that for anyone stuck upstairs over the holidays.) All day long Wally avoided opening it, and finally Ethel told him she was going to get offended if he didn’t unwrap the damn thing. Looking a little uneasy, he slowly pulled the paper off—it was a scarf or something—and suddenly the most violent man in Gloucester was crying in front of her.
Ethel, he said, shaking his head, no one’s ever given me a present before.
Ethel Shatford was born in Gloucester and has lived out her whole life half a mile from the Crow’s Nest Inn. There are people in town, she says, who have never driven the forty-five minutes to Boston, and there are others who have never even been over the bridge. To put this into perspective, the bridge spans a piece of water so narrow that fishing boats have trouble negotiating it. In a lot of ways the bridge might as well not even be there; a good many people in town see the Grand Banks more often than, say, the next town down the coast.
The bridge was built in 1948, when Ethel was twelve. Gloucester schooners were still sailing to the Grand Banks to dory-fish for cod. That spring Ethel remembers the older boys being excused from school to fight the brush fires that were raging across Cape Ann; the fires burned through a wild area called Dogtown Common, an expanse of swamp and glacial moraine that was once home to the local crazy and forgotten. The bridge was the northern terminus of Boston’s Route 128 beltway, and it basically brought the twentieth century to downtown Gloucester. Urban renewal paved over the waterfront in the 1970s, and soon there was a thriving drug trade and one of the highest heroin overdose rates in the country. In 1984, a Gloucester swordfishing boat named the Valhalla was busted for running guns to the Irish Republican Army; the guns had been bought with drug money from the Irish Mafia in Boston.
By the end of the 1980s the Georges Bank ecosystem had started to collapse, and the town was forced to raise revenue by joining a federal resettlement program. They provided cheap housing for people from other, even poorer, towns in Massachusetts, and in return received money from the government. The more people they took in, the higher the unemployment rate rose, stressing the fishing industry even further. By 1991, fish stocks were so depleted that the unthinkable was being discussed: Close Georges Bank to all fishing, indefinitely. For 150 years, Georges, off Cape Cod, had been the breadbasket of New England fishing; now it was virtually barren. Charlie Reed, who dropped out of school in tenth grade to work on a boat, saw the end coming: “None of my children have anything to do with fishing,” he says. “They’d ask me to take them out on the boat, and I’d say, ‘I’m not takin’ you now here. You just might like it—brutal as it is, you just might like it.”’