The Debutante. Kathleen Tessaro
she couldn’t keep his attention. And before she knew it, they’d be sitting in a pub. One drink would turn into five, then seven. His face would go hard, his speech began to slur and his whole character would change. He’d lose his keys, misplace his wallet; start a fight with a stranger about some insult only he could hear. And then ‘life’s little talents’ would come in handy as she struggled to get him home without him falling over or getting punched or seducing some ridiculous old barmaid he’d been poking fun of only two hours earlier.
They never did go to Africa or even to Brighton. He spent his life making promises he never kept. Yet she loved him with that stubborn, painful, magical love that children have for their parents. A kind of willing suspension of disbelief that in spite of all of the years of evidence to the contrary, he would somehow, at the very final hour, manage to keep his word. When he died, she felt as if she’d spent her whole life on a train platform, checking her watch in anticipation, waiting for him to arrive. Only he’d been diverted; headed in a different direction entirely. And no one had bothered to tell her.
Perhaps if she’d been more interesting, prettier, smarter…
Now she seemed to have inherited his moral flexibility; his dark, moody restlessness – the same ever-widening discrepancy between her words and actions. Nowadays she too found herself making promises she couldn’t keep, even to herself.
The latch clicked.
The locked door swung open.
Cate blinked, blinded by the brightness.
It was a large square room with high ceilings and a wall of French windows leading to a balcony overlooking the rose garden. All around the room, the most delicate plasterwork and cornicing shone, covered in gilt; bright gold garlands twining against creamy white walls. The effect was dazzling.
Cate stepped out of the cool darkness of the hallway. The room was stifling, airless. She opened the French windows, their hinges creaking from lack of use. Wind rushed in and the vacuum of heat and stale air released like a sigh. It was as if the room were holding its breath. But for how long?
Above a marble fireplace hung an elaborate overmantel. The Aubusson carpet, sun-bleached and pale, was patterned with circlets of flowers and cherries. More garlands wove around the ceiling rose, filling the room with a soft burnished glow. It was easily the loveliest room in the house; beautifully porportioned, ornate, like a miniature ballroom.
So why was it locked?
There was a single bed against one wall and a dresser. A thick layer of dust covered everything. Cate opened a drawer and dust ballooned into the air, making her cough. There was nothing inside.
Bookshelves lined the wall opposite. She examined the faded spines. The Wind in the Willows, The Water-Babies, The Faithless Parrot, The Children of the New Forest as well as Grimm’s Fairy Tales and works by Hans Christian Andersen and a large collection of Lewis Carroll. Pulling out The Wind in the Willows, she opened it. Its spine creaked stiffly. Apart from damage from dust and age, however, it was pristine.
Then, kneeling down, she noticed something. There was an anthology of Beatrix Potter books, small, taking up only half the width of the shelf. Behind them, an old shoebox was wedged into place, filling the gap, making all the rows look even. Cate carefully dislodged it. It was printed in soft brown ink to look as if it were made of alligator skin and tied together with a salmon pink ribbon. It was heavy.
On the side of the box there was a label. ‘F. Pinet, Ladies’ Footwear’. In pencil beneath, written in a florid, old-fashioned hand, there was the shoe size, 4.
Cate untied the frayed silk ribbon and lifted the lid. Wrapped between layers of crumpled newspaper was a pair of delicate silver dancing shoes. They were made from rows and rows of fine braided mesh, finished off with rhinestone clasps. The handiwork was remarkable; intricate patterns of silver thread glittered across the back heel and along the toe. Judging from the style, the roundness of toe, they must have been from the late 1920s or early 1930s. And they looked expensive. Did they belong to Lady Avondale?
Cate turned them over. They’d been worn only a few times; the leather was barely scuffed. She traced her finger along the smooth leather arch. They were so small! Someone, presumably the old lady, used the box to even out the rows of books. But why? Why would anyone bother with such a detail in a room that was locked, virtually empty of furniture?
Picking up the box, she felt something slide to one end. It wasn’t empty. She lifted out the crumpled newspaper.
There, hidden underneath, was a collection of objects.
One by one, she took them out.
There was a worn, pale blue velvet jewellery box. Cate flicked it open.
‘My God!’
It was a tiny bracelet, fashioned from pearls, diamonds and emeralds. ‘Tiffany & Co, 221 Regent Street, W. London’ was printed on the white satin cover of the lid. Cate undid the clasp and held it up to the light. The pattern was a delicate combination of pearl flowers with emerald centres, interspersed with slender pearl ovals augmented by rows of diamonds. The diamonds were dulled by dust and age but the emeralds glittered in the sunlight. She tried it round her own wrist. It only just fitted. Incredibly finely made, it was probably extremely valuable.
Closing the clasp, she laid it neatly back in its case.
Next was a slim silver box with an elaborately scripted ‘B’ in the centre decorated with diamonds. Here was a battered green badge with a picture of a candle on it. It bore the inscription ‘The prize is a fair one and the hope great’, and in the centre were the letters ‘SSG’. A small tarnished brass key, too tiny for any door, had rolled into one corner. It fitted into the hollow of her palm like something from Alice in Wonderland. Perhaps it belonged to a desk or a locked drawer? And at the very bottom of the box, there was a photograph of a handsome dark-haired young man in a sailor’s uniform. He had even features and black, lively eyes. It was a formal photograph, taken in a photographer’s studio. He was posed against a vague classical backdrop of a Greek column, one arm resting casually against a pedestal draped in heavy cloth, the other placed confidently on his hip. ‘HMS VIVID’ was embroidered on his hat. He couldn’t be older than twenty. Underneath, on the black border, the photographer’s name, ‘J. Grey, 33 Union Street, Stonehouse, Plymouth’, was written.
Cate felt a sense of building excitement. This was no random selection of objects but something personal. Each bit – the shoes, the bracelet, the photograph – were related somehow. Someone had gathered them, hidden them in the shoebox, and concealed them behind the books. But why?
A bee flew in through the open French windows. It buzzed wildly, looking for a way out.
She stared at the photograph of the handsome young man with the laughing, defiant gaze.
It was a chronicle, an archive – of something worth hiding – marked by diamonds from Tiffany’s, silver dancing shoes, beautiful young men…
Her memory tripped. Suddenly she was back in time, walking down the long corridor, into the ballroom of the St Regis Hotel, all gilt mirrors and low lighting. People were turning, people she didn’t know, smiling at her, staring. The soft green silk of her dress swirled around her legs. A jazz trio played ‘Please Don’t Talk About Me When I’m Gone’.
Something marked by diamonds, dancing shoes, handsome men…
He was there, in front of her. His hair smooth and glossy, sleek against his strong features; his eyes dark, almost black. He wasn’t handsome but rather compelling; dominating.
‘Some people are afraid of success. Afraid of really being alive.’ His tone was challenging, his expression amused. ‘Are you afraid?’
‘Nothing frightens me,’ she had answered coolly, turning away.
Cate closed her eyes.
In truth she had been afraid; afraid of everything, everyone. But she had lied. She had walked away and he had followed, through the crowds of men and women in evening dress,