Summerland. Michael Chabon

Summerland - Michael  Chabon


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had been there once. During the Clam Boom there had been some kind of resort, called the Summerland. You could still see the ruins of some cabins, a collapsed dance hall, the bones of an old pier.

      Just now it seemed like an inviting kind of place to go and feel ashamed. He would sit there for a couple of hours, hating himself, and then by the time the police found him, his father would be so worried that he would have forgotten and forgiven Ethan’s cowardice, and his failure as a ballplayer. He would see how upset and afraid Little League was making Ethan. “What was I thinking?” he would say. “Of course you can quit the team, son. I only want what’s best for you.”

      By the time Ethan reached Hotel Beach, he was feeling almost happy in his sadness, and had forgotten all about the bushbaby. He came out of the woods onto the sand and stood for a moment. Then he walked out onto the beach. The sand was dense and crunchy under his shoes. He sat down on the great gnarled log of driftwood where he and his father had sat to eat their lunch the day they visited. It was a real grandfather log, the wreck of some enormous old tree, spiked with snapped branches. He had just noticed the strange, cold sting of the wind, and the grey clouds that were blowing in from the Olympic range, when he heard voices nearby. He ducked back into the trees, listening. They were the voices of men, and there was a raucous note in them that struck Ethan as harsh and somehow hostile. Carefully, keeping low, he inched his way towards the ruined cabins.

      A big Range Rover was parked in the clearing beside the dance hall. The words TRANSFORM PROPERTIES were written on the side of the car. Four men in suits stood around the front of the car, looking over some plans that they had unrolled across the hood. Although the day was perfectly dry, all four men were wearing bright yellow raincoats over their suits, and big rubberised leather rain boots, the kind that had steel toes. He did not know why – it was just four guys with neckties in raincoats – but he felt as if they had come here to do something very bad.

      The men seemed to be disagreeing about something. One pointed at the ground, threw up his hands, and walked around to the back of the car. He opened the hatch and took out a heavy shovel. With a stern look at the three other men, he walked several paces up away from the beach, towards the dance hall that for the last forty years had been sinking back into the woods. The man pointed again at the ground, as if to suggest that whatever he found here was going to prove whatever point he had been trying to make. Then he raised his shovel, and the blade bit into the carpet of weeds and yellow flowers at his feet.

      Someone at Ethan’s elbow sighed. It was a bitter, long, weary sigh, the way someone sighs when the thing she has most dreaded finally comes to pass. It was right in his ear, unmistakable and clear. Ethan turned to see who had sighed, but there was nobody there. The hair on his arms and the back of his neck stood on end. The breeze was cold, and as sharp as the tooth of a shovel. Ethan shivered. Then the man with the shovel cried out. He reached up and slapped the back of his neck. Something – it looked like a little stone – went skipping off into the grass behind him. Ethan looked up and saw, in the branches of a nearby birch, the little red animal with the mocking eyes. It was much more like a fox, he saw, than a bushbaby. But it was not a fox, either. It had hands, for one thing, sharp-looking little raccoon hands, one of which was holding on to a forked slingshot. And apart from its pointed snout it had a human face, whiskered and long-eared and just now wrinkled in amused satisfaction. It saw Ethan, and seemed to raise the slingshot in a kind of salute. Then, solemn-faced again, it scurried straight down the tree and took off into the woods.

      Ethan must have made some kind of a noise of surprise, because all four of the men looked up at him. He froze, and his heart kicked and thudded so hard he could hear it in his teeth. Their eyes were concealed by narrow sunglasses, and their mouths were thin and nearly lipless. They were going to come after him. He turned to run back into the woods, and immediately crashed into the old man with the Indian ponytail. For a little old guy he felt amazingly solid. Ethan fell backwards and landed on his behind. The old man just stood there, nodding his head.

      “Told you,” he said.

      “Do I—is it my turn? Did they put me in the game?”

      “They sure would like to,” the old man said. “If you willin’.”

      Ethan just wanted to get away from the TransForm Properties men.

      “I don’t blame you for that,” said the old man, and it is a measure of just how spooked Ethan was that it did not occur to him until much later that the old man had read his thoughts. “Come on, best get out of here.”

      “Who are they?” Ethan asked, following along behind the old man, who was dressed in a suit, too, but a baggy woollen one cut from a weird orange plaid that would not have looked out of place upholstering one of the old couches on the Rideouts’ front porch.

      “They the worst men in the world,” the old man said. “My name is Chiron Brown, by the way. When I pitched for the Homestead Greys, they called me ‘Ringfinger’. ”

      “Do you have a big ring finger?” Ethan reasoned.

      “No,” the old man said, raising his leathery right hand. “I doesn’t have no ring finger at all. You would not believe what kind of crazy motion I could put on a baseball without no ring finger.”

      “Did they send you to come get me?” Ethan said, as they approached the parking lot. He could already hear the shouting of parents, the shrill mocking voices of boys, the raspy pleading of Coach Olafssen.

      “As a matter of fact, they did,” said Ringfinger Brown. “A long time ago.”

      IT WAS THE strangest moment in what had so far been a fairly strange morning. When Ethan got back to the bench, nobody turned around, or even seemed to notice that he had ever left. But the very instant his butt touched the smooth pine surface of the bench, Mr. Olafssen looked over at him, and gave him a big fatal wink.

      “All right, Ethan. Big Ethan. Let’s get you in the game.”

      Things, it turned out, were no longer quite so rosy for the Roosters as when Ethan had left. The Angels had managed to come back with six more runs, and now the score was 11–8. But it was the top of the seventh and final inning, and Mr. Olafssen was pretty much obliged, by the laws of decency, fair play, and the Clam Island Mustang League, to play every able-bodied kid on the team for at least half an inning of every game. There were two out, two on, and no runs in, and it was going to be up to Ethan to pad the Roosters’ lead.

      “Get in there, now,” Mr. Olafssen said, just the way he always did. “Get in there and take your hacks.”

      Ethan, however, did not want any hacks. Usually, when he came to the plate, Ethan Feld tried to swing his bat as little as possible. He just kept the bat on his shoulder, hoping for a walk. The truth is, he was afraid of trying to accomplish anything more, at the plate, than a walk. And he was afraid of being hit by the ball. But mostly he was mortally afraid of striking out swinging. Was there any worse kind of failure than that? Striking out. It was the way you described it when you failed at anything else in life, the symbol of every other kind of thing a person could possibly get wrong. Often enough, the opposing pitching was not too good in the Mustang League. Ethan’s strategy of just standing there, waiting for four bad pitches to come across the plate before three good ones did, frequently worked. But it was a strategy that was not at all respected by the other players. Ethan’s nickname in the Mustang League, in fact, was “Dog Boy,” because of the way he was always hoping for a walk.

      He trudged up to the plate, dragging his bat behind him like a caveman in the cartoons dragging his club. He hoisted the bat to his shoulder – it was still sore from when his father had stopped short to avoid hitting the little fox-monkey thing – and looked over at his father, who gave him a big thumbs-up. Then Ethan stared out at Per Davis, who had taken over the pitching for the Angels. Per looked almost sorry to see Ethan. He winced a little bit, then sighed, and went into his stretch. A moment later something troubled the air around Ethan’s hands.

      “Her-ite one!” cried out the umpire, Mr. Arch Brody of Brody’s Drug. Mr. Brody prided himself on the authentic-sounding way he called the balls and strikes.

      “Come


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