The Complete Short Stories: The 1950s. Brian Aldiss
she whispered, and went to get something to eat.
‘Tough old hag,’ she told herself. ‘You’ll survive.’
The food was the usual vibro-culture, tasteless, filling, insubstantial. The hospitals of England held as many beri-beri cases as wounded. Sound ruled the whole deaf world. It wrecked the buildings, killed the soldiers, shattered the tympanums and ballooned synthesized proteins from mixtures of amino acids.
The Sound Revolution had come at the dawn of this new century, following thirty years of peace. Progress had taken a new direction. It had all been simple and complete; you just flushed the right electrostatic stress through the right quartz plates and – bingo! You could do anything! The most spectacular result was a global conflict.
The Powers warred under certain humane agreements: gas, fission and fusion weapons were forbidden. It was to be, indeed, a Civilised War. VM (vibratory motion) had the field to itself. It learnt to expand living vegetable cells a thousand-fold, so that a potato would last for two years’ dinners; it learnt to pulverize brick and metal, so that cities could comfortably be turned to a thin dust; it learnt to twist the human ear into an echoing, useless coil of gristle. There seemed no limit to its adaptability.
Mrs. Snowden ate her blown-up yeast with dignity, and thought of other things. She thought – for lately she had been straining after wider horizons – of the course of human history, its paradoxical sameness and variety, and then something made her look up to the tube over the mantelpiece.
The tube was a piece of standard equipment in every home. It was a crude ear, designed to announce when the local siren was giving a sound raid alarm.
She glanced indifferently at it. The lycopodium seed was stirring sluggishly in its tube; damp must be getting in, it was not patterning properly. She went on eating, gloomily wondering about the future generations: how much of the vital essence of tradition would be lost through this blanket of deafness?
Correct procedure would have been for her, at the stirring of the seed, to collect Pauline and stand out in the open. When the siren went, everyone else left their homes and stood patiently under the bare sky; then, if the sounds swept their buildings, they would be temporarily smothered by dust as the building vanished, but suffer no other harm. Mrs. Snowden could no longer be bothered with this nonsense.
To her mind, it was undignified to stand in the chill air, meekly waiting. If enemy planes circled overhead, she would have had defiance to spur her out; but nowadays there was only the quiet sky, the eternal silence and the abrupt pulverization – or the anti-climax, when everyone filed sheepishly back to bed.
She took her plate into the kitchen. As she came back into the living-room, a reproduction of Mellor’s ‘Egyptian Girl’ fell silently onto the floor, shattering frame and glass.
Mrs. Snowden went and stared at it. Then, on impulse, she hurried over to the window and peered out. The encircling houses had gone.
Letting the curtain fall back into place, she rushed from the room and up the stairs. She was shaking Pauline before she regained control of herself, and then could not tell whether panic or exultation had sent her scurrying.
‘The houses have gone! The houses have gone!’
Silence, in which the little girl woke sluggishly.
Mrs. Snowden hustled her downstairs and out on to the front lawn, letting a bright swathe of light cut across the empty flower-beds. Somewhere, high and silent overhead, a monitor might be hovering, but she was too excited to care.
By a freak of chance, their house stood alone. Around them for miles stretched a new desert, undulant, still settling. The novelty, the difference, of it was something wonderful: not a catastrophe, a liberation.
Then they saw the giants.
Vague in the distance, they were nevertheless real enough, although incredible. They were tall – how tall? – ten, fifteen feet? More? With horror Mrs. Snowden thought they were enemy troops. This was the latest application of the sound: it enlarged the human cell now, as easily as it enlarged vegetable cells. She had the brief idea she had read that human giants could not survive, or were impossible or something, and then the thought was gone, swept away in fear.
The giants were still growing. They were taller than a house now, thirty feet or more high. They began to mop and mow, like drunken dancers.
Unreality touched her. Pauline was crying.
A coolness swept her limbs. She trembled involuntarily. A personal alarm now, terror because something unknown was at her blood. She raised a hand to her eyes. It loomed away from her. Her arm extended. She was growing.
She knew then that the giants were no enemy troops; they were victims. You get everyone out of their houses. One type of VM levels the houses. Another inflates the people, blowing them up like grotesque rubber dummies. Simple. Scientific. Civilised.
Mrs. Snowden swayed like a pole. She took a clumsy step to keep her balance. Dizzily, she peered at her blank bedroom window, staggering away to avoid falling into the house. No pain. The circuits were disrupted. Only numbness: numbness and maniac growth.
She could still crazily see the dancing giants. Now she understood why they danced. They were trying to adapt. Before they could do so, their metabolism burnt out. They sprawled into the desert, giant dusty corpses, full of sound and silence.
She thought: It’s the first excitement for years, amusedly, before her heart failed under its giant load.
She toppled; the DON’T card fluttered gaily from her bosom, spinning and filtering to the ground.
Pauline had already overtopped her grandmother. The young system was greedy for growth. She uttered a cry of wonder as her head rocked up to the dark sky. She saw her grandmother fall. She saw the tiny fan of sonic light from their tiny front door. She trod into the desert to keep her balance. She started to run. She saw the ground dwindle. She felt the warmth of the stars, the curvature of the earth.
In her brain, the delighted thoughts were wasps in a honey pot, bees in a hive, flies in a chapel, gnats in a factory, midges in a Sahara, sparks up an everlasting flue, a comet falling for ever in a noiseless void, a voice singing in a new universe.
‘It’s too crowded here!’ he exclaimed aloud. ‘It’s too crowded! It’s too CROWDED!’
He swung around, his mouth open, his face contorted like a squeezed lemon, nearly knocking a passer-by off the pavement. The passer-by bowed, smiled forgivingly and passed on, his eyes clearly saying: ‘Let him be – it’s one of the poor devils off the ship.’
‘It’s too crowded,’ Surrey Edmark said again at the retreating back. It was night. He stood hatless under the glare of the New Orchard Road lights, bewildered by the flowing cosmopolitan life of Singapore about him. People: thousands of ’em, touchable; put out a hand gently, feel alpaca, silk, nylon, satin, plain, patterned, or crazily flowered; thousands within screaming distance. If you screamed, just how many of those dirty, clean, pink, brown, desirable or offensive convoluted ears would scoop up your decibels?
No, he told himself, no screaming, please. These people who swarm like phantoms about you are real; they wouldn’t like it. And your doctor, who did not consider you fit to leave the observation ward – he’s real enough; he wouldn’t like it if he learned you had been screaming in a main street. And you yourself – how real were you? How real was anything when you had recently had perfect proof that all was finished? Really finished: rolled up and done with and discarded and forgotten.
That dusty line of thought must be avoided. He needed somewhere quiet, a place to sit and breathe deeply. Everyone must be deceived; he must hide the fused, dead feeling inside; then he could go back home. But he had also to try and hide the deadness from himself, and that needed more cunning. Like alpha particles, a sense of futility had riddled him, and he was