The Indian in the Cupboard Trilogy. Lynne Banks Reid

The Indian in the Cupboard Trilogy - Lynne Banks Reid


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mixed up with the smelly stuff of the firelighter, and stuck with bits of carpet hairs.

      “I’m terribly sorry, Little Bull,” he mumbled.

      “No good sorry! Little Bull hungry, work all day, cook meat – now what eat? I chop you down like tree!” And to Omri’s horror he saw Little Bull run to where the battleaxe was lying, pick it up and advance towards his leg, swinging it in great circles as he came.

      Patrick fairly danced with excitement. “Isn’t he fantastically brave, though! Much more than David with Goliath!”

      Omri felt the whole thing was going too far. He removed his leg from harm’s way. “Little Bull! Calm down,” he said. “I’ve said I’m sorry.”

      Little Bull looked at him, blazing-eyed. Then he rushed over to the chair Omri used at his table and began chopping wedges out of the leg of it.

      “Stop! Stop! Or I’ll put you back in the cupboard!”

      Little Bull stopped abruptly and dropped the axe. He stood with his back to them, his shoulders heaving.

      “I’ll get you something to eat – right now – something delicious. Go and paint. It’ll make you feel better. I won’t be long.” To Patrick he said, “Hang on. I can smell supper cooking, I’ll go and get a bit of whatever we’re having,” and he rushed downstairs without stopping to think.

      His mother was dishing up a nice hot stew.

      “Can I have a tiny bit of that, Mum? Just a little bit, in a spoon. It’s for a game we’re playing.”

      His mother obligingly gave him a big spoonful. “Don’t let it drip,” she said. “Does Patrick want to stay for supper?”

      “I don’t know – I’ll ask,” said Omri.

      “Were you two fighting up there? I heard thumps.”

      “No-o – not really. It was just that he wanted to do something that I—”

      Omri stopped dead, as if frozen to the ground. He might have been frozen, his face went so cold. Patrick was up there – with the cupboard – and two biscuit-tinsful of little plastic figures – alone!

      He ran. He usually won the egg-and-spoon race at the school sports, which was just as well – it’s hard enough to carry an egg in a spoon running along a flat field; it’s a great deal harder to carry a tablespoonful of boiling hot stew steady while you rush up a flight of stairs. If most of it was still there when he got to the top it was more by good luck than skill because he was hardly noticing the spoon at all – all he could think of was what might be – no, must be happening in his room, and how much more of it would happen if he didn’t hurry.

      He burst in through the door and saw exactly what he’d dreaded – Patrick, bent over the cupboard, just turning the key to open it.

      “What—” Omri gasped out between panting breaths, but he had no need to go on. Patrick, without turning round, opened the cupboard and reached in. Then he did turn. He was gazing into his cupped hands with eyes like huge marbles. He slowly extended his hands towards Omri, and whispered, “Look!”

      Omri, stepping forward, had just time to feel intensely glad that at least Patrick had not put a whole handful of figures in but had only changed one. But which? He leant over, then drew back with a gasp.

      It was the cowboy. And his horse.

      The horse was in an absolute panic. It was scrambling about wildly in the cup of Patrick’s hand, snorting and pawing, up one minute and down on its side the next, stirrups and reins flying. It was a beautiful horse, snow-white with a long mane and tail, and the sight of it acting so frightened gave Omri heart-pains.

      As for the cowboy, he was too busy dodging the horse’s flying feet and jumping out of the way when he fell to notice much about his surroundings. He probably thought he was caught in an earthquake. Omri and Patrick watched, spellbound, as the little man in his plaid shirt, buckskin trousers, high-heeled leather boots and big hat, scrambled frantically up the side of Patrick’s right hand and, dodging through the space between his index finger and thumb, swung himself clear of the horse – only to look down and find he was dangling over empty space.

      His hat came off and fell, slowly like a leaf, down, down, down to the floor so infinitely far below. The cowboy gave a yell, and scrabbled with his feet against the back of Patrick’s hand, hanging on for dear fife to the ridge beside his thumbnail.

      “Hold your hands still!” Omri commanded Patrick, who in his excitement was jerking them nervously about. There was a moment of stillness. The horse stood up, trembling all over, prancing about with terror. Beside his hooves was some tiny black thing. Omri peered closer. It was the pistol.

      The cowboy had now recovered a little. He scrambled back through the finger-gap and said something to the horse which sounded like “Whoaback, steady, fella.” Then he slid down and grabbed the reins, holding them just below the horse’s nose. He patted its face. That seemed to calm it. Then, looking round swiftly but not apparently noticing the enormous faces hanging over him, he reached cautiously down and picked the pistol up from between the horse’s hooves.

      “Whoa there! Stand—”

      Omri watched like a person hypnotized. He wanted to cry out to Patrick that it was a real gun, but somehow he couldn’t. He could only think that the sound of his voice would throw the horse once more into a panic and the horse or man would get hurt. Instead he watched while the cowboy pointed the gun in various directions warily. Then he lowered it.

      Still holding the reins he moved until he could press his hand against Patrick’s skin. Then he let his eyes move upward towards the curved fingers just level with the top of his head.

      “What the dawggone heck—” he said. “It sure looks like a great big – Aw, what’m Ah talkin’ about? It cain’t be. Hell, it just ain’t possible!” But the more he looked, the more certain he must have become that he was, indeed, in a pair of cupped hands. And finally, after scratching his gingery head for a moment, he ventured to look right up past the fingers, and then of course he saw Patrick’s face looking at him.

      There was a petrified moment when he couldn’t move. Then he raised his pistol in a flash.

      “Patrick! Shut your eyes!”

      Bang!

      It was only a little bang, but it was a real bang, and a puff of real, gun-smelling smoke appeared. Patrick shouted with pain and surprise and would have dropped the pair if Omri hadn’t thrust his hand underneath to catch them. Patrick’s own hand had clapped itself to his cheek.

      “Ow! Ow! He’s shot me!” Patrick screamed.

      Omri was not much bothered about Patrick at that moment. He was furious with him, and very anxious about the little man and his horse. Quickly he put them down on the bed, saying, like the cowboy himself, “Steady! Whoa! I won’t hurt you! It’s okay!”

      “Ow!” Patrick kept yelling. “It hurts! Ow!”

      “Serve you right, I warned you,” said Omri. Then he felt sorry and said, “Let’s have a look.”

      Gingerly Patrick took his hand down. A drop of blood had been smeared on his cheek, and by peering very close Omri could see something very like a bee’s sting embedded in his skin.

      “Hang on! I see it – I’ll squeeze it out—”

      “OW!”

      A quick squeeze between his thumbnails and the almost invisible speck of black metal, which had only just penetrated the skin, popped out.

      “He – shot me!” Patrick got out again in a shocked voice.

      “I told you. My Indian stuck a knife in me,” said Omri, not to be outdone. “I think we ought to put him back – your cowboy I mean, of course, not my Indian.”


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