The Poisoned Crown: The Sangreal Trilogy Three. Jan Siegel
Daniel Ward had died before he was born, killed in a car crash when he fell asleep at the wheel.
‘Very much,’ she said. Only he wasn’t your dad … Your father was a stranger who waited beyond the Gate of Death, waited for my love and longing to open the unopenable door, and when I would have given all that I had for all I had lost he took me, body and soul. He seeded my womb and sealed up my memory, and until you grew up so unlike Daniel – until I found the courage to unclose the old scar in my mind – I never knew the betrayal and rape that was hidden there.
But she loved Nathan, conceived in treachery, child of an unknown being from an unknown world, so she kept her secret. She saw his father’s legacy in the mysteries that surrounded him, but she told herself, over and over, that he did not need to know. One day, perhaps, but not yet. Not yet.
That night, Nathan went to bed thinking of the Irish Question, and dreamed of the sea.
At Thornyhill Manor, Hazel Bagot was having a lesson in witchcraft.
‘But I don’t want to be a witch,’ she protested.
‘Good,’ said Bartlemy. ‘That’s the way to start. Now, you need to learn what not to do. Otherwise you could bumble about like you did last year, conjuring dangerous spirits and letting them get out of control. Someone might get hurt. It nearly happened once, you know that; you don’t want it to happen again. The Gift is in your blood; you need to know how not to use it.’
‘Why couldn’t we have done it in the summer, when the evenings were still light?’ Hazel said. She was wishing she had stayed at home, watching Neighbours and annoying Franco.
‘Dark for dark magic,’ Bartlemy said. ‘In summer, magic is all sparkle and fun, and the spirits come to us dressed in their best, scattering smiles and flowers. In the winter, you get down to the bone, and the true nature of things is revealed.’
Hazel said no more, remembering how she had summoned Lilliat, Spirit of Flowers, to win her the love of a boy at school, and how Lilliat had turned into Nenufar the water-demon, and nearly drowned her rival.
Bartlemy gave her tea and biscuits and she sat for a while eating, insensibly reassured. Bartlemy made the best biscuits in the world, biscuits whose effect was almost magical, though he insisted there was no spell involved, just good cooking. Anyone who ate those biscuits felt immediately at home, even if they didn’t want to, comforted if they needed comfort, relaxed if they needed to relax. Long ago another cook had tried to steal one for analysis, hoping to work out the ingredients, but he had eaten it before he got it home, and the urge to commit the crime had vanished.
‘I don’t want to be like my great-grandmother,’ Hazel explained at last. ‘She lived for two hundred years, until she didn’t care about anyone but herself, and she’d curdled inside like sour milk. I don’t think I want to live on when my friends are dead; it would be so lonely. And I don’t want to be mean and bitter like her.’
‘Then learn from her mistakes,’ Bartlemy said equably. ‘You won’t be mean and bitter, unless you choose to be. I will teach you what you need to know, for your safety and others, but how you use the knowledge – if you use it – is up to you. Tonight, I think we will make the spellfire. That will do for a start.’
He showed her how to seal the chimney and light the fire-crystals, which cracked and hissed, shooting out sparks that bored into the carpet. Then he threw on a powder which smothered the flames, and the room grew smoky, and Hazel’s eyes watered from the sting of it. Presently, Bartlemy told her to speak certain words in Atlantean, the language of spell-craft, and the vapour seemed to draw together, hovering in a cloud above the hearth, and then the heart of the cloud opened up into a picture.
To her astonishment Hazel saw her mother with Franco, climbing the stairs to the bedroom, laughing and hurried. She was embarrassed, and looked away. ‘Remember, the magic responds to you,’ Bartlemy said. ‘Magic is always personal. The pictures may have meaning for you, or they may not – sometimes, their purport won’t become clear till long after – but it is something in your thought, in your mind, which engenders them. You are the magnet: they are the spell-fragments which are drawn to you. What do you see now?’ ‘The past,’ Hazel said.
‘At least, I think so.’
She saw the Grimthorn Grail surrounded with a greenish nimbus: the snake-spirals round the rim seemed to move, and a man with a dark alien face was gazing into it, speaking words she couldn’t hear. In the background stood a woman with black hair bound up in a white veil or scarf, the ends of which hung down behind her in fluted creases. Her features, too, were somehow alien – her eyes too large, the proportions of her face elusively wrong – yet she was the most beautiful woman Hazel had ever seen. She held a tall yellow candle, and either they were indoors or the night was windless, because the flame burned absolutely still. Then Hazel saw the same man lifting a sword – the Traitor’s Sword, which Nathan had brought back from Wilderslee – and there was a dim figure sprawled in front of him, on a kind of table or altar, and when the sword fell blood jetted up, and as the woman proffered the cup to catch it red spattered on the cloth that bound her hair. Both man and woman drank from the cup, and she lifted a crown from the thing on the ground, and put it on his head – a misshapen crown of twisted metal spikes – and lightning stabbed up from the crown, splitting the sky in half. For an instant Hazel glimpsed a symbol drawn in lightning, something she recognised, though she couldn’t think from where: an arc bisected by a straight line, enclosed within a circle. Then the vision went dark, and she heard a voice crying out in an unknown language, words that seemed full of anguish or regret.
‘What does it mean?’ she asked Bartlemy, but he shook his head.
‘This is Nathan’s story,’ she said, ‘not mine,’ but her smoke-reddened eyes were wide, fixed on the changing images, and she no longer looked away.
‘Keep in mind,’ he pointed out, ‘the pictures are relevant, but there may be no logic to them, and no chronology.’
Now, they were looking at a river – a slow lazy river, dimpled with sunlight, with the occasional overhanging willow, and little eddies scooping out pools under the bank which vanished in a mudslide. A tidal river with hazardous currents beneath its dimpled surface, and lurking weeds that could entangle flailing limbs, and rafts of floating rubbish wedged here and there, hiding among the debris a child’s shoe, a water-logged teddy bear, an upturned hand. The River Clyde, which flowed through the village of Ede down the valley to the sea – the river where Effie Carlow, Hazel’s great-grandmother, had been found drowned, though Hazel knew she had never left the attic of their house. She heard the voice of the spirit called the Child, chanting an old doggerel, though the smoke-scene showed only the stream.
‘Cloud on the sunset,
Wave on the tide,
Death from the deep sea
Swims up the Glyde.’
And suddenly Hazel found herself wondering whose hand she had seen among the flotsam – whether it was her great-grandmother or some more recent victim, someone yet to be discovered …
A boat moved up the river, surely too large a boat for such a narrow waterway. It was all white, with white sails and a white-painted mast and a white prow without name or identification, and it looked faintly insubstantial, almost like a ghost ship. A woman stood in the bows, wrapped in a long white cloak pulled tight around her body, with a drooping hood covering both hair and face. The picture shifted, until Hazel thought she should be able to glimpse a profile – the tip of a nose, the jut of a chin – but under the hood there was only darkness. The boat drifted on, fading into mist, and then there was just a swan, wings half furled, floating on the water. Hazel had always hated swans, ever since one attacked her as a child; she thought they had mean little eyes.
She said: ‘That was her, wasn’t it?’
Bartlemy said: ‘Perhaps. But remember: to come, she must be called. Nenufar is a spirit; there are laws she cannot evade. Have you called her?’
‘Of