Blood Royal. Vanora Bennett
No, it was better than reality: more perfect than anything he’d ever have thought it possible to imagine. The world writ small; but with its everyday flaws and dirt and minor uglinesses painted out. He could see at once that it showed the Royal Palace he’d just walked past outside, though from an angle he didn’t yet know. He recognised the blond walls, the gatehouse at the western tip of the Island, and the blue-green roofs, with tall round cones topping the towers, mostly in the same almost turquoise blue as the roofs, but a few marked out in a red as rich as rubies. The delicate tracery of the Holy Chapel tower, with its rose window and fingers of stone rising to the heavens, topped by a gleaming golden cross. The river, lapping against the green by the shore, with a boat and a blue-coated boatman approaching the steps of the gatehouse. The glory of daylight and sunshine. His eyes dwelt greedily on the paler greens of the picture’s foreground – the Left Bank, showing early summer grass and sprouting vines, with each tiny tendril somehow got down separately, and three bare-legged labourers, one in blue, one in white, one in red, backs bowed with effort, reaping their corn, swinging their scythes and sweating in their field, under their straw hats. But it was the blue of the sky that truly caught Owain’s imagination. It deepened, from a pale, delicate near-white behind the rooftops, through a thousand peaceful shades, to the deep, near-night colour of the summer heaven at its heights. How had the artist done that, he wondered; bending down; peering closer; not quite daring to touch. How could anyone but God have so effortlessly imitated the Creator’s design?
Malouel had met Owain’s eye; bashful and welcoming, both at once. Sagely, he’d said: ‘That’s June, that one. My three nephews are doing it – it’s good work. You can see that, can’t you? … But what you don’t know yet is that now you’ve seen it, you’ll see the June outside differently from now on. It changes your eye forever, seeing something as good as this. You mark my words.’
Owain remembered that now, as he edged closer to where Anastaise was beginning to lay out careful brushstrokes of whitish paint on her own small, empty square drawn on a leaf of parchment covered in neatly sloping writing. There was another blank – a margin – around the edge of the page. She’d already told him the cornflowers she’d harvested that morning, at dewfall, from the garden of the Beguine convent by the Hotel Saint-Paul, where she was a lay sister, were the ingredient that gave the azure blue of the sky that had so mesmerised him while he was looking at the Limbourg brothers’ picture of June. And he wanted to see her make that.
Quietly, from the other side of the room, from above her ledgers, Christine watched Owain inch forward as Anastaise pulled the heads off the cornflowers, ground them with mortar and pestle until there was nothing but a slimy blue juice in the bottom, and dipped her paintbrush into it. She let herself enjoy the pleasure that the boy’s intent gaze brought her. It was so long since she’d seen innocence this childlike. It made her feel young.
‘There, you see,’ Anastaise said contemplatively. Owain didn’t jump; but he realised she was talking to him, holding out the square to him, and he was grateful. She’d filled the page with wet, gleaming blue the colour of the sky. ‘That’s the first layer,’ she went on. ‘It’s not how it’s going to look in the end, though. To get the colour the way you want, you need to paint over it – four or five layers, one by one.’
‘What will you paint on top of the blue?’ Owain asked, but she only rumbled with laughter. ‘Listen to the boy!’ she chortled. ‘We’re not there yet. Do you know how long this will take to dry?’
He felt abashed. Malouel had told him. ‘Ten days,’ he said.
She nodded; gave him a twinkle.
‘Learning already,’ she replied; then, play-reproachfully, ‘and that’s just one coat. So it can take a good couple of months to do the purple of a cloak or the green of a wood properly. But it’s important to get it right. The beauty is in the brightness. And it’s important to make it as beautiful as you can.’
‘May I …?’ Owain essayed, growing bolder. ‘May I see something you’ve already finished?’
She put her big hands on her big hips, gave him her bold stare, and burst out laughing. ‘You’ve got the bug, all right,’ she said. ‘Madame Christine; you’ve infected this one, good and proper.’
Christine was smiling too, from her corner. ‘Show him this,’ she said; and pulled out another book from the shelf. She brought it forward to the table. Owain hardly noticed the text. His eyes were drawn only to the picture under Christine’s pale fingers: another little square full of more moving, breathing vitality than seemed possible. It showed a woman in a modest blue dress, whose white kerchief was pulled up in imitation of a proper fashionable two-horned court headdress. The woman was kneeling in the centre of a group of women, and handing over a book to a magnificent red and gold lady with a green and gold silk sash and a rich jewelled headdress and ermine sleeves; a lady sitting with two attendants on scarlet and green cushions by a mullioned window, hung with fleur-de-lys cloths in blue and gold, and with the sky outside glowing the azure blue Owain now knew how to prepare. There was so much to look at; so much to take in.
‘That’s you,’ he said, turning to Christine. ‘Giving your book to the Queen.’
The painted Christine looked just as she did in real life: alert, watchful, ready both to fight and charm. But the Queen of France had deteriorated since this picture was made: the painted Queen was still a beautiful woman, with traces of kindness lingering on her face; though you could also see in her set eyes that she’d brook no one else’s nonsense. The much fatter, older person he’d seen in the flesh yesterday had become a spoiled, glinty-eyed monster. He’d smelt the selfishness, the wilfulness, coming off her; he’d known her at once for the kind of woman who’d stop at nothing to get her own way.
‘I knew at once,’ Owain said warmly, ‘what a picture.’ But he was wondering as he spoke, and saw Anastaise dimpled with pleasure, whether she’d deliberately made the Queen seem younger and kinder – she didn’t seem the type for flattery. Instead, he asked, ‘How do you get the gold so bright?’
Anastaise was breaking open one of Christine’s packages to show him the wafer-thin sheet of beaten gold and beginning to explain that you took beaten egg-white, without water, and painted it over the place the gold was to go, then, moisturising the end of the same brush in your mouth, you touched it on to the corner of the leaf, ready cut, then lifted it very quickly, put it on the prepared place and spread it out with a separate dry brush. ‘And whatever you do, don’t breathe; or your piece of gold will fly off and you’ll have the worst trouble finding it again. And then it’s the same as the painting. You let it dry. You put another layer on. You let it dry. You put another layer on. It’s all just patience.’ When the gold was ready, you polished it – with the tooth of a bear or a beaver; or with an agate, or an amethyst stone – first quite gently, then harder, then so hard that the sweat stood out on your forehead.
Christine slipped away. Owain was so enthralled he didn’t notice.
Jehanette’s maid was in the kitchen, preparing a meal. The children were playing with their grandmother upstairs; while Jehanette was at the Halles market. ‘Take some meat and bread and wine out to Anastaise,’ Christine directed. ‘But tell the boy to come here and eat with me.’
She didn’t think why. It was an instinct: like warming yourself at the fire, or opening your shutters when the sun was bright. Usually she liked her quiet meals with Anastaise: everyone else out of the house; hearing the idle talk the beguine brought with her from the convent where the sisters worked in the cloth trade of Temple New Town, or tending the poor. The beguines knew everything; and no one more than Anastaise. But today she wanted some time alone with this boy with hope in his eyes and hunger in his mind. It was a waste of his intelligence to let him go back to soldiery.
He came quickly, eagerly, glowing as if someone had applied gold leaf to him.
He said, with genuine warmth: ‘I don’t know how to thank you,’ and, taking a piece of bread and a slab of meat and a slice of onion on his knife, without waiting to be asked, as if he felt at home, while munching, ‘This has been the best day …’ Then he paused, and she saw the thought he couldn’t