Fairytale of New York. Miranda Dickinson
whole city has been put into slow-motion mode; its perennial activity transformed into a deftly choreographed ballet—a symphony of movement, sound, light and scent. No matter how many times I drive through the City That Never Sleeps, I never cease to be amazed by its majestic beauty and proud self-assuredness. Just like the people who walk its streets, work in its resplendent buildings and call it home, New York knows that it is special and unashamedly declares it to the world.
We arrived on West 91st Street and parked by the steps to Celia’s apartment block. As she was about to leave, she turned back. ‘Thank you, Rosie. Thank you for putting up with my panics. Thank you for always being there for me. I don’t say it often enough, but you are a true friend. See you Saturday?’
I smiled. ‘Sure. Good night, Celia.’
‘Good night. I’ll call you!’
As I began the drive back home, I couldn’t help but smile. It had been a surprisingly good evening all round.
Mimi Sutton called the day after Celia’s event to invite me to meet her at her offices in SoHo the following day. I arrived a little early, design books in hand, and was shown by an assistant to a waiting area in the atrium of the ultra-modern building. In typical artsy minimalist style, the whole area was filled with clean lines with shiny metal and glass. Cobalt spotlights, discreetly hidden everywhere—behind frosted glass screens, in the middle of lush green foliage and inside tall steel and glass pillars—bathed the area in a soothing glow. This was a perfect complement to the white marble floor, which produced a rhythmic percussion as people crisscrossed its wide expanse.
I love arriving somewhere early to get a feel for the place. In this city you never know what to expect when you walk through the door of a building. You can experience classic styling, baroque opulence, bohemian chic or even puritan austerity as you move down a single street. It’s nothing short of inspirational. Maybe it’s my designer instinct, but I have days when everything inspires me. Even the scary kitsch stuff that most people with any remote sense of taste would be appalled at. I love trying to interpret the styles I see with my flowers—it’s a constant challenge I like to set myself to keep my designs fresh and different.
Mimi Sutton is a highly successful writer-turned—literary agent. She made her name writing blockbuster novels, most of which have, in turn, become blockbuster movies. She is constantly courted by Hollywood’s movers and shakers. The film rights for her most recent book had been sold three months before she began work on it, and a gaggle of screenwriters (if that is the correct collective term) had accompanied her for most of the writing period. When I asked Celia why on earth Mimi wanted to be an agent for other people when she had achieved so much success of her own, Celia smiled.
‘It’s all about power, Rosie. And power in Manhattan is something Mimi simply cannot do without.’
About fifteen minutes after I had arrived, the elevator doors opened to reveal a familiar face, though I couldn’t remember the name or the exact place I knew him from. Thankfully for me, the person fast approaching didn’t have the same problem.
‘Ms Duncan!’ he exclaimed loudly as he strode briskly across the atrium to where I was. Reaching me, he took my hand between both of his and gave a wide smile. ‘I guess you don’t remember me? Brent Jacobs—from the Authors’ Meet? Good to see you again. You here to see Mimi?’
‘Yes I am.’
He smiled. ‘Excellent. Hey, don’t forget you said you’d help me with flowers for my wife. Would the last Thursday of the month be convenient?’
I checked my diary. ‘Yes, no problem. About eleven?’
‘Wonderful. Good to see you, Rosie.’ He shook my hand quickly and strode away. I was about to sit down again when the assistant behind the pale green glass reception desk called to me. ‘Ms Sutton will see you now, Ms Duncan.’
I took the glass elevator up eleven floors to Mimi’s office. Another efficient, black Armani-suited assistant took me through two huge pale wood doors into a sumptuous office. Mimi sat at her desk at the far end, the dramatic backdrop of New York skyscrapers adding to her presence. She rose immediately and swept towards me.
‘Well?’ she questioned, waving a hand to indicate her surroundings. ‘What do you think?’
‘Very impressive,’ I affirmed. She led me to three enormous cream leather sofas situated round a frosted glass coffee table on the other side of her office. It was easy to be completely overawed by the sheer luxury of these surroundings, and I was grateful that Celia had phoned with a pep talk earlier that morning so that I was well prepared to meet this character who, I was reliably informed, ‘doesn’t do small’. And Celia, for once, wasn’t exaggerating.
‘Sit, sit!’ Mimi beckoned, draping herself magnificently over one sofa, three strings of pearls undulating around her throat as she spoke. ‘Now, let me see your designs.’ I offered my books, which she eagerly accepted. ‘I’m so glad we met, Rosie,’ she continued, without looking up as she flicked through the pages of photographs. ‘You know, you caused quite a stir at the Meet the other night.’
‘I did?’
‘Sure, honey. The conversation was all about you when you left us. Like, how come you’ve been right under our noses all this time and we’ve never seen you? These designs are good…You know, Philippe is so last year. I love what you’ve done here.’ She held up a page with big mounted displays that I did a few years back for an architects’ ball. ‘This is what I want for the Grand Winter Ball. It’s just before Christmas and we intend to make it the social event of the season. So the décor needs to be the best, naturally. I would need, maybe, thirty of these large displays, plus garlands to cover the grand staircase in the ballroom. Could Kowalski’s handle it?’
I was expecting a large order from this larger-than-life lady, but this took me by surprise. It was huge. I did some mental calculations, and then nodded. ‘I’m sure we can. I’ll put together some initial sketches with my co-designer and get them back to you with an estimate for your approval, if that’s OK?’
Mimi snapped the book shut. ‘Fantastic, Rosie. I’ll have my planners call you and we’ll go from there.’ We stood up. ‘It’s been a pleasure,’ she said, smiling broadly but escorting me swiftly to the door. ‘I’ll see you soon. Goodbye.’
Going down in the glass elevator, I let out a huge sigh as the enormity of the task ahead finally sunk in. I knew that, after the initial shock and protestations, Marnie and Ed would relish the opportunity to work on that scale. But quite how I was going to broach the subject with them, I had no idea.
I was lost in these thoughts as the elevator reached the ground floor and I stepped out. Straight into someone coming the other way. Losing my balance completely, I fell. My books flew out of my hands, opening mid-air before crashing to the ground, sending photographs and business cards sliding, skidding and scuttering across the atrium floor. I landed on the chic polished marble in a decidedly unchic position, surrounded by my belongings, which lay scattered in all directions.
You know how, when something embarrassing happens to you, it’s like someone hits the Pause button and the world seems to stop and stare? Well, this was one of those moments. All the frantically hurrying people found a good reason to postpone their journeys and a hundred spotlights homed in on me as their eyes surveyed my misfortune. Why had I chosen today to wear a shorter than usual skirt and no tights? Dazed from the ugly tumble, yet alert enough to realise I was in grave danger of revealing my choice of underwear to all assembled, I struggled to my knees in a vain attempt to rescue any remaining scraps of my dignity, scrabbling for my belongings as I did so. Stumbling eventually to my feet, I cursed my flushing cheeks and made a woeful attempt at a smile in the direction of the flash mob gathered around me. Only when I was fully upright did I realise that the someone I had collided with was still there.