Friends and Rivals. Tilly Bagshawe
and Target flip-flops.
Kendall’s pictures were on the patio table. In between sips of coffee, Lex leafed through them, trying to choose the best three for her perusal. Ever since his first job for Maroon 5, aged nineteen, Lex had learned never to give a client more than three images to choose from, especially for an album cover. Large files of JPEGs had a habit of causing major brain malfunction amongst musicians. They engendered indecision, irascibility and panic. Lex was a firm believer in physical prints laid out on a table, one, two, three. Of course, Kendall was a slightly different case. For all the dysfunction and imbalance of their relationship, Lex and Kendall were genuine friends.
Friends. How Lex had come to loathe that word. The truth – the tragic, pathetic, undeniable truth – was that Lex Abrahams was in love with Kendall Bryce. Of course, he had never declared his love and never would. To do so would be as futile a gesture as shouting at the TV when your team was losing, or calling up Graydon Carter and suggesting he forget about Leibovitz and hire you to do Vanity Fair’s next editorial shoot with the Obamas. Wishing it were so was one thing. Announcing your hopeless pipe dreams to the world was quite another. Kendall was as far out of Lex’s league as an NFL career was out of the reach of your average high-school footballer. Friends were as much as they would ever be. He should be grateful.
But, even as a friend, Lex yearned for Kendall’s approval. Deep down, part of him clung to a belief that if she truly valued him as an artist, a real talent, she might one day look past his mediocre exterior and see someone worth loving, worth being loved by.
The three photographs he plucked from the pile were unquestionably works of art, although Lex hesitated to take full credit for them. Who, after all, could make Kendall Bryce look anything other than perfect? The first two were body shots. Taken in the desert at dusk, beside a lone thorn tree, Kendall’s torso and arms were twisted in a mirror image of the tree’s trunk and branches. You could make out her face in profile, but the key to the image was her bare back and the billowing plumes of black hair cascading over her shoulders. The third picture was a straightforward head shot. Shot on old-fashioned film, in black and white, it captured a side of Kendall not generally glimpsed by the public. With her eyes wide and her face free of make-up, she looked young, vulnerable, emotionally naked. This was Lex’s favorite, but he doubted Kendall would pick it and Jester wouldn’t force the issue. Subjects rarely liked the portraits that dared to tell them the truth.
Lex walked back inside. Slipping the three prints into a fresh envelope, he carefully filed the rest and sat down to work on some editing. It would be four hours at least until Kendall was awake and up to receiving visitors, so he might as well get some work done.
By the time he next looked up, it was noon. How the hell had that happened? Quickly brushing his teeth and spritzing on some aftershave (Kendall had once mentioned that she found CK One a sexy scent, and Lex had worn it religiously ever since, to no noticeable effect), he jumped in his leased Nissan and headed towards Brentwood.
For once traffic was good. Ten minutes later, Lex turned the corner into Brentwood Park. Jack Messenger’s house was on a private road, but the security guard at the gate knew Lex well and waved him through. Every time he came here, Lex was reminded of the immense financial gulf that existed between music managers and photographers. Like Jack, Lex was at the very top of his profession, one of the most well-respected snappers in the record business. As well as countless iconic album covers, he’d shot Pepsi commercials and award-winning live concert footage for bands as diverse as Aerosmith and The Dixie Chicks. But somehow the great music industry money tree failed to drop riches on Lex Abrahams’ head the way it rained them down on the likes of Jack Messenger and Ivan Charles. And Kendall Bryce, of course, although nobody doubted that the artists would do well. They were the talent, the raison d’être.
Kendall’s my raison d être, Lex thought idly as he pulled up outside the Messenger mansion. Jack’s house was an Arts and Crafts beauty, half-timbered and covered in climbing roses and wisteria, like an English manor house. The guesthouse was more open-plan, a converted barn separated from the house by a vast expanse of lawn and set back behind neatly trimmed topiary hedges. It opened directly onto the pool, which twinkled brilliant azure blue beneath the blazing midday sun as Lex walked by.
‘Knock knock,’ he said cheerfully, pushing open the unlocked front door. ‘Kendall? I brought over some pictures from the shoot. You’re gonna love—’
The words died on his lips. Kevin Dacre, the sobriety coach Jack had hired for an extortionate fee to babysit Kendall while he was in England, staggered sheepishly out of the bedroom with a towel wrapped around his hips and two empty wine glasses in his hand. Behind him a visibly hungover Kendall, in a crotch-skimming kimono robe, carried an armful of empty bottles.
‘Oh, hi, Lex,’ she growled, her voice hoarse from the night’s excesses. ‘Lex, Kevin, Kevin, Lex. Kevin was just leaving.’
The sobriety coach did at least have the decency to blush scarlet, scurrying past Lex with a pleading ‘I couldn’t help it. Don’t tell!’ look in his eyes. Lex felt as if he’d been punched in the stomach. Sometimes it seemed as if Kendall was determined to sleep with every man in Los Angeles other than him. Rock stars and actors were one thing, but this dweeb wasn’t even good-looking. It wasn’t until the sound of Kevin’s squealing tyres had died away that Lex recovered sufficiently to speak.
‘Jack’s gonna go ballistic. He’s not kidding about kicking you off the books, you know. He’ll do it if you keep pushing him.’
‘Screw Jack,’ said Kendall, lighting up a Marlboro red. ‘Managers are a dime a dozen.’
‘If you really felt that, you wouldn’t be living in his guesthouse,’ said Lex, grabbing the cigarette from between Kendall’s fingers and stubbing it out in one of the wine glasses. ‘Smoking fucks your voice. Don’t be an idiot.’
Kendall pouted but didn’t protest. Lex Abrahams was her best friend, one of the few people she’d allow to boss her around. Besides which, she didn’t want to fall out with Lex today and risk having him spill the beans to Jack. For all her bravado, Kendall had woken up this morning feeling guilty and nervous. What if Jack got home early? She’d better replace the wine she’d stolen. And buy some mouthwash and air fresheners.
‘Go take a shower,’ said Lex, wishing he weren’t able to smell the sex on her body. ‘And open some windows up there. I’ll clean up this mess.’
Kendall wrapped her arms around him. As she lifted them, the hem of her silk robe rode up, revealing two perfectly smooth peach buttocks. ‘You’re an angel, Lexy. I love you.’
It was all Lex could do not to weep.
An hour later, Lex dropped the car with a valet and he and Kendall walked into Joan’s on third. A well-known Hollywood hangout and brunch venue, Joan’s was a scene and the last place Lex would have chosen for their lunch date. But Kendall insisted, and when Kendall insisted, Kendall got.
‘I’ll have a big pot of coffee, cinnamon French toast and a side of bacon. And a blueberry muffin. And some frittata.’
In black Ksubi jeans, a black L’Agence T-shirt and ultra-dark Oliver Peoples shades, Kendall looked even tinier than usual. It was hard to imagine how so much food was going to fit into such a bird-like frame.
‘And I’ll have an egg-white omelette,’ said Lex. ‘Thanks.’
‘Health freak,’ grumbled Kendall. ‘You’re just showing off to make me feel bad.’
‘You already feel bad.’
Kendall groaned. This was true. Her face had turned a sickening shade of pale-green, her palms were clammy and her stomach kept flipping over like one of those wind-up toys kids get in their Christmas stockings.
‘You have to stop drinking, you know,’ Lex said seriously. ‘You can’t control it.’
‘I know, I know. And I will. I mean, I have. Last night was a one-off. You won’t say anything to Jack, will you?’
Lex