Odd Hours. Dean Koontz
you.”
In the kitchen, I emptied the ice-filled OneZip bag into the sink and tossed it in the trash.
The lump on my head remained the size of half a plum, but it no longer throbbed.
On two yellow Post-its, with a blue pen, I wrote directions for heating the enchiladas and the rice salad. With a red pen, I printed REMOVE THIS TAG BEFORE PUTTING IN OVEN.
Standing at the kitchen island, I went through the contents of the wallet that I had taken off Flashlight Guy.
In his California driver’s-license photo, I recognized the man I had left lying on the beach, although he only slightly resembled something conjured out of a witch’s cauldron. His name was Samuel Oliver Whittle. Thirty years old, he had an address in Magic Beach.
In his Nevada driver’s-license photo, he smiled broadly at the camera, which was a mistake. His smile transformed his face, and not in a good way. He looked like a lunatic villain from a Batman movie.
Nevada, where he had an address in Las Vegas, knew him as Samuel Owen Bittel. In Vegas, he was two years older than he claimed to be in his California incarnation, but perhaps a Las Vegas lifestyle aged a person prematurely.
He had no credit cards. This made him suspicious in a country that not only looked to the future but lived on the earnings from it.
The wallet contained no insurance card, no Social Security card, nor any of the other ID you might have expected.
An employee-identification card revealed that he worked for the Magic Beach Harbor Department.
Suddenly a theme had developed. Perhaps the hulk with the chin beard had not taken the inflatable dinghy without permission; maybe he had the authority to use it because he, too, worked for the harbor department, which also had responsibility for the beaches and the town’s one pier.
I found it difficult to believe that the redheads were also on the municipal payroll. Thugs who worked for the government usually tried not to look like thugs.
After returning the cards to Sam Whittle’s wallet, I tucked it in my left hip pocket.
Whatever trouble I found in the coming hours, at least some of it would involve men with guns. I did not have a gun of my own and did not want one. On occasion I have used a bad guy’s firearm after taking it away from him, but only in desperation.
When I was a child, my mother spoiled guns for me, not because she disapproved of them, but because she had a psychotic attachment to a pistol. Guns spook me.
In a clutch or a corner, I tend to make a weapon out of what is near at hand. That can be anything from a crowbar to a cat, though if I had a choice, I would prefer an angry cat, which I have found to be more effective than a crowbar.
Although weaponless, I left the house by the back door, with two chocolate-pumpkin cookies. It’s a tough world out there, and a man has to armor himself against it however he can.
Paw after paw silent on wet blacktop, the fog crept along the alleyway behind Hutch’s house, rubbing its furry flanks against the garages on both sides, slipping through fence pickets, climbing walls, licking into every niche and corner where mouse or lizard might have taken shelter.
These earthbound clouds swathed nearby things in mystery, made objects half a block away appear to be distant, dissolved the world entirely past the one-block mark, and raised in the mind a primitive conviction that the edge of the earth lay near at hand, a precipice from which I would fall forever into eternal emptiness.
Slowly turning in a circle, turning again, I ate one cookie and concentrated on Annamaria: on her long hair the color of molasses, on her face, on her too-pale skin. In my mind, I saw her delicate hand close around the ocean-polished orb of green bottle glass and retreat with it into the long sleeve of her sweater. …
My imperfect gift has one more imperfect aspect, which I have discussed before, though not in this fourth manuscript. My lost girl, Stormy Llewellyn, had called it psychic magnetism.
If I wish to find someone whose whereabouts I don’t know, I can surrender myself to impulse and intuition, drive or bicycle or walk around wherever my whims take me, concentrating on that person’s face and name … and usually within half an hour, I will find him. Psychic magnetism.
This handy talent is problematic because I cannot control or foresee when or where the desired encounter will occur. I might spot my target across a busy street—or turn a corner and collide with him.
If I am seeking a bad guy, psychic magnetism might put me on his trail—or drop me into his talons.
And if I am in pursuit of someone who is no threat, someone I need to question or to sweep out of harm’s way, I cannot be sure the search will be successful. I usually find the person I’m seeking, but not always. Once in a while, resorting to psychic magnetism in desperate circumstances can be a waste of precious minutes when I have not a second to spare.
I am a half-assed champion of the imperiled innocent: able to see the lingering dead, but unable to hear what of value they might wish to tell me; informed by predictive dreams that never provide me with sufficient detail to be certain of what they predict, of when the event will occur, or of where the horror will go down; without gun or sword, armored only with cookies.
All of this fearsome uncertainty ought to have made a hermit of me, ought to have sent me fleeing to a cave or to a remote cabin, in curmudgeonly rejection of the dead and the living. But my heart tells me that the gift was given to be used, imperfect or not, and that if I deny it, I will wither away in despair and will earn no life after this one, no reunion with my lost girl.
At least this time, standing in the alleyway behind Hutch’s house, I sought not someone who wanted me dead, but instead a young woman who might need me to keep her alive. I most likely would not blunder into the teeth of the tiger.
The thick muffling fog was a time machine that rolled the night back more than one hundred years, silencing all the sounds of modern civilization—car engines, radios, the TV voices that often leaked from houses. The peaceful quiet of the nineteenth century coddled Magic Beach.
One cookie finished, concentrating on Annamaria, I suddenly set off north along the alley, as if I were a milk-wagon horse following a route so familiar that I did not need to think about my purpose or my destination.
Windows, usually electric-bright, glowed softly, as if the rooms beyond were candlelit. At the end of the alleyway, the sodium-yellow streetlight appeared to throb subtly, like gas flames, as a thousand slowly pulsing moth wings of fog pressed against the lenses of the lamp.
Nibbling my last cookie, I turned east where the alley met the street, and headed inland.
At only 6:45 on a Wednesday evening, the town appeared to have gone to bed for the night, snuggled down in Nature’s white blankets. The damp chill encouraged dog owners to take shorter walks than usual, and the blinding density of the fog dissuaded drivers from unnecessary trips.
By the time that I had gone three blocks east and one block north of Hutch’s place, I had seen only two ghostly cars in motion, each at least half a block distant. They looked like deep-sea submersibles in a Jules Verne tale, quietly motoring through a murky oceanic abyss.
In that quaint residential neighborhood known as the Brick District, which had no brick streets and only two brick houses, a large vehicle turned the corner at the farther end of the block. A soft kaleidoscope of fog formed shifting white-on-white patterns in the headlights.
Deep inside me, a still small voice said Hide.
I left the sidewalk, jumped a waist-high plum-thorn hedge, and knelt behind that greenery.
I smelled woodsmoke from fireplaces, wet foliage, and garden mulch.
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