The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science. Richard Holmes

The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science - Richard  Holmes


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Despite the death of his great friend Solander there is no real explanation for this failure, though perhaps it was a deliberate refusal. His journal exists in several manuscript drafts-one copied (and somewhat bowdlerised) by his sister Sophia; and there is a huge series of astonishing engravings (now archived in the Natural History Museum, London). Versions of the journal have been published by scholars, notably by J.C. Beaglehole, in facsimile by the Banks Society, and one recently put online by the University of New South Wales, Australia. But Banks’s Endeavour Voyage may count as one of the great unfinished masterpieces of Romanticism, as mysterious in its own way as Coleridge’s ‘Kubla Khan’, with which it bears some curious similarities, as an account of a sacred place which has been partly lost, and to which there is no return.

      Instead, Banks seemed fated to relive his story through the extraordinary lives of his protégés. This is the genial, enabling role he plays in the fantastic series of explorations, expeditions and mind journeys that follow. His great Endeavour voyage had launched an Age of Wonder.

      Her lips were red, her looks were free,

      Her locks were yellow as gold: Her skin was as white as leprosy, The Nightmare Life-in-Death was she, Who thicks man’s blood with cold.

      (The Ancient Mariner, lines 190-4)

      The full catastrophe of venereal disease, which devastated the Pacific populations over the next two generations, has been described by Alan Moorehead in The Fatal Impact (1966).


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