Ysabel. Guy Gavriel Kay
unhappy with how things had gone this first morning. He wouldn’t admit that, but it showed.
Edward Marriner sipped a beer and looked at Ned across the table. “Anything inside I need to know about?”
Even when Ned was young his father had asked his opinions whenever Ned was with him on a shoot. When Ned was a kid it had pleased him to be consulted this way. He felt important, included. More recently it had become irksome, as if he was being babied. In fact, “more recently” extended right up to this morning, he realized.
Something had changed. He said, “Not too much, I don’t think. Pretty dark, hard to find angles. Like you said, it’s all jumbled. You should look at the baptistry, though, on the right when you go in. There’s light there and it is really old. Way older than the rest.” He hesitated. “The cloister was open, I got a look in there, too.”
“The important cloister’s in Arles,” Melanie said, dabbing carefully at her lips with a napkin. For someone with a green streak in black hair, she was awfully tidy, Ned thought.
“Whatever. This one looked good,” he said. “You could set up a pretty shot of the garden, but if you don’t want that, you might take a look at some of the columns.” He hesitated again, then said, “There’s David and Goliath, other Bible stuff. Saints on the four corners. One sculpture’s supposed to be the Queen of Sheba. She’s really worn away, but have a look.”
His father stroked his brown moustache. Edward Marriner was notorious for that old-fashioned handlebar moustache. It was a trademark; he had it on his business card, signed his work with two upward moustache curves. People sometimes needled him about it, but he’d simply say his wife liked the look, and that was that.
Now he said, looking at his son, “I’ll check both tomorrow. We’ve got two more hours cleared so I’ll use them inside if Greg says the stitched digitals this morning are all right and we don’t have to do them again. Will I need lights?”
“Inside? For sure,” Ned said. “Maybe the generator, I have no idea how the power’s set up. Depending what you want to do in the cloister you may want the lights and bounces there, too.”
“Melanie said they do concerts inside,” Greg said. “They’ll have power.”
“The baptistry’s off to one side.”
“Bring the generator, Greg, don’t be lazy,” Edward Marriner said, but he was smiling. Bearded Greg made a face at Ned. Steve just grinned. Melanie looked pleased, probably because Ned seemed engaged, and she saw that as part of her job.
Ned wasn’t sure why he was sending the team inside. Maybe taking photos tomorrow, the sheer routine of it—shouted instructions, clutter, film bags and cables, lights and lenses and reflectors—would take away some of the strangeness of what had happened. It might bring the place back to now…from wherever it had been this morning.
It also occurred to him that he’d like a picture of that woman on the column. He couldn’t have said why, but he knew he wanted it. He even wanted to go back in to look at her again now, but he wasn’t about to do that.
His father was going to walk around town after lunch with two cameras and black-and-white film to check out some fountains and doorways that Barrett, the art director, had made notes about when he was here. Oliver Lee had apparently written something on Aix’s fountains and the hot springs the Romans had discovered. Kate Wenger had just told him about those. She just about forced you to call her a geek, that girl.
For the book, Ned’s father had to balance the things he wanted to photograph with pictures that matched Lee’s text. That was partly Barrett Reinhardt’s job: to merge the work of two important men in a big project. His idea, apparently, was to have smaller black-and-white pictures tucked into the text that Lee had written, along with Marriner’s full-page or double-page colour shots.
Ned didn’t feel like looking at fountains. He knew what he did need to do. Greg was going back up to the villa to upload the digitals from this morning and check them on the monitor. He was also going to confirm by phone the arrangements for shooting in Arles, about an hour away, the day after tomorrow.
Melanie handed Greg detailed instructions about that, printed in her usual green ink. Ned saw a smiley face at the bottom of the card. He was pleased to see he wasn’t the only one she did that to.
He rode back with Greg in the van, changed into a faded-out grey T-shirt, and shorts, clipped on his water bottle and pedometer, put the iPod in its armband, and went for a run. He had essays to write here, and a training log to complete for his track coach. Both were homework, really.
The running was better.
Melanie had told him the night before that if he went down their laneway and turned right at the road instead of left towards town, then kept going as it curved back uphill, he’d end up eventually where the road ended at some area where people biked and jogged in the countryside. She said there was supposed to be an old tower up there to look at.
It irritated him, as usual, that she was organized to the point of planning his training routes, but he had no better idea where to go, and there wasn’t a good reason not to try that path.
It was a steep downhill on their little road past the other villas, and then steadily back up for a long, winding way along the ridge above. Up-and-down was good, of course. Ned ran on the cross-country team, this was what he needed.
He’d begun to think he’d gone wrong before he finally came to the car barrier. On the other side of it he found the trail. There were arrows on a wooden pole pointing one way towards a village called Vauvenargues and in the other direction to that tower Melanie had mentioned. Someone went by on a mountain bike towards Vauvenargues. Ned went the other way.
The tower wasn’t far. The trail continued down and around it towards the northern edges of Aix, it looked like. Ned didn’t like to stop during a run, no one did, but the view from up here was pretty cool and so was the round, ruined lookout tower. He wondered how old it was.
This whole place was just saturated in the past, he thought. Layers and layers of it. It could get to you, one way or another. He took off the earbuds and drank some water.
There was a low, really lame fence around the tower. A sign said it was dangerous to cross and a bigger fence had been authorized and was coming, but there was no one in sight now so Ned went over the railing and then he bent and stepped into the tower through a crumbled opening in the honey-coloured stones.
It was dark inside after the sunlight. There was no door anywhere, just the one broken opening. He looked up in a high, empty space. He could see the sky a long way above, a small circle of blue-black. It was as if he were at the bottom of a well. There were probably bats, he thought. There must have been a stairway once, winding up, but there was nothing now. He wondered what this had guarded against, what they’d been watching for up here.
He felt himself cooling down too much in the shade, not good. You pulled muscles that way. He stepped back into the sunshine, blinking, and gazed down at the city. There was an aqueduct in the distance, on the far side of Aix, vividly clear. After a moment, Ned spotted the bell tower of the cathedral in the middle of town, and that brought him back to this morning. He was nowhere close to wanting that.
He turned and started running again, back the way he’d come, but with the stop and cooling down and jet lag, he had lost his rhythm. He found it harder going than he should have, past the car barrier and downhill now along the road. It was a good jogging route, though, had to give Melanie credit. Next time he could go the other way at the signpost, keep going, log his proper distance.
He was halfway back up their own steep road, leading to Villa Sans Souci at the top, when he realized something.
He stopped running, having actually shocked himself.
Why now? he had said, and the man in the grey leather jacket hadn’t replied. Maybe Ned had an answer, after all. Maybe it even mattered, for the first time, that when she was alive his grandmother had told him some of her old