Shining Hero. Sara Banerji

Shining Hero - Sara  Banerji


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who would appreciate education and Dolly visualised the two of them discussing books together, or even both attending night school. After all he would not be wearing glasses if he was not an intellectual.

      If Dolly had known then the real reason for the glasses, would her parents have continued to insist on the marriage? Would Dolly have felt afraid?

      Dolly fell wildly in love with Adhiratha the moment she set eyes on him.

      ‘How glad I am,’ she thought after their wedding, as they sat together in a proper electric-lit room to eat their meal. The company bungalow was a pukka stone and mortar affair with running water and glass in the windows.

      They could not stop smiling at each other across the table. Sometimes before the meal was eaten, with only a smile for a signal, the two of them would leap up, overturning chairs, spilling misti and rush for their bed with its new sheet and dunlopillo mattress that had been kept wrapped in its cellophane for protection.

      In bed they would lie naked, sweating under the slow turning fan, and explore each other’s beautiful bodies all over again. Adhiratha would bury his face in Dolly’s thick black hair that smelled of the spices she had been cooking. He would kiss the softness of her neck and whisper, ‘I love you, Dolly, I love you Dolly, I love you Dolly.’

      He went to work each day wearing his smart chauffeur cap and a pristine white uniform with the company logo embroidered on the pocket that had been lovingly starched and pressed by his little new wife.

      After he had gone Dolly would sing as she dusted her house, washed up the dishes, and swept her yard. She remembered how she had quarrelled with her parents when they had tried to arrange her marriage but now she was so happy. Her heart sang with joy because she loved Adhiratha so much and because everything she wanted in the world had been given to her. A hundred times a day, as she swept and polished their bungalow and made special delicious things for her husband’s evening meal, Dolly would say to herself, ‘How lucky my parents insisted I got married to Adhiratha.’ They even had a little garden and Dolly would pick hibiscus, zinnias and canna lilies and arrange them in a jug, then blush with delight when Adhiratha came home and praised her artistry.

      Dolly was invited to continue her education at the company school and when term began, each day she would walk across the compound to her class, crossing shady yards, under trees planted by the company, past beds of flowers. There she revelled in the company of girls of her own age and she and her friends would sometimes get a chance to go to the bioscope, then later imitate the accents and behaviour of Ashok Kumar, or swank around pretending to be Meena Kumari.

      But no matter how much studying she did, nor how much fun she had with her friends in the day, when Adhiratha got home in the evening she was always there, ready with his evening meal. Her mother had taught her to cook. Her chupatties puffed out like footballs, her parathas were as thin and fine as silk, her kheers and paish the best on the company compound. When Adhiratha invited fellow workers to a meal they would marvel that so young a wife should turn out to be such a marvellous cook. Pulling her sari over her head in deference, she would serve out the food for them, while the young men teased her until she blushed. ‘Hey, Dolly, those chupatties will float up like balloons if you make them any lighter.’ ‘Hey, Dolly. I think I will throw away my own wife and take you home with me instead so that I can eat sag like you make every day.’

      ‘No you won’t, you swine,’ Adhiratha would josh back. ‘She’s mine. She’s the best thing in my life and I’m not giving her up for anyone.’

      ‘But when are you starting the baby?’ Dolly’s mother kept asking and patted Dolly’s stomach, which sounded hollowly empty.

      ‘We are waiting for a year. Till I take my exams,’ Dolly told her parents.

      ‘How modern,’ said the father. ‘Let us hope that the gods will not take offence.’

      ‘What do you mean?’ Dolly was startled.

      ‘They give us children when they decide. It is not up to you to make such decisions.’ He spoke fiercely. ‘Exams are not an excuse for delaying children.’

      ‘Oh, Baba, you don’t know anything,’ laughed the modern Dolly, amused by her parents’ silly superstitious and old-fashioned attitudes. ‘These days women don’t just have to fill the house with babies like they did when you and Ma were young.’

      ‘But why take such risks?’ said the mother, trying to soothe the situation. ‘What difference will it make? Have the baby and when it comes, God will look after you. And look after the baby.’

      ‘I plan to look after my baby, myself,’ said the blasphemous, proud Dolly.

      Soon after their marriage it was the time of the Durga Puja.

      Goddess Durga is the giver of rice. She is the mother. But she is also yellow and terrible. She is Devi, one of the female aspects of the Absolute, that infinite, inert and creative Silence. Her serene and aloof expression does not change as she slays the demon who is trying to destroy the world. She shows no trace of rage or emotion because, for her, the deed, the Cosmos and her self are only illusions, only parts of the Cosmic dream. She rides a lion, holds weapons in her many arms, is cool as a dream and calm as an untroubled river. She is the inaccessible, the inevitable, for she knows that all this is an illusion. All this is Maya. And Durga is responsible for the illusion, she is the illusion and she is only playing at creation. Creation is the play of the gods, nothing to be really taken seriously. That is what her calm face says.

      Each year great images are made of her all over Bengal. Wood armatures fifteen feet high are wrapped with straw, then covered with clay, which is modelled into the smallest detail. Lips rich with scarlet gloss, eyelids dark with lamp khol, fingernails manicured with crimson lacquer, her tiny waist belted in gold, her human hair glossed with resin. Her tinsel-trimmed sari glitters and her cut-glass jewels sparkle.

      The puja lasts for four days, during which the images, which have taken so many months to sculpt, are worshipped by the rich and the poor, the educated and the illiterate, who present the goddesses with flowers, fruit, garlands and sweets. For Durga is very powerful and has it in her power to grant life to the dying, health to the sick, children to the infertile and husbands to the hideous. There is no one so rich and privileged that they never need her help.

      There was much competition, at Durga Puja, among neighbourhoods and companies, but year after year Adhiratha’s employers always came out with the most beautiful image of the goddess and the most impressive shrine. The company shrine was an exact replica of a Hindu temple and as large. It was made of cotton material stretched over a bamboo frame which in the dark glowed with the light of a thousand multi-coloured electric bulbs. It was painted so realistically that people who saw it from a distance thought a new temple of brick and stone had sprung up overnight.

      On the first Durga Puja after her marriage, Dolly made a dish of the milky sweets called shandesh. They were the shape of little fishes and she decorated them with foil of purest gold. When they were ready she put on her best sari and decorated her forehead with scarlet kumkum, then she walked across the compound to the shrine. There, many other people were making offerings to Durga. Some were prostrate on the ground before the goddess. Even the directors of this company had come with gifts for their goddess, for the company was thriving.

      Dolly put the plate at the feet of the austere towering image, then, placing her palms together, knelt and bowed till her head touched the ground and said, ‘Thank you, thank you, thank you.’

      After the period of worship was over, Adhiratha was one of those given the honour of carrying the goddess to the holy river, where she would be ritually immersed. People cried out Durga’s praises as the gigantic figure, with her calm face and ornate attire, was jogged along the roads. Some people ran ahead of the procession and threw themselves in the goddess’s path as though she was the Juggernaut and they wished to be crushed to death by her.

      At the river other Durgas were arriving, though none as large and lovely as that which Dolly’s new young husband and the other men were carrying.

      The company had two long boats waiting, boards lashed


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