The Greenstone Grail: The Sangreal Trilogy One. Jan Siegel

The Greenstone Grail: The Sangreal Trilogy One - Jan  Siegel


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leaves.

      ‘I know. I’m sorry. They told me you were imaginary, and I suppose … I got to believing them.’

      ‘They?’ The tip of a long nose reappeared, followed by the gleam of an eye, the twitch of an ear.

      ‘People. My mother. Some of my friends. It wasn’t their fault: they didn’t know you. It was my fault.’

      ‘You’ve grown too big,’ Woody said doubtfully. ‘Too big to talk to.’

      ‘I’m the same,’ Nathan insisted. ‘Look at me, Woody.’

      The woodwose studied him, first from one eye, then the other. ‘You are Nathan,’ he said at last, ‘but you are not the same. You are … more. Perhaps too much …’

      ‘It feels that way sometimes,’ Nathan said. ‘But you can still talk to me. Honestly you can. Please come out, Woody. Please.’

      Slowly, tentatively, the woodwose emerged into full view, staying close to the tree, no longer relaxed as he had been with his child playmate but a nervous, distrustful creature, easily startled, poised not to flee but to fade, back into the concealment of the wood. ‘Do you,’ he murmured, ‘do you have any – Smarties? You brought some once, I remember, in a tube with a lid on. They were small, and many-coloured – all different colours – and they tasted very good.’

      ‘I’ll bring some next time,’ Nathan promised. ‘I’ll come again soon. What … what have you been doing, all these years?’

      But he knew the answer. ‘Being here,’ said the woodwose. ‘Waiting.’

      ‘For me?’

      ‘I – yes. You are all I have. You told me so. My parents, my friend.’ And, after a pause: ‘What is imaginary?’

      ‘It means, I invented you. You came from my mind. Where did you come from, Woody?’

      ‘From your mind,’ said the woodwose. ‘I think.’

      Nathan remembered the man he had pulled from the seas of another cosmos, onto the beach at Pevensey Bay. He had no memory of it, but perhaps he had found Woody, too, in a dream, in the woods of some alternative world. It was an uncomfortable idea, though he hadn’t yet had time to work out why. The two of them sat for a while, almost the way they used to, watching a beetle creeping through the leaf-mould, and sunspots dancing on a tree-trunk, and a tiny bird with a piping call which Nathan would never have seen without his friend to guide him. ‘Would you look out for anything-different?’ Nathan asked at last. ‘There are things happening now, strange things. I can’t explain properly because I don’t understand, but I think you should be wary. If you see-oh, I don’t know – anything unusual, weird …’

      ‘Weird?’ Woody looked bewildered. There were few words in his vocabulary.

      ‘Odd. Peculiar. Wrong.’ Nathan paused for a minute, struck by a sudden thought. ‘How do you speak my language, Woody? It isn’t natural to you, is it?’

      ‘I must have learned from you,’ said the woodwose. ‘I’ve never spoken to anybody else.’

      Nathan didn’t say any more. He bade his friend goodbye, and set off back towards Bartlemy’s house. An awful fear was growing in him, that he had brought Woody here, had dreamed him into this world and then abandoned him, and now the woodwose had no other friend, no other place, no other tongue. It was a frightening responsibility, but the wider implications were worse. He had no control over his dreams. (What had Effie Carlow said? Dream carefully.) Perhaps, if he really had this power, this ability, he might find himself bringing other people here, other creatures, unhappy exiles who could never go home, unless he found a way to dream them back again. The idea was so terrifying it made his mind spin. He forced himself to think rationally, to analyse what it was in his dreaming that had transported the man in the water from world to world – if that was indeed what had happened. There had been the urge to help, to save him – a huge impulse of will. After all, he had only brought back one person – not any of the xaurians or their riders, or the man in the white mask. And maybe some similar impulse had drawn Woody to Thornyhill to be his companion. A selfish impulse, a child’s impulse: the desire for a secret friend. ‘And I couldn’t send him back,’ he reflected, remorsefully, ‘even if I had the power. I don’t remember where he came from.’ He resolved that he would dream carefully from now on, he would suppress all such urges, he wouldn’t – he mustn’t – allow his feelings to dictate his actions.

      He wanted to tell Bartlemy – he wanted to tell someone – but he feared to be treated as an over-imaginative child, diminished by adult scepticism. Somehow, because she was so old, so eccentric, Effie Carlow had been different: he could have endured her scorn, if she had scorned him. But Bartlemy was the person he respected most in the world, knowledgeable and wise, and in his inmost heart Nathan shrank from the very notion of his disbelief.

      Even so, the need to confide might have been too much for him, if he had found Bartlemy alone when he returned to Thornyhill. But in the living room he found Rowena Thorn, Mrs Vanstone to give her proper name, drinking tea and talking earnestly about something. She was a long, lean, tweedy sort of woman in her mid-sixties, with a face which had once been plain, until character and humour had left its impress on her features. She was given to serving on committees, organizing, charitable events, and riding her friends’ horses since she no longer maintained one of her own. In between, she ran an antiques shop in Chizzledown. She greeted Nathan absent-mindedly, though she normally found time to inquire after his progress at school, and reverted immediately to the former subject under discussion.

      ‘The provenance is clear: they have all the necessary documentation. It is the genuine article, I’m sure of it. You’ve seen our records. That awful little tit Rowland sold it to this Birnbaum chap just before the war – he was a German, too, frightfully bad form if you ask me – and then went and got himself killed, silly business really, survived the Somme and then got run over by a tank or something in the week before the Armistice. Henry died in the ’flu epidemic and that was more or less the end of the family. My father was only a child at the time, besides being just a cousin, and there was nothing left for him to inherit but debts. My grandmother always said that when we lost the cup we lost our luck, but personally I’ve never been sure about that. I remember Great-aunt Verity contended it was our curse, an evil burden the family had a duty to bear. Probably all nonsense, but you never know. The point is, it’s ours, and if it really has resurfaced I’m damn well going to get it back.’

      Nathan, who was becoming interested, helped himself to some elderflower cordial from the kitchen (Bartlemy made his own) and sat down unobtrusively next to Hoover.

      ‘But if Rowland Thorn sold it, as you maintain,’ Bartlemy was saying, ‘I don’t quite see how you can make a claim. Unless you can manage to buy it back from the present owner?’

      ‘Good Lord, no, it’s practically priceless. According to what I hear, the British Museum is after it, but it may be too much for their budget. Depends on the other bidders, of course: might go for a song, might run into millions. No: I’m trying another tack. I intend to prove the original sale was actually illegal.’

      ‘How will you do that?’ Bartlemy asked.

      ‘As you know, old Josevius acquired the cup somewhere back in the Dark Ages. Given to him by the Devil, one story has it; another one says it was an angel.’

      ‘I read it was supposed to be a holy relic,’ Nathan said. He found it curiously difficult to speak of it, as if there were weights on his tongue. Yet he wanted to. He wanted to say: I found the chapel. I saw the cup. He couldn’t. Hoover, he noticed, merely looked inquiringly at him.

      ‘Depends which story you favour. Didn’t know you were interested in my family history, Nathan. Good for you. Too many kids your age only want to play computer games and listen to pop music, far as I can see. History’s important. The past belongs to all of us. Where was I?’

      ‘Josevius,’ Bartlemy prompted.


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