The History of the Times: The Murdoch Years. Graham Stewart
Doubtless Sir Frank calculated that the exact veracity of a particular briefing was less important than the survival of several hundred soldiers who would be sent to their deaths if the Argentines were ready to meet the landing party. If this was the calculation then only a public servant with a peculiar set of priorities would have done otherwise. But it was a stunt that could not be repeated too often. If journalists began to disbelieve everything Government officials told them, the whole point of briefings would break down. Operational reasons were also used to justify the slow release of information. The MoD’s decision to announce that ships had been hit without naming which and the late release of casualty figures from the Bluff Cove disaster caused distress to anxious relatives and angered all those who believed news involved immediacy of information. Where the balance resided between Whitehall’s obligation to provide a free society with truthful information and its duty not to needlessly endanger servicemen’s lives could not be easily resolved.
In the twenty years following the Falklands’ campaign, the number of commercial satellites proliferated, permitting war correspondents to communicate swiftly and directly to their offices and readers or viewers. Those reporting from the South Atlantic in 1982 did not enjoy such liberty. They had no alternative but to entrust their copy to the British military who alone had the capability to transmit it back to London and, in the first instance, to the MoD censors. If the armed forces did not like the look of the copy they were under no obligation even to send the dispatch. Whitehall had been able to prevent any foreign press from covering the operation by the simple device of refusing them a berth on any of the ships travelling with the Task Force. But subsequent wars were not fought over inaccessible islands close to the Antarctic. And since they involved joint operations with allies, what reporters with one country’s troops could transmit became the effective property of all.
Indeed, the Falklands War would be the last major conflict in which newspaper reports were more immediate than television pictures. The experience of the BBC and ITV crews on the aircraft carrier Hermes was even more frustrating than that of the Fleet Street journalists on Invincible. Because the British military transmitters were at the edge of their South Atlantic coverage, satellite transmission rendered pictures of too poor a quality to show. Using commercial satellites ran supposed security risks if Argentina managed to dial in to them and gain potentially useful information. Instead, all film footage had to be flown from the Falklands to Ascension Island before it could be broadcast. This created monumental delays. The first television pictures of the landings at San Carlos were shown on British television two and a half weeks after the event. Some of the footage took twenty-three days to reach transmission. This was three days longer than it took Times readers to find out the fate of the Charge of the Light Brigade in 1854.62
The quality of The Times’s reporting of the Crimean War had been one of the most illustrious episodes in the paper’s history. But besides seeing its editorial line vindicated, The Times’s coverage of the Falklands’ crisis was competent rather than remarkable. It did not, of course, want to compete with the attention-grabbing antics of the tabloids. Nonetheless, its news presentation lacked sharpness. Perhaps it was at its most deficient in its layout. Sometimes the picture selection beggared belief. The front-page headline for 3 June, ‘Argentina lost 250 men at Goose Green’, was accompanied by a photograph entitled ‘Languid lesson: Students basking in Regent’s Park, London yesterday’. The photograph that should have been used – of dejected Argentine soldiers being marched out of Goose Green into captivity – appeared on page three where there was no directly related article. Put simply, Douglas-Home had none of the visual awareness of his ousted predecessor. The magic touch of Harold Evans and his design team was noticeably lacking.
Max Hastings of the Evening Standard had proved to be the most successful reporter of the conflict, a reality that created enmity from some of the other reporters who felt he had been given preferential treatment on account of his being au fait with Army ways. Journalists’ squabbling over who got the best coverage appeared petty to soldiers and sailors whose every thought and action had been directed towards a team effort and a common purpose. Three of the journalists, including the representative from the Guardian, so hated the experience of covering the war that they quit and had to be brought home before the campaign was over. Witherow had stuck it out. Right at the very last moment, he was almost rewarded with the scoop he had been so long seeking. Having surrendered to General Moore, General Menendez, the Argentine commander-in-chief, was being held in a cabin on HMS Fearless. With Patrick Bishop, Witherow managed to sneak into the cabin and began interviewing the defeated general. Unfortunately, the inquisition had not advanced far when a naval officer walked in, discovered what was afoot and bundled the two reporters out.63
The strident jingoism of the Sun and the less patriotic ‘even-handedness’ of the BBC generated the two shouting matches within the media. The Times gave little space to the first issue but it refused to join what it termed the ‘shrill chorus of complaint’ heard from the Sun and right-wing Tories who perceived the BBC’s attempts to present both sides of the argument as tantamount to treason. The MoD’s inability to speed the supply of copy from the South Atlantic inevitably ensured news services turned to other sources – including Argentine ones – to find out what was going on. What else could they do but cite ‘Argentine claims’ against ‘British claims’? However, the Panorama presenter Robert Kee had taken the unusual step of writing a letter to The Times criticizing the one-sided anti-war tone of one of the offending reports on his own programme.64 This ensured the end of Kee’s Panorama career but it was noticeable that The Times did not share the Sun’s view that there were ‘traitors in our midst’, especially in the Corporation.
The boost in national newspaper circulation during the conflict was scarcely perceptible. By the end of hostilities, the increase was below 1 per cent. This tended to support the analysts’ claim that the tabloid market had long been at saturation point. But if people were not buying more newspapers, it did not mean they were not above switching titles. Looked at over a slightly broader period, comparing the same March to September period of the previous year, The Times circulation had risen 13,000 to 303,300. This compared to a 66,000 fall in the Telegraph to 1,313,000 while the war-sceptic Guardian had risen by over 8 per cent (33,500) to 421,700, increasing the margin of its lead over The Times.65 In sales figures, it was the Guardian that, ironically, had the best war.
II
The stalwart position adopted by the new editor came as no surprise to those who knew him. Among those who did not, there was an easy temptation to portray Charlie Douglas-Home as a placeman of the Establishment. He had gone to Eton and Sandhurst but not to university. His middle name was Cospatrick. His uncle, Sir Alec, had succeeded Harold Macmillan as Prime Minister and his defeat in the subsequent 1964 general election was widely interpreted as victory for British meritocracy. His mother moved in Court circles. His cousin, Lady Diana Spencer, was still in the first year of her marriage to Prince Charles. As the Princess of Wales she carried the hopes not only of a dynasty but also of much of the nation. Even without this connection, Douglas-Home had been a close friend of the Prince of Wales since the 1970s, the two men having been brought together by Laurens van der Post.
Charlie Douglas-Home certainly had the self-confident attributes of one used to privileged surroundings and high-achieving company. In particular, he had a quick and natural wit that put those he met at their ease. But his background also contained its fair share of family problems, dysfunctional relationships and alcoholism. His brother, Robin, was an accomplished pianist (he was regularly engaged entertaining the members of the Clermont Club in Berkeley Square) and a great lover of beautiful women. Married in 1960 to Sandra Paul, the model and future wife of the Tory leader Michael Howard, he subsequently had affairs with Jackie Kennedy, Princess Margaretha of Sweden and, ultimately, Princess Margaret. After he lost the affections of the Queen’s sister to Peter Sellers, he committed suicide in 1968, aged thirty-six. Following the funeral, Charlie came across a manuscript