The Illusionists. Rosie Thomas

The Illusionists - Rosie  Thomas


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      ‘That’s good. That’s really very good,’ he said. He was impressed. The dwarf had compressed his body into a space that seemed hardly more than a foot square.

      ‘Watch me,’ Carlo snapped. He breathed in deeply, exhaled, and reduced himself by another inch in all directions.

      ‘Stop,’ Devil laughed. ‘I am afraid that you will vanish altogether. Can you still speak and move your head?’

      ‘Of course.’

      The dwarf’s head, which was not undersized, rotated freely above the boards. There was no sign of physical strain in his face and his voice was as smooth as cream.

      The ribbon of gold in Devil’s head looped and tied itself off into a giant bow.

      He put the boards aside and silently admired the way that Carlo unfolded his limbs before stretching his little body upright again.

      ‘There is just one detail.’

      Carlo tipped his head. ‘What’s that?’

      ‘Your size.’

      ‘What? My size is our money.’

      ‘It will provide a significant contribution to our funds, I agree. I acknowledge that. My skills as an actor, as the master magician who will conjure your smallness, will be another invaluable element. I am also our financial negotiator, as you know.’

      ‘Hah,’ sniffed Carlo.

      ‘And all my experience dictates that your stature should be our stage secret.’

      ‘What do you mean by that? I am not ashamed. I want the world to know who I am, Carlo Boldoni, straight from performing before the crowned heads of …’

      ‘Quite,’ Devil said. ‘I am only suggesting that to reveal your stature to the public would be to take away some of the intrigue of the illusion.’

      There was a silence. Carlo’s personal vanity and ambition strained visibly.

      ‘What do you want me to do?’

      ‘For this trick, to appear onstage as a full-sized man. Is there perhaps a way you can do that?’

      ‘Hah,’ Carlo sniffed again. He made a return to his baggage and this time brought out a pair of wooden struts with shaped foot-pieces at either end. Devil watched with interest as he sank to fit these stilts to his boots, then used Devil’s long leg as a prop to haul himself upright again. Their eyes met almost on a level.

      ‘Walk,’ Devil ordered.

      The stilt-walk was well practised, tinged with swagger, like everything Carlo did.

      ‘That’s good. Very good,’ Devil said again. ‘You could use those to step out in the world like a normal man, couldn’t you?’

      Carlo’s face went dark. ‘I am a normal man. My body is the same as yours, bar its length. My feelings are the same as yours and all, except I’m too mannerly to tell you that you’re an ignorant numpty. Until you force me to do so, that is.’

      Devil kept a straight face. ‘I am very sorry, and you are quite right. I was rude and tactless. Will you forgive me?’

      He held out his hand and after only a moment’s hesitation the dwarf extended his own and they shook. This was a significant moment and they both chose to ignore it.

      ‘So I get a costume?’ Carlo persisted.

      ‘Allow me time to work out the details of our drama, and we will have the finest costume in London sewn for you.’

      Then Devil unbuttoned his waistcoat and put it aside before rolling up his shirtsleeves. From the heap of timbers he selected and held up one pair of cheap chair legs, roughly turned and bristling with splinters. He was no master carpenter, but he had built plenty of stage devices in the past. This one would have to be the best of them.

      ‘Let’s get to work,’ he said.

      The lantern light threw up their shadows, large and small, against the dirty wall. For the rest of the night the coffin maker’s workshop was as loud with the sounds of sawing and hammering as during the daylight hours.

      Dawn was breaking when the two men finally emerged into the street. Carlo was grey with fatigue, rubbing his face and stretching to ease his aching body. Devil looked as alert and handsome as he had done before their night’s work started.

      ‘I will need a coffin myself if I don’t get some rest,’ Carlo grumbled. ‘I’m going back to your place for a sleep.’

      ‘I shall see you later,’ Devil replied.

      He walked through the tiny alleys and the crowded courts of the area that housed timber merchants, furniture makers, metalworkers, printers and block makers, and emerged into Clerkenwell Road. The sky lightened from grey to pearl and the cobbles underfoot glistened with damp. Birdsong rose from the eaves of the houses and the trees in St John’s Square, competing with the rumble of carters’ wheels. Devil walked slowly, savouring the bite of the chill air and the smell of frying kidneys that drifted from an open window. In Farringdon Road the omnibuses were already crowded and a steady stream of black-coated clerks flowed out of the railway station. Devil was washed along in the tide of men, passing under the florid ironwork of the new viaduct and on down to Ludgate Circus. When he glanced up Ludgate Hill he saw that the dome of St Paul’s was rinsed in the glowing light of the rising sun. He stopped to admire the view. It didn’t often occur to him that the city was beautiful. In general he thought it was the opposite but today, with the satisfaction of a good night’s work completed and the gold ribbon decorating his dreams, he saw its richness and promise reflected in all the domes and roofs and sun-gilded windows.

      He was whistling with satisfaction as he paced along the Strand and reached the Palmyra theatre at last.

      The frontage looked the same, still boarded up and whiskered with buddleia stalks. Down the side alley, however, there was a change. A heavy new door had been fitted, secured with iron hinges and locks. For good measure a padlock and chain were attached to a massive bolt. That was all good. The threshold and step were spread with sawdust. Devil stooped down and rubbed the damp grains between his fingers. There was work being undertaken here, just as there was at the coffin maker’s. Then, not hoping for anything, he put his shoulder to the door and pushed. It didn’t yield even by a fraction. He resorted to thumping on the door panels but no response came except from a knot of urchins looking out for trouble at the street corner.

      ‘Ain’t nobody in, mister,’ they jeered. ‘Forgot yer key, did yer?’

      They raced away as soon as Devil headed for them. He walked along the flank of the building, running his fingertips over the flaking paint and crumbling stonework. The old theatre seemed to breathe in response to his touch.

      ‘Here I am,’ he muttered to it. ‘And we’ll see what we shall see, eh?’

      Recalling the dim interior, he wanted nothing more than to explore the place properly, in daylight, and without the vulgar insistence of Jacko Grady at his shoulder. For one thing, the box trick he and Carlo had in mind would require trapdoors, and other installations beneath whatever kind of stage would replace the ruined one. He needed to inspect the whole area and take measurements for the construction of his cabinet. Clearly, though, this wasn’t going to happen today. He bestowed a last touch on one of the fluted pilasters flanking the ruined front doors, and looked upwards to the little cupola surmounting the building. He touched the brim of his bowler.

      ‘See you later.’ He smiled almost tenderly.

      He had it in his mind to pay a visit to the wax modeller, who happened to be one of the very few of his acquaintances with any knowledge of the days before Devil Wix, when he had been Hector Crumhall. But this craftsman’s place of work was in Camden Town, a long way north of the Strand. Devil thought he would go home to his lodging first and snatch an hour’s sleep, if that were to prove possible against the racket of Carlo’s snoring.

      The


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