The Man from Saigon. Marti Leimbach
party guests, unable to contain themselves in the excitement of the abrupt night, moved in waves in one direction, then another, guided only by the momentary hiss of a lit match, the glow of cigarettes, the few penlights that passed from hand to hand like batons.
And then, just as he least expected it, she was by his side. He recognized her profile in the darkness, her nose, her chin, the shape of her hips in the dress. Her voice was new to him. He’d never before heard her speak. I know you, she said, standing at his shoulder. He took her in, straining his eyes to see her more clearly. He remembered how in the bunker a few weeks earlier the darkness had obscured her, and how she’d arrived with the unexpected tide of light from the sergeant’s lamp. He could picture her face then, streaked with mud, a few scratch marks, her eyes frozen in fear, pupils wide, her mouth open, unsure whether even to take in a breath. He reminded himself that he had once held her, crying, in his arms. It gave him confidence to remember that, to tell himself that she had found solace this way.
She said, I wasn’t sure, at first, and then I thought maybe—I don’t know—that you wouldn’t want me to bother you.
The rain was heavy now, the drops splattering the floor near the window, open for the necessary breeze it allowed into the crowded room. He saw a fat raindrop land on her bare arm, another on her shoulder, and it was all he could do not to reach out and wipe them away. You’re getting wet, he said, leading her from the window. Lightning came and went; with every bolt she became temporarily visible, the opaque whiteness making her skin seem pale, almost translucent. Then she seemed to disappear altogether as his eyes adjusted to the dark wake of the vanished electricity. He was fascinated by her presence, he couldn’t say why. He had anticipated this meeting for weeks, guessing at where he might see her, and under what circumstances. He’d been careful how he asked after her, allowing himself to display no greater interest than he would in any new journalist he might see in the field, or at least not much more. He knew her name, who she worked for, a few places she had been recently. He looked at her now, wondering whether to tell her how he had sought her out, how her memory had dogged him. They had met in such honest isolation, both of them terrified, neither hiding nor able to hide anything about themselves. He had never admitted, nor would admit, to that kind of fear, certainly not to another journalist. But she’d been there, witnessed it, given him the gift of her trust as she clung to him in the bunker. Now she said I know you, and it seemed so right and appropriate a greeting. She did know him, had seen a part of him he did not allow himself to dwell upon; he had considered at that time the possibility that they would suffer a direct hit, that the bunker would disintegrate and take them with it, that he would die with her there. He’d thought of that very thing and he knew, too, that she had.
The lightning came and went once more, a kind of shutter through which they saw each other and then did not. When he was able to focus again he saw her blinking up at him, smiling. He had not seen her smile before and he drank it in, greedy for it. She was so alive, so vibrant before him. He had found her once more. That, in itself, seemed a miracle. He wanted to scoop her up in his arms and twirl her.
I wasn’t sure whether to come over or not, she said.
I’m glad you did.
I used to see you on the news all the time. Before I arrived here, I mean.
He nodded, at first confused. She carried on talking now, listing some of the news reports she’d particularly admired, one of which he hadn’t done at all—it had been a colleague of his at the network—and at some point he realized that when she’d said I know you this is what she’d meant. That she’d seen him on television.
His stomach soured; the euphoria of a few seconds earlier drifted away. He felt himself receding, as though he had somehow been suddenly transported to the ceiling and was now looking down upon himself talking to this woman, a young and attractive woman who had no idea who he was except as he appeared on television when he did his best to sound as much as possible like Walter Cronkite. He wanted to rewind to that moment by the window, or even before when he followed her around the crowded rooms. He found himself shaking his head slowly, unintentionally back and forth. She had no idea who he was. Whatever he thought of their meeting in Con Thien, it held nothing for her. She seemed to him suddenly just like any girl, like anyone else at the party. He watched her grow silent in front of him, aware perhaps that something inside him had shut down, that he was no longer listening.
I’m sorry, he said, his voice filled with disappointment, sounding overly contained, even robotic. I thought you were someone else.
The lights went on again and a great round of applause erupted from the party’s guests. He could see her plainly now, and though the storm continued to rage outside it no longer felt as if it were here in the room, even between them. The record went back on, so loud that the guests raised their voices to shout over the heavy beat. Some began dancing, colliding into those who stood with drinks and some who sat. She leaned toward him so that her mouth was just under his chin, her brow knit, and said in a clipped manner, Then I beg your pardon.
She turned and walked in one deliberate, fluid movement, leaving him unsure whether to follow or let her go. He was angry and he had no right to be angry. He wanted to call to her, even to argue with her, this stranger, a woman whom (he reminded himself now) he did not even know. Unable to get her attention in the din of the party noise, the blaring music, the waves of laughter that seemed to come from the corners of the room, he went after her once more. When he was close enough, he reached forward and touched her shoulder and she turned, her eyes fierce upon his. Now he saw her as he remembered her, the strength of her emotions connecting them. It comforted him somehow, to see her once more as strong and clear as she’d been those weeks ago, not hiding a thing about herself. She could hate him if she wanted; that was understandable. He’d humiliated her—he realized that—but it hadn’t been deliberate and he wanted to tell her so. Instead, what came out was altogether different, a plea from inside him that he hadn’t reckoned on. He said, You were in that bunker by the observation post. We sat across from one another. You don’t remember that?
She looked confused at first and he thought for one brief, dreadful moment that somehow he’d gotten the wrong girl altogether, that it was his mistake. It didn’t seem possible that the girl in the bunker was some other English girl. He knew her face, her eyes. But there was no point in carrying on. It had happened, finally, even inevitably: they had met again. Never in all his imaginings did the event have so little importance.
I’m sorry, he said. Never mind.
He looked down, trying to decide how best to navigate himself away, out of the room, the hall, the hotel. He thought he could go to the bureau, or somewhere.
Then she said, Con Thien?
He felt something between them relax. He looked up and saw her face, the awareness arriving like a slow-growing wave. She began to fidget, holding her elbow with one hand, pressing her fingers over her mouth. She looked at him newly, her eyes scanning his face, his chest, his hands. Finally she said, I remember that.
He hadn’t moved, was standing close, still holding her arm.
She said, I didn’t know it was you. I mean, how would I know? You were covered in dirt. You didn’t have a helmet on and it was all in your hair—Her hands moved to her own hair as she said the words. He felt the corners of his mouth rise, felt a wash of relief. She remembered. He let go her arm now, sure she would remain with him, that whatever would happen now had already begun, had taken hold. She looked down at the floor, a frown of concentration across her brow. I thought you were a marine, she explained.
No—he began.
Your hair is short like a marine and you had a first-aid pouch—
It was a tape recorder. The first-aid pouch is waterproof so I use it—
You weren’t wearing glasses.
They were in my hand.
I was sure—
Susan,