The Sea Inside. Philip Hoare
I back off, shocked at the sight. I knew there was a seal colony just along the Solent – I’d seen grey and harbour seals there, lounging on the mud flats, so blubbery and lazy that algae grew on their backs where they spent all their time basking in the sun, raising their hind flippers in the air to keep them warm on chillier days. From a distance, they look quite cute. But coming face to face with one in the water was another matter. Weighing up to eight hundred pounds, grey seals have sharp claws and teeth that can cause a serious infection, Mycobacterium marinum, otherwise known as seal finger, which may result in the loss of affected digits.
The seal and I regard each other, equally surprised. He’s twice my size, clearly a mature male. He raises his grizzly head, lugubriously. I’m not sure what he intends to do, but I’m not going to wait to find out. Kicking out with my feet to persuade the animal to keep its distance, I make for the shore – only to discover that the great beast has followed me, swimming beneath the surface. Scrambling onto the safety of the sea wall and reaching for my clothes, I look down at it.
I was right to be apprehensive. Up close, it is even bigger, almost magnified by the clear water. It looks more like a manatee as it hangs there, puffing away quite quizzically, all whiskers and wrinkles, trying to work out what I am, this pale, unsealish creature. I hurry to dress, keeping one eye on my marine companion. His curiosity satisfied, he turns towards the open water and sets off, popping up at intervals as he works his way upstream, before finally moving out of sight.
Back home, I walk around the house in the dark. I know its rooms as well as I know my own body. I catch myself in the mirror on the landing, hung so that my mother could check her make-up before coming downstairs, her necklace in place, just as my father always wore a tie. Now I look in it and wonder who I am.
I step outside, under the frost-sharpened sky, and a watery array: Pisces, Aquarius, Capricornus, Delphinus, and Cetus the whale; a starry bestiary (as if infinity wasn’t frightening enough already) of ancient patterns created by minds yet to be overwhelmed by the images that fill our waking day. They fall in slow motion – Orion’s brilliant grid, Betelgeuse’s dying watch-jewel, the Pleiades’ nebulous cloud – seen in the astronomer’s averted vision, as if too big to look at directly. They seem unchanging, but they represent cataclysmic explosions, speeding into oblivion, collapsing into themselves.
The nearness of the sea opens up the sky. I hold my binoculars shakily to a three-quarter moon, its cold face forever turned away; to Sylvia Plath, it seemed to drag the sea after it ‘like a dark crime’. Once, out in the garden late at night, I watched an unusually bright meteor flashing orange, red and white. As it fell to the horizon, its tail streaming behind like a medieval illumination, I heard it hiss and fizz.
Far off in the city centre a clock tower chimes. Inside the house, things shift and fall. Floorboards creak like a ship. It ticks with the ebbing heat as it falls asleep. I lie in my narrow bed, listening to the sound of the dark. A vague rumbling drifts over from the docks, godless, twenty-four-hour places where the black water ripples with sodium traces. Turning off my bedside light, I hear someone call my name, as if the night won’t leave me alone. Evenings I once spent drinking and dancing and taking drugs are now filled with a heady emptiness. Late at night, I think there’s some animal stirring in one of the rooms, a bear cub being licked into shape. And sometimes I wake in the early hours to hear my mother washing up downstairs, even though she died six years ago.
The house has its own history, plastered over, extended, reduced, rising and falling with fashion like the hemlines of a woman’s skirt. The lawn where I lay as a teenager, reading King Lear on a hot midsummer’s afternoon although I’d rather have been listening to Ziggy Stardust on my cassette recorder, has long been overtaken by meadow grass. Somewhere deep in the bushes is the chain-link fence that first marked these plots parcelled out on the heath by a 1920s developer. If you can age a hedgerow by the number of species in a given stretch, you can date a street by its styles and details. Things here were once more empty: open coal fires rather than central heating, a hot-water geyser that exploded into blue life over the old enamel bath, and a bare electric fire hung even more dangerously overhead. No telephone, no fitted carpet, no double glazing; children spilled out of doors.
Then the view was open to what lay ahead, and a shop stood on each corner of the crossroads: a grocer’s and post office combined, where you could buy postal orders while your luncheon meat was sliced; a butcher’s shop with tiles and sawdust and bloody lumps of offal; a hairdresser’s with its oval helmets that made their occupants look like astronauts, preserved in permanent lotion; and a brown-painted cubby-hole of a shop run by a lone elderly lady which sold only sweets and was rarely if ever open. All gone now. Here, as elsewhere, suburbia has disappointed its utopian dreams. Bramble finds its way into every crack.
At the bottom of the garden – beyond the summer house whose interior is festooned with ancient spiders’ webs, each dangling white drop holding a mummified fly – is a crumbling potting shed. Recently, a sudden hailstorm caught me out in the garden, and I dived into the shed for shelter.
It was the first time I’d set foot inside the place for months, maybe even years. The roof was rotten and yawning to the skies in two places, as though a bomb had hit it; everything was decaying with lost summers and long-dead flowers. A pair of deflated bikes stood stacked against the tilting walls. Plant pots tottered in towers. Bamboo canes which once guided sweet peas to the sun gathered in the corner, the twine still wound around their knotty rings. The entire edifice was slowly decomposing. As I stood there, still in the silence save for the rattle on what was left of the roof, the hailstones poured in through the holes like sand in an egg timer, threatening to fill the interior with granulated ice.
Behind the shed a high privet hedge, blowsy like green clouds, hides an alleyway where my brothers would collect grass snakes, slithering in a bucket. Hedgehogs still shuffle out of it at night, leaving paths in the grass. At the end of the cutway, across the road, lies what is left of the common, a narrow, tree-filled valley dipping down to a stream, from where I hear the call of a tawny owl at night, drifting over the roofs, as if it might be caught by a satellite dish.
One afternoon my father, working on his much-manured vegetable patch, called to us to see a slow worm on the lawn; it must have slithered out from the compost heap. For some reason, I picked up a spade and drove it down on the lizard, slicing it in half. I remember being surprised by the blood that oozed out of the bisected reptile.
What had I expected? Did I think it was one of my rubber toys? Fascinated and horrified by what I’d done, I stood there, staring stupidly. I still regret it. On only two other occasions have I been personally responsible for the death of an animal. One was a hedgehog that I once found with a growth on its eye like a bloated pale pea. I drowned it in a bucket of water, holding it down, feeling its tight-balled body open and close, briefly. The last was rather more recent.
I first saw it out of the corner of my eye, a white blur on the beach. After I’d swum I saw that the bird was still there.
It was nothing unusual: a black-headed gull. As I walked towards it, it ran off rather than took to the air. Then I saw its wing tip hanging, obviously and dramatically broken. Had a dog or a fox done that? Every now and then it tucked its head round to the injured site, pecking at the disconnected bones, unable to understand. Why couldn’t it do what it usually did? It could not comprehend the malfunction. I could, but I ignored it, and cycled home, thinking determinedly about lunch instead.
A year or so before, I’d been cycling along the beach when I saw a pair of mute swans, a common enough sight here, running their belisha-beacon beaks through the shallows. The Nordic historian Olaus Magnus wrote in 1555: ‘The swan, as everyone certainly knows, is a placid, good-natured bird.’ He noted that it derives its name, Cygnus, from its singing, sounding sweetly from its long, curving neck, although he added that in old age, it sings with one wing over its head, its swansong ‘as it departs from life. Plato says that it sings not from sadness but from joy as its end draws near.’ Like the ermine, said to prefer to die rather than soil its white winter coat, the swan is pledged to maintain its whiteness, as immaculate as the newly laundered shirt of an African schoolchild.
But one of these swans