The Street Philosopher. Matthew Plampin

The Street Philosopher - Matthew  Plampin


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to its side.

      ‘Mr Kitson, d’you seek your senior?’

      Kitson grinned at the clear suggestion in Maynard’s voice that this might well not be the case. After the clash with Boyce, and a subsequent (rather desultory) attempt to speak with some of the more senior officers, Cracknell had vanished. He had not shown himself at the Courier tent–even as dawn had arrived and his juniors had set about dismantling it and then dragging it down to the beach to be loaded on to a transport vessel. ‘I suppose so.’

      Maynard chuckled. ‘Then the word is that he’s right at the front of the column, harassing the 11th Hussars. They say that Cardigan is ready to run him down.’

      ‘Why am I not surprised, Major?’

      ‘That was quite some performance he gave last night. He’s developing a real talent for aggravating my commander, isn’t he?’ The Major stopped smiling. ‘That’s maybe something you might wish to discuss with him, Mr Kitson–being the more rational of the Courier’s correspondents.’

      ‘Faint praise if ever I heard it. And I’m afraid that he would heed me less than anyone, Major. All we can do is to endeavour to keep them well apart, and hope this campaign is over as quickly as is being predicted.’ Kitson turned over a page in his pocketbook and readied his pencil. ‘With that in mind, may I ask your opinion on the rumours that Russian forces have been sighted around the Heights at the mouth of the Alma valley–interposing themselves between us and Sebastopol?’

      Maynard eyed him wearily and opened his mouth to reply. A loud smashing sound nearby distracted him; some thirty yards back from the column, a group of lancers, splintered off from the Light Brigade, were kicking in the door of a squat peasant cottage, half-hidden in a thick bramble bush. They pulled at the shards with their white-gloved hands and piled inside. Kitson hoped that its inhabitants had abandoned it and fled to safety, well out of the army’s path. Some of the marching infantrymen looked over without much interest.

      ‘The noble 17th,’ the Major muttered disapprovingly. ‘Such robbery is a shameful part of army life, Mr Kitson, as I’m sure you’ve discovered by now. A part that I for one hope the scrutiny of the press might help to discourage.’

      Kitson remembered the statuette and Cracknell’s cursory response to the story of its destruction. ‘My hope also, Major, but there is scant interest in such matters, and a delicate balance must be struck between—’

      Maynard, glowering at the cottage and the horses tethered outside it, was not listening. ‘I shall stop them.’ He removed his hand from the cart’s side and straightened his cap decisively. ‘Whether they’ll heed an infantry officer–well, we shall see. Good day to you, Mr Kitson.’

      The column swallowed Major Maynard back up again and the supply cart trundled on, leaving the lancers and the cottage behind. Kitson glanced around. Styles was perched on a barrel at the other end of the cart, still sketching absorbedly. Loath to interrupt him, Kitson flicked back the page in his pocketbook and looked again at the paragraphs he had written that morning. Something about their triumphal tone was unsatisfactory. He tapped his pencil against his thumbnail; and then noticed Styles’ drawing folder, tucked between two crates not far from where he sat. It occurred to him that neither he nor Cracknell had actually inspected the illustrator’s work yet–a lamentable oversight indeed. He reached for the folder and unlaced it.

      Top of the pile was a loose, urgent recollection of the exchange that had occurred before Lieutenant-Colonel Boyce’s tent the night before. It depicted the moment Cracknell appeared before the officers of the 99th. Styles had captured perfectly the contrast between the senior correspondent’s careless pose and the startled rigidity of those he confronted. The drawing was animated yet unmannered; accurate yet unfussy; balanced yet dynamic. Kitson drew in a deep breath. He’d been wondering why exactly O’Farrell had been so keen to hire this Mr Styles, given his evident inexperience–and here was the answer. Robert Styles was a man of true ability, of genius even, far beyond the hack illustrators who were usually employed by the Courier. Put an artist of this calibre in front of momentous events such as those unfolding in the Crimea, and something of significance was sure to result.

      The correspondent leafed through the pile, his smile broadening; there were studies of the minarets and towers of Constantinople, of groups of people huddled against the rail of the H.M.S. Arthur, of the landing zone drawn from the sea. All were similarly expert. Then he came to one that made him stop.

      It was a portrait of Madeleine Boyce. She was seated in a deck-chair, one hand raised to shield her eyes from strong sunlight. She appeared pensive, as if contemplating something away in the distance. The scene had been treated informally; it showed a young woman, fashionably dressed, relaxing on the deck of a ship. Yet the image was infused with a beauty that entirely transcended this mundane setting. It was plainly a work born of a lover’s ardour. The man who had drawn it, Kitson realised, would not give up on its subject as easily as Styles had seemed to do the evening before. There was more to come regarding the Courier’s illustrator and Mrs Boyce.

      Kitson closed the folder and got to his feet. Arms extended slightly to keep his balance in the rocking cart, he made his way to its rear. ‘Mr Styles,’ he called, ‘ready yourself. We must move to the front to find Cracknell. They say he is up there somewhere, badgering the cavalry.’

      He reached Styles’ side and saw the vista laid out before him. In the wake of the columns was scattered a multitude of spent and dying soldiers, shed from the advancing army like dusty red petals. This was what the illustrator had been drawing with such furious concentration: not magnificence, not glory, but suffering and ignominious death. The sheet in front of him contained studies of collapsed, cholera-ridden men, doubled up in agony or lying insensibly in pools of smoky shadow. Kitson stared hard at Styles for a moment. Ashamed by the vulnerability he had displayed the previous day, the illustrator was trying to cauterise the tender part of his soul by pressing it against that from which it had so naturally recoiled.

      ‘Come,’ Kitson said abruptly, handing over the folder. ‘We have to go.’

      They jumped from the cart and began to walk quickly up the line, their light packs and relative freshness enabling them easily to outpace the exhausted infantry. Without slowing, Kitson lifted his pocketbook and put several heavy pencil strokes through the morning’s paragraphs.

      Slowly, as Kitson and Styles worked their way along the column, the landscape around the Allied Army began to change, the wide, smooth plains rumpling up into a series of ridges and hollows. They passed several burning farmsteads, the trails of black smoke mirroring those issuing from the fleet steaming along to their right, out on the shining expanse of the Black Sea. This was not the work of mere looters–its purpose was obliteration, done to deny the invaders shelter and sustenance. The Russians were not far away.

      The vanguard of the vast army was marked by a concentration of the richly coloured flags and banners that were dotted throughout the columns, and a large block of mounted officers that included several senior generals from the French and British forces. Kitson’s thirst, however, was now so intense as to confine his interest solely to locating Cracknell and obtaining something to drink. All in the British ranks suffered as he did; the correspondent grew increasingly mystified as to why no provision had been made to supply this basic want. The young illustrator, too, started to complain about his parched lips and throat. Kitson, his manner entirely serious, assured him that Cracknell would be waiting for them just past the next ridge, cradling a huge stone jug of water. He warmed to this notion, adding bunches of luscious grapes to the picture, and succulent Crimean melons, and ripe peaches too, all heaped plentifully at their senior’s feet. Styles could not help laughing at this unlikely vision.

      The real Cracknell, however, continued to elude them. He was not bothering the cavalry, as Maynard had reported; a short distance inland, reconnaissance squadrons of scarlet-trousered hussars were galloping across the ridges entirely unimpeded, whooping and whistling as they went. Nor was he trying to speak to the generals. There was no sign of him anywhere. Their little quest was starting to seem hopelessly misguided.

      Suddenly a febrile


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