The Element Encyclopedia of Magical Creatures: The Ultimate A–Z of Fantastic Beings from Myth and Magic. John Matthews

The Element Encyclopedia of Magical Creatures: The Ultimate A–Z of Fantastic Beings from Myth and Magic - John  Matthews


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creatures that destroy the world; creatures who are one half human, one half animal and sometimes even part god. Here are animals we think we know, but whose natures are magical; creatures who have strange characteristics such as faces in the middle of their bodies, animal heads, forelegs and back legs of different species. Here also are creatures that follow us, padding silently through the night; creatures that prey upon us, from the fearsome and terrible fire-breathing dragon, to the body of water that has a mind of its own and will leap up and chase you before gobbling you up. All are the product – in one form or another – of human imagination, from a time before thought was organized into word and word into text.

      Curiously, it seems we have come full circle, since in our own time imagination responds more to visual stimuli rather than to ancient tales, and we are by no means bereft of creatures that enthral, scare and astonish us with their wonder. Film and TV are, for many of us, the first and most immediate source of myth and folktale – from the classic stop-frame animation of Ray Harryhausen, who gave us Medusa and Pegasus in Jason and the Argonauts, to Steven Spielberg’s Jurassic Park, with its credible dinosaurs, we have gained an appetite for ever more wondrous creatures. Whether we think of the computer-animated adventures of the ogre Shrek, or the mythic creatures conjured up, and sometimes ridden, by Harry Potter and his friends at Hogwarts Academy, we are not content simply to accommodate the creatures we have known from the past – we want more. The cinema has not been slow to satisfy this appetite and to stretch our imagination even further. George Lucas has given us a veritable menagerie of new species in his Star Wars universe – from Wookies to Bantha, from Rancor to Hutt. In addition, a legion of movies and TV shows such as Buffy the Vampire Slayer, Angel and Ultraviolet, numerous versions of Dracula and the Blade trilogy, have kept the history of Vampires and Werewolves fresh and alive in our dreams. These clearly demonstrate that we have not seen the last of the creatures that are to enter into creation.

      The naming of animals is a primal task, one that God, in the Christian myth, gave to Adam in the Garden of Eden. Naming is a means of understanding more about an animal, for the name denotes the nature. Our collection is a wonderful menagerie where names have been arranged in alphabetical order for ease of consultation, but we urge you to read where your imagination prompts you, as it pleases you to explore, to learn more about Kkuuxuginaagits, the Ganiagwaidhegowa or the wonderfully onomatopoeic Toatoatavaya-o.

      This book is a zoology of the imagination more than it is a natural history. It follows the myths of magical creatures wherever they show themselves, myths that are primal stories encoding understandings that we grasp by means of metaphor rather than with any literal-mindedness. Where will these creatures lead us?

      The Supernaturals

      Magical creatures and fabulous animals form part of the order of nature that we can call the supernaturals. The place of their existence is not in the physical world, but in the otherworldly realms that surround and permeate our own world. Because the Otherworld and our own everyday world overlap at different points, where time and place interface with timeless space, these are the points where we encounter its inhabitants. For example, the unicorn does not just live in times past because the stories we tell about it seem fabulous, it has its own timeless existence in the Otherworld. It can cross out of that realm and appear when it chooses and to whom it chooses.

      Those who go in pursuit of the supernaturals must be prepared to follow them into other dimensions. It is only time and placebound folk who deny their existence, because they have lost the flexibility and sense of adventure to go in quest of them. These otherworldly dimensions and the coordinates of transfer between realms have become less known and frequented in an age that is becoming sealed into one side of reality. This reserve or scepticism about other realms is not a problem that has arisen just in our time, as Shakespeare shows in Henry IV, where Hotspur rants about Glendower’s arcane beliefs:

       ’…sometimes he angers me

       With telling me of the moldwarp and the ant,

      Of the dreamer Merlin and his prophecies, And of a dragon, and a finless fish, A clip-wing’d griffin, and a moulten raven, A couching lion, and ramping cat, And such a deal of skimble-shamble stuff As puts me from my faith.’

      Around us are many such muggles as Hotspur who are content to inhabit mundane reality, just as in the world of Harry Potter, where magicians are distinct from nonmagicians. But we do not have to become magicians in order to explore the world of the supernaturals, though it does help to have a flexible imagination that is prepared to follow dreams, listen to traveller’s tales and explore the ways in which we can encounter these magical creatures for ourselves. If we are prepared to loiter on the borders of the worlds, we will find what we had never imagined as well as some of the things that we did.

      Evolution and Memory

      According to Darwinian theories of evolution, it is logical to consider animals as the forerunners of human life, to see all creatures as part of a huge family tree of living beings. Such scientific theories are seen as being at odds with the traditional stories and myths told about the creating creatures who take an active part in the formation of life, but the mythic imagination allows intelligence and wisdom to animals in ways that science discounts or ignores.

      Darwin’s evolutionary pronouncements encouraged people to see themselves as descendants of a long tree of life, but when he made his discoveries public in the 19th century some people were astounded and distressed to find that they might have ape forebears, or that they might themselves be ‘monkey’s uncles’. In our own time, in 21st-century USA, the gap between received scientific history and religious tradition still jars the pedestrian foot on the pavement of scientific progress. In that country, and elsewhere, some fundamentalist Christians doggedly deny the Darwinian theory of evolution of our descent through a chain of creatures, and continue to assert that human beings are the result of nothing less than a direct and discrete creation by God. What they make of the discovery of early hominids and other fossils is unknown to us, but this must be highly inconvenient evidence to such believers at the very least. (See ‘Epilogue’, page 645.)

      Natural historians tell us that our bodies bear the mark of our animal origins from the serpentine scales of our skins, the bovine horn of our nails and the animal hair that grows on our bodies, among a variety of other physiological and cellular similarities. But the link between people and animals is not merely an evolutionary connection. It is a fundamental mythic understanding that is shared by traditional societies: we are part of a sacred continuum of life that cannot be severed without supreme loss of meaning.

      In traditional reckoning, the passing of time is frequently marked by the listing of a sequence of living beings, including a succession of animals. A traditional Irish reckoning of lifetimes, goes like this:

       ‘Three fields to a tree

       Three trees to a hound

       Three hounds to a horse

       Three horses to a human being

       Three human beings to a deer

       Three deer to an eagle

       Three eagles to a salmon

       Three salmon to a yew

       Three yews to an age of the world.’

      This is not a measure of literal commensuration but a measurement of myth and memory. What is so salutary in this particular list is that human beings are located between horses and deer in mythic longevity.

      The Shape of Story

      In every culture throughout the world, there is a rich vein of animal myths and stories that are related to the primal beginnings of the world. These cycles of stories are often the very first stories ever told. In them, the wisdom and lore of the first animal beings relate


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